Everyone laughs at how ridiculous makeover scenes are, but these swift internal metamorphoses aren’t much better.
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You Don’t Own Me
Some fans prefer small club shows, others like arena rock shows, but do we care what the bands prefer?
A Woman In Love Is a Woman Alone
On the profound loneliness of female desire in Lisa Taddeo’s “Three Women.”
Queens of Infamy: The Rise of Catherine de’ Medici
Kings and popes thought she was their pawn. The Merchant’s Daughter begged to differ.
After Three Children, Reclaiming My Body and My Mind
In the wake of childbirth and postpartum complications affecting her mental health and her marriage, Ukamaka Olisakwe picks herself up and starts over — in grad school.
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
‘I Spent Two Years Researching Before I Wrote a Single Line’: Geeking Out With Marlon James
Man Booker winner Marlon James immersed himself in African myths and history, so he could use that world as a springboard for a new fantasy series.
Labor Pains: A Reading List
No one ever said expelling a tiny human our of your body would be easy — or if they did, they shouldn’t have.
Beyond “Rumble”: Talking with John O’Connor About the Other Link Wray
Journalist John O’Connor talks about writing his epic Oxford American magazine feature on musician Link Wray.
Your Turn
Damon Young looks back at his family’s journey toward homeownership, and what that can really mean when you’re black in America.
