In the last few years, self-publishing and marketing your own books has become increasingly more difficult.
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Posted inStory
Kristen Arnett on Taxidermy, Memory, and “Mostly Dead Things”
“What’s considered high art? What’s lowbrow? What are those things? That’s something that, as a person who like, lives at 7-Eleven, I’m extremely interested in.”
Posted inNonfiction, Quotes
One Coastal Scottish Village Learns the Real Meaning of Community
The Scottish village of Portpatrick saved its harbor and identity through a once-obscure ownership model, community shares.
Posted inStory
The American Worth Ethic
Like so many of our lofty ideals, the “American Work Ethic” is actually two different standards — one for the wealthy and one for the poor — with two different interpretations of what work looks like.
Posted inEssays & Criticism, Feature, Nonfiction, Story
Coming Home, One Word at a Time
Upon returning to India, a course in Urdu helps Sharanya Deepak embrace the rich and turbulent history of her native country.
Posted inArts & Culture, Culture, Essays & Criticism, Feature, Story, Unapologetic Women
Dancing Backup: Puerto Ricans in the American Muchedumbre
Carina del Valle Schorske traces a lineage of Puerto Rican backup dancers in American entertainment from Rita Moreno to JLo.
Posted inEditor's Pick
Europe’s Heart of Darkness
In the busy Greek shipping port of Aspropyrgos, both legal and illegal trade thrives among the refineries and warehouses, and the immigrants who live here struggle to make a home in a Greece that is trying to preserve its economy and identity.
Posted inBusiness, Nonfiction, Quotes
Why Is Northern Mexico’s Thriving Resale Clothing Business Illegal?
Enterprising Mexican citizens buy America’s unwanted secondhand clothing to resell in Mexico, so why is this illegal?
Posted inReading List
Alternative Reality: An Alt-Weekly Reading List
Nine excellent stories discovered in U.S. alt-weekly newspapers.
Posted inArts & Culture, Books, Story
The Last of the Live Reviewers: An Interview with Nate Chinen
Nate Chinen may have been the last full-time jazz reviewer at any American newspaper. He says jazz hasn’t been in a better place since the ’60s — but the commercial infrastructure is broken.
