Search Results for: memoir

Roxane Gay’s New Memoir About Her Weight May Be Her Most Feminist—and Revealing—Act Yet

Longreads Pick

Marisa Meltzer profiles Roxane Gay as the prolific author prepares to go on tour to support Hunger, a book she calls “by far the hardest book I’ve ever had to write.” In it, Gay reflects on what it’s like to live in a world that does not accommodate her body and how she “turned to food for numbness and protection” after being gang raped as a child.

Source: Elle
Published: Jun 14, 2017
Length: 15 minutes (3,874 words)

After Exploring the Past in his Bestselling Memoir, Bettyville, Writer George Hodgman Looks Toward the Future

Longreads Pick

A profile of George Hodgman, author of the bestselling memoir, Bettyville, about returning to Paris, Missouri to care for his charismatic dying mother. Hodgman weighs whether to stay in Paris, move to St. Louis, or return to to New York City. In the mean time, he prepares to see himself portrayed by Matthew Broderick, and his mother portrayed by Shirley MacLaine, in a Paramount TV dramedy adaptation of the book.

Published: Mar 16, 2017
Length: 25 minutes (6,347 words)

Memoirs of Addiction and Ambition

Longreads Pick

Cat Marnell’s new memoir How to Murder Your Life, like Julia Phillips’ famous You’ll Never Eat Lunch in This Town Again, is an extreme spectacle of women in capitalism.

Author: Naomi Fry
Source: New Yorker
Published: Mar 16, 2017
Length: 6 minutes (1,551 words)

A Conversation With Ariel Levy About Writing a Memoir That Avoids ‘Invoking Emotional Tropes’

Longreads Pick

So let’s talk about your realization, or your narrative persona’s realization, through the course of the book, that the rules do apply. They do apply, although—

Well only one: nature, mortality, age, the body. There is that: nobody gets out alive. Like, that. Part of that is your fertility: your fertility will expire, particularly if you’re female; your body will deteriorate, you will age. That is never going to change, that’s life as a human animal. And I think that that’s one of the things that it means to be a grown-up is to slowly, slowly realize that. Remember when you’re a little kid and you’re like, “Yyyyeeeah, I’m actually not gonna die”?

Source: Longreads
Published: Mar 14, 2017
Length: 17 minutes (4,391 words)

A Conversation With Ariel Levy About Writing a Memoir That Avoids ‘Invoking Emotional Tropes’

Photo Credit: David Klagsbrun

Jessica Gross | Longreads | March 2017 | 17 minutes (4,391 words)

 

When she was 22 and an assistant at New York Magazine, Ariel Levy, hungry for success and action, went to a nightclub for obese women and reported her first story. New York published the resulting piece with what Levy, two decades later, claims is still the best headline she’s had: “WOMEN’S LB.” Levy worked for New York until 2008, when she was hired as a staff writer at The New Yorker. There, she has focused largely on gender and sexuality: she’s profiled comedian Ali Wong, long-distance swimmer Diana Nyad, boxer Claressa Shields, and Nora Ephron. She has traveled to Jerusalem with Mike Huckabee, to Italy to report on Silvio Berlusconi, to South Africa to report on runner Caster Semenya.

And she has traveled to Mongolia. In 2012—38 years old, married and in love, and five months pregnant—Levy got on a plane for what she felt would be her last big trip for a long time. But, while there, a pain in her abdomen grew and grew until, in the middle of dinner at a Japanese restaurant, she had to rush back to her hotel room before the food came. On the floor of her hotel bathroom, an “unholy storm” moved through her body, and she gave birth to her son. Less than twenty minutes later, he died.

Levy recounted this experience in her first piece of personal writing, the essay “Thanksgiving in Mongolia.” Her new memoir, The Rules Do Not Apply, tells the broader story of her gradual realization, through trauma and loss—including divorce from her wife, who struggled with alcoholism—that our options are limited by nature.

Having read your work and knowing how adventurous you are, I was surprised to read about how fearful you become before you travel. I’m the type of person who, when I feel very fearful, often heeds that and runs away. You seem to do the opposite—diving headfirst into fear. What’s that about?

That’s just how I’ve always done it. I mean, you’re absolutely right.

If you’re an only child, you only ever talk to grown-ups; it makes you a very weird kid. So when I was a kid learning how to talk to other people my own age, I do think my initial problem was that I’d be really scared, and I’d come on so strong. People were like, “Who is that aggressive, terrifying child?” I was just overcompensating for fear.

That’s definitely how I deal. I hope I’ve gotten less weird socially, but if a story scares me, if a job scares me, I’m definitely going to dive in. I just didn’t like the idea of living a terrified life, you know? I didn’t want to go down that way. Read more…

A Stranger in the World: The Memoir of a Musician on Tour

Longreads Pick

The Hold Steady’s Franz Nicolay on DIY touring in the punk underground of the former Soviet Union.

Source: The New Press
Published: Oct 17, 2016
Length: 27 minutes (6,916 words)

A Stranger in the World: The Memoir of a Musician on Tour

Vladimir Lenin and Lev Tolstoy on graffiti. Kharkov, Ukraine, 2008. Via Wikimedia Commons.

Franz Nicolay | The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar | July 2016 | 25 minutes (6,916 words)

 

Below is an excerpt from The Humorless Ladies of Border Control, by Franz Nicolay, the keyboardist in The Hold Steady. This story is recommended by Longreads contributing editor Dana Snitzky

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You don’t travel for comfort; you travel to justify the daily discomfort, … the nagging doubt, sadness, weariness, the sense of being a stranger in a world.

Our roommate on the sleeper train from L’viv to Kyiv was a stocky, ham-fisted forty-five-year-old veterinarian. A friend of his, he told us, had a visa to America in the 1980s, but he got caught stealing from the grain quota and now can’t go to America ever. He had conspiracy theories and opinions he was eager to share: they didn’t kill bin Laden, it could have been “any tall guy with a beard”—for that matter, I, Franz, look a little like bin Laden, don’t I? And we haven’t seen that much of Michelle Obama recently, have we? If there’s not a trumpet, it’s not jazz. Vitamin C doesn’t work, all you need is raspberry tea with lemon and the love of a good woman. Everyone’s been there— first beer, first guitar, first girl.

He stripped down to what would once have been called his BVDs, nearly obscured by his hairless belly, and snored all night. When we awoke, he was gone, replaced by an older man with a lined face and Clint Eastwood stolidity. “He has the saddest face I’ve ever seen,” Maria said. He slept first, facedown and fully clothed; then, when I returned from the bathroom, he was sitting upright, bag beside him, staring out the window. He never said a word.

I was a musician then, often traveling alone, sometimes with my new wife, Maria. I hadn’t always traveled alone: for years I had been a member of the kind of bands who traveled in marauding, roving packs, like “Kerouac and Genghis Khan,” as the songwriter Loudon Wainwright once put it. First there was the nine-piece circus-punk orchestra World / Inferno Friendship Society, a monument to pyrrhic, self-defeating romanticism and preemptive nostalgia that still haunts me like a family lost in a war. But I had ambitions, and World / Inferno had “underground phenomenon” baked into the concept. So I jumped to a rising neo–classic rock band called the Hold Steady, which became, for a few years, one of the biggest bands in what is, for lack of a term of representation rather than marketing, called “indie rock.” We opened for the Rolling Stones and played the big festivals and bigger television shows. Our victory-lap touring constituted an almost audible sigh of relief that we’d finally arrived— we’d never have to work a day job again. Read more…

The Reluctant Memoirist

Longreads Pick

Kim spent more than a decade researching and visiting North Korea before writing a book about teaching English to the sons of North Korea’s ruling class. Despite the amount of reporting she had done, her publisher decided to market the book as a “memoir,” making it difficult for Kim to find recognition as a investigative journalist.

Author: Suki Kim
Published: Jun 27, 2016
Length: 11 minutes (2,777 words)

Liar: A Memoir

Longreads Pick

Our latest Longreads Exclusive is an excerpt from Rob Roberge’s new memoir, Liar. After Roberge learns that he’s likely to have developed a progressive memory-eroding disease from years of hard living and frequent concussions, he’s terrified at the prospect of losing “every bad and beautiful moment” of his life. So he grasps for snatches of time, desperately documenting each tender, lacerating fragment.

Source: Longreads
Published: Mar 24, 2016
Length: 22 minutes (5,688 words)

Liar: A Memoir

Rob Roberge | Liar: A Memoir Crown | February 2016 | 23 minutes (5,688 words)

When Rob Roberge learns that he’s likely to have developed a progressive memory-eroding disease from years of hard living and frequent concussions, he’s terrified at the prospect of losing “every bad and beautiful moment” of his life. So he grasps for snatches of time, desperately documenting each tender, lacerating fragment. Liar is a meditation on the fragile nature of memory, mental illness, addiction, and the act of storytelling. The first chapter is excerpted below.

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Read more…