For eight years, a man with amnesia lived at a hospital in Mississippi. Who was he — and why had no one come looking for him?
Search results
Other Voices, Other Rooms
Leslie Jamison reviews “Private Lives Public Spaces,” an exhibition of home movies and photography at New York City’s Museum of Modern Art. What makes the exhibit fascinating is the thread of desire that runs through it — that keen human need to document our present as it all-too-quickly turns into our past.
Thumbing a Ride: What I Learned from Siskel and Ebert
Dipti S. Barot pays homage to the two irreplaceable voices who informed her love of good movies.
‘Some Things Never Leave You’: Christian Livermore on Poverty’s Indelible Marks
“For me, passing means trying to be anything other than what I was, and what I fear so desperately I always will be: poor white trash.”
After the Honeymoon Phase
For two childhood friends, Lifetime movies functioned as windows into their peers’ private lives, and served as fables with morals to live by. But while one friend treated the films as cautionary tales, the other helped create the shows’ tumultuous romantic situations in her own life – at least for a little while.
Still Waters
The muted response to Todd Haynes’s “Dark Waters” is depressingly similar to our culture’s muted response to climate change
The Joy of Watching (and Rewatching) Movies So Bad They’re Good
Michael Musto sings the praises of his favorite cinematic clunkers.
Judge a Book Not By its Gender
Lisa Whittington-Hill suggests there’s a distinct gender bias in celebrity memoirs. Where female celebrities are expected to expose all, male writers get to write about whatever they want.
‘The Fledglings Are Out!’
“Peering in, I see that last week’s eggs are now chicks. Tiny bright-yellow beaks, mouths opening and closing silently. This is the magic.”
The Top 5 Longreads of the Week
This week, we’re sharing stories from Doug Bock Clark, Thomas Lake, Leslie Jamison, Paul Thompson, and Jude Isabella.

