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The House Made of Sugar
A Longreads Exclusive: The newly translated short story from Silvina Ocampo’s collection, Thus Were Their Faces.
Longreads Best of 2013: Here Is What Happens After You Write a New York Times Story About Lindsay Lohan
Here Is What Happens When You Cast Lindsay Lohan in Your Movie Stephen Rodrick | New York Times Magazine | January 2013 | 31 minutes (7,752 words) Stephen Rodrick (@stephenrodrick) is a contributing writer for The New York Times Magazine, contributing editor for Men’s Journal and author of The Magical Stranger.
The Last, Disposable Action Hero
Hollywood studios are increasingly focusing on creating expensive action movies with less costly unknown actors. For some of these unknowns, it’s a chance to skyrocket into fame, but it’s not that easy: Hollywood has gotten creative in its hunt for the next big action star. Producers have considered scouting high-school football games. Brett Norensberg, an […]
Fresh Air Interview: Joaquin Phoenix
Awkward, wonderful interview with an actor who hates to be interviewed: PHOENIX: If I was driving and I heard this, I’d be – I’d change the channel. GROSS: I wouldn’t. PHOENIX: I’d be like, why – can you shut up? GROSS: Really? Does it bother you like that? PHOENIX: No. I mean, I don’t know, […]
The Art of Running from the Police
A young man concerned that the police will take him into custody comes to see danger and risk in the mundane doings of everyday life. To survive outside prison, he learns to hesitate when others walk casually forward, to see what others fail to notice, to fear what others trust or take for granted.
Budd & Leni
The story of Hollywood screenwriter Budd Schulberg’s unlikely collaboration with Nazi propagandist Leni Riefenstahl.
A Brief History of Disney
Here’s a reading list exploring Disney’s more than 80-year grip on popular culture—the animation, the music, the princesses, and the parents killed off in the First Act.
What Happens When Ronan Farrow Interviews Miley Cyrus
Beyond music, Cyrus is expanding her interests. After her breakup, she tells me, she asked Diane Martel, the director responsible for Cyrus’s “We Can’t Stop” and Robin Thicke’s “Blurred Lines” videos, to “just completely, like, drown me in new movies and books and art. I lived in Nashville, where that shit isn’t accessible.” We flip […]
