Glory Edim talks about editing her new anthology, the push for equity in publishing, and how black women writers have written themselves into spaces that neglect or ignore them.
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Posted inBooks, Nonfiction, Profiles & Interviews, Story
Who Sank El Faro? An Interview With Rachel Slade
Having solved the mystery of the largest maritime disaster in a generation, Rachel Slade can see how what happened on the ocean is an allegory for what’s happening on dry land.
Posted inArts & Culture, Essays & Criticism, Story
Every One of Us Is Other: Looking Back on Representation in “Heavenly Creatures” 25 Years Later
Alex DiFrancesco reflects on Peter Jackson’s nuanced approach to representation in the critically acclaimed film.
Posted inCurrent Events, Editor's Pick, History, Nonfiction, Profiles & Interviews
The City I Love Is Destroying Itself
Nicole Antebi interviews historian David Dorado Romo about the fight to preserve the oldest barrio in El Paso from the City itself.
Posted inArts & Culture, Books, Culture, Current Events, Profiles & Interviews, Quotes
Elena Ferrante and the “My Brilliant Friend” Adaptation for HBO
Merve Emre interviews Elena Ferrante about an upcoming HBO adaptation of her novel, “My Brilliant Friend.”
Posted inArts & Culture, Nonfiction, Quote Posts, Quotes
A Close Look at the Thing We Call ‘Celebrity’
Why do we care about famous people?
Posted inProfiles & Interviews
5 Questions for Kristi Coulter About Writing, Humor, and Getting Sober
“If I couldn’t find humor in sobriety, I probably wouldn’t make it.”
Posted inEditor's Pick
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk with music writer Will Hermes about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
Posted inNonfiction
‘They Were Growing Seedlings…Which Would Sprout To Become Supreme Court Justices’
Ruth Marcus discusses the Federalist Society’s 30-year Justice-grooming project, the botched investigations, and everything else that brought us “too big to fail” Brett Kavanaugh.
Posted inArts & Culture, Editor's Pick, Nonfiction, Profiles & Interviews
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
