When men devalue the labor of women like Andrea Arnold and overvalue the work of even problematic men, it’s a triple whammy that diminishes the individual woman, women in general, and the overall quality of culture.
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The Sorrowful Mysteries, or Reasons I’m No Longer Catholic
Kathleen McKitty Harris recalls the series of events which led to her departure from the Church.
Lurve You? Or Loathe You?
Maybe Woody Allen’s romantic comedies weren’t terribly romantic after all.
On Silence (or, Speak Again)
Elissa Bassist breaks her silence about everything she’s not supposed to talk about and comes out alive.
A Woman’s Work: Becoming a Home of One’s Own
Carolita Johnson considers what it takes to recover from grief, build strength for the future, and become one’s own center of gravity again.
The End of Poker Night
Mindy Greenstein looks back on the gambling that was a big part of life with her Holocaust refugee parents.
My Love Affair with Chairs
Chairs the world over have loved me, and I love them all back.
The New, Improved, Empathic Sarah Silverman
Formerly controversial comic Sarah Silverman is “on a campaign to neutralize her haters with a weapon more powerful than a million burns: empathy.”
Unlearning Woody Allen
An essay of cultural criticism in which David Klion breaks down Woody Allen’s influence on the culture, romantic comedies, and Klion himself, and realizes the premises and attitudes in movies like Annie Hall and Manhattan aren’t so romantic after all.
Beautiful Women, Ugly Scenes: On Novelist Nettie Jones and the Madness of ‘Fish Tales’
Edited by Toni Morrison, the 1983 novel ‘Fish Tales’ by Nettie Jones was supposed to set the literary world on fire. It didn’t.
