What can an object tell us about a person’s life? Deborah Lutz investigates the mystery of an amethyst bracelet woven with Emily and Anne Brontë’s hair to explore the rich lives and tragic deaths of the Bronte siblings.
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The Rise of ‘Mama’
“Like most cultural shifts in language, the rise of white, upper-middle class women who call themselves ‘mama’ seemed to happen slowly, and then all at once.” Elissa Strauss explores how the use of “mama” helped rebrand motherhood for the modern mother.
Theorizing the Drone
What does the rise of the drone mean for justice, for the ethics of heroism, for psychology? Most important of all, who is dying and why?
The Top 5 Longreads of the Week
Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist. Sign up to receive this list free every Friday in your inbox. *** 1. Ghosting: Confessions of a WikiLeaks Ghostwriter Andrew O’Hagan | London Review of Books | February 23, 2014 | 105 minutes (26,390 words) […]
Hell—Nothing Less—And Without End: Six Days in Warsaw
“The uprising,” we told each other immediately, like everyone else in Warsaw. Strange. Because no one had ever used that word before in his life. Only in history, in books.
The Lost Summer
Every year America’s schools shut down for nearly three months—leaving families like single mother Olympia and her 6-year-old daughter Raina struggling to keep up.
The Art of Humorous Nonfiction: A Beer in Brooklyn with the King of the A-Heds
Former Wall Street Journal reporter Barry Newman reflects on 43 years of feature stories that explore the eccentric humanity of our world.
Death Made Material: The Hair Jewelry of The Brontës
What can an object tell us about a person’s life? Deborah Lutz investigates the mystery of an amethyst bracelet woven with Emily and Anne Brontë’s hair to explore the rich lives and tragic deaths of the Bronte siblings.
Theorizing the Drone
What does the rise of the drone mean for justice, for the ethics of heroism, for psychology? Most important of all, who is dying and why?
The Perils of Writing About Your Own Family: A Conversation with George Hodgman
“Memoir is a total minefield, as you know. It’s best if you write the book and leave the country.”

