“Although the world has made space for more diverse women, we are still expected to fill the role of the one who wants to be loved, to be a mother when perhaps we only ever wanted to paint, to write, to explore the world alone, on our own terms.”
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The Lie of ‘One Last Time’ with My Ex
Ella Dawson learns about the perils of break-up sex the hard way.
Shapes of Native Nonfiction: ‘The Basket Isn’t a Metaphor, It’s an Example’
The editors of “Shapes of Native Nonfiction” talk about the craft of writing, the politics of metaphor, and resisting the exploitation of trauma.
The Christmas Tape
Wendy McClure recounts how an old audio tape of holiday music becomes a record of family history, unspoken rituals, and grief.
Greenland’s Deepening Ecological Grief
“We no longer understand it here. We don’t trust it.”
On Solitude (and Isolation and Loneliness [and Brackets])
Sarah Fay reflects on four years spent in solitude (and isolation [and loneliness]), viewing it through the lens of punctuation.
Reading Lessons
You never stop learning how to read — probably because you also never stop forgetting how to read.
Longreads Best of 2019: Crime Reporting
We asked writers and editors to choose some of their favorite stories of the year. Here is the best in crime reporting.
Witness Mami Roar
Sonia Alejandra Rodriguez remembers growing up undocumented in the shadow of her mother and father’s tumultuous relationship.
