Every piece we selected as our top story of the week in 2023, all in one place.
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‘Some Things Never Leave You’: Christian Livermore on Poverty’s Indelible Marks
“For me, passing means trying to be anything other than what I was, and what I fear so desperately I always will be: poor white trash.”
After the Honeymoon Phase
For two childhood friends, Lifetime movies functioned as windows into their peers’ private lives, and served as fables with morals to live by. But while one friend treated the films as cautionary tales, the other helped create the shows’ tumultuous romantic situations in her own life – at least for a little while.
Still Waters
The muted response to Todd Haynes’s “Dark Waters” is depressingly similar to our culture’s muted response to climate change
The Joy of Watching (and Rewatching) Movies So Bad They’re Good
Michael Musto sings the praises of his favorite cinematic clunkers.
Judge a Book Not By its Gender
Lisa Whittington-Hill suggests there’s a distinct gender bias in celebrity memoirs. Where female celebrities are expected to expose all, male writers get to write about whatever they want.
Cahiers du Post-Cinéma
The movie theater was once a kind of lay church, with festivals like TIFF serving as annual religious holidays — until new houses of worship opened online.
The Top 5 Longreads of the Week
This week, we’re sharing stories from Doug Bock Clark, Thomas Lake, Leslie Jamison, Paul Thompson, and Jude Isabella.
‘The Fledglings Are Out!’
“Peering in, I see that last week’s eggs are now chicks. Tiny bright-yellow beaks, mouths opening and closing silently. This is the magic.”
The Art of Acceptance Speech Giving
Michael Musto looks back at some of the best, worst, and weirdest instances of performers expressing gratitude as they received their shiny trophies.

