Jeff Hull’s Latitude Society explores the possibilities of art, intimacy, experience, and membership.
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The Box and the Basement
“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
Let’s Be Real
Wesley Morris examines the depiction of race and police officers in movies, and juxtaposes it against the shooting in Ferguson.
How ‘Shawshank Redemption’ Keeps Paying, 20 Years Later
“Shawshank” only began to get moviegoers’ attention after the Oscars, where it received seven nominations (but won no awards) and promptly was rereleased in theaters. The second run grossed an additional $10 million and primed it for its debut on home video, which at the time was still a robust revenue source. If Andy Dufresne […]
Werner Herzog Walks to Paris
In 1974 Werner Herzog walked from Munich to Paris, an act of faith to prevent the death of his friend Lotte Eisner. This is his account of the journey.
Finding Stories in Familiar Territory: An Interview With Miranda July
“I feel like the creative mind is very fast in some ways and completely blind as a bat in other ways.”
How the Emperor Became Human (and MacArthur Became Divine)
The end of divine rule in postwar Japan, and the absolute power of General MacArthur.
‘The Most Difficult Essay I’ve Ever Written’: Meghan Daum on Her Mother
“If you asked me what my central grievance with my mother was, I would tell you that I had a hard time not seeing her as a fraud.”
Looking for Raymond Chandler’s Los Angeles
Tracing Raymond Chandler’s early days in L.A.
The Radical Pessimism of Dashiell Hammett
The stories of Dashiell Hammett, Raymond Chandler once wrote, “gave murder back to the kind of people that commit it for reasons, not just to provide a corpse.”
