Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
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Posted inReading List
On Being an Ill Woman: A Reading List of Doctors’ Dismissal and Disbelief
Eight stories of being ill and being dismissed by the medical establishment.
Posted inNonfiction
‘The Survivor’s Edit’: Bassey Ikpi on Memory, Truth, and Living with Bipolar II
Bassey Ikpi discusses writing about mental illness. “I could count on the morning. It became the thing that existed without my input… without determining whether or not I was worthy of it.”
Posted inBooks, Nonfiction, Profiles & Interviews, Story
People Sorting: An Interview With ‘Personality Brokers’ Author Merve Emre
Merve Emre on the history of the Myers-Briggs Type Indicator.
Posted inEditor's Pick, Essays & Criticism, Nonfiction, Writing
Letters from Trenton
While striving to become a travel writer in the years after Watergate, Thomas Swick discovered that although writing for a newspaper was educational, there was more to be learned through romance with a foreigner.
Posted inEssays & Criticism, Nonfiction, Story, Writing
Letters from Trenton
While striving to become a travel writer in the years after Watergate, Thomas Swick discovered that although writing for a newspaper was educational, there was more to be learned through romance with a foreigner.
Posted inNonfiction
Mothering on the Borders
Yifat Susskind stands at three of the world’s most militarized borders and reflects on what is revealed about these zones of separation and violence when we see them from the perspective of mothers.
Posted inBooks, Nonfiction, Story
Somewhere Under My Left Ribs: A Nurse’s Story
The landscape of operating theaters must be terrifying for patients, but it’s becoming normal for me. It’s amazing what you can get used to.
Posted inCommentary, Nonfiction, Uncategorized
James Baldwin and the Lost Giovanni’s Room Screenplay
In 1978, James Baldwin began working on a screenplay for Giovanni’s Room, his most beloved work. For the past forty years, though, the script has been shelved in a London flat.
