Essayist Chelsea Hodson had to give herself permission to be uncomfortable.
Search results
Posted inArts & Culture, Books, Essays & Criticism, Fiction, Quotes, Unapologetic Women
When ‘The Handmaid’s Tale’ Isn’t Fiction
Growing up in the fundamentalist Christian “Quiverfull” movement, Hännah Ettinger saw her own story in Atwood’s vision.
Posted inEssays & Criticism, Nonfiction, Story
Weighing the Costs — and Occasional Benefits — of Ethnic Ambiguity
Aram Mrjoian reflects on his experiences of being part Armenian in America.
Posted inStory, Unapologetic Women
Someone Called Mother
Their mothers were secrets, right up until their deaths.
Posted inQuotes, Science & Nature
The Dream of a Perfect Android
Hiroshi Ishiguro has spent his career creating robots. But does he know enough about humans to make them lifelike?
Posted inBooks, Story
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
Posted inNonfiction, Story
Memoirs of a Used Car Salesman’s Daughter
Hearses, limousines, Detroit’s newest model — cars marked many milestones in Nancy Nichols’ life of heartache and family deception.
Posted inEditor's Pick
Viet Thanh Nguyen’s Ghosts
In this profile at New Republic, Josephine Livingstone talks with Viet Thanh Nguyen (winner of the 2016 Pulitzer Prize for Fiction for The Sympathizer) about the ghosts that inhabit his life, his writing, and his birthplace in Vietnam.
Posted inEditor's Pick, Essays & Criticism, Nonfiction, Unapologetic Women
But What Will Your Parents Think?
Morgan Jerkins tackles the time-worn question of how far is too far to go in revealing yourself in first-person writing.
Posted inEssays & Criticism, Nonfiction, Story, Unapologetic Women
But What Will Your Parents Think?
Morgan Jerkins tackles the time-worn question of how far is too far to go in revealing yourself in first-person writing.
