Search Results for: animals

Will Big Pharma Help Save Some of the Oldest Marine Life on Earth?

Dale Gerhard/The Press of Atlantic City via AP

Ecology is the study of the relationships between organisms and their environment. Birds known as Red Knots migrate to the Arctic to breed. To gather the necessary caloric reserves, each bird needs to feed on approximately 400,000 horseshoe crabs’ eggs along the eastern seaboard. Unfortunately, the crabs’ numbers have declined precipitously, and the birds haven’t been breeding as much as before. The problem is that biomedical companies bleed the live crabs to use their blue blood in endotoxin tests — and as their numbers drop, so do the numbers of birds.

At Audubon magazine, Deborah Cramer examines how Eli Lilly biologist Jay Bolden tackled this ecological problem by convincing his employer to switch from crab blood to an effective synthetic. Bolden’s next challenge is to get the rest of the pharmaceutical industry to follow suit.

But Bolden had a compelling reason: “I’m a birder,” he says, “so this hit close to home.” He’d seen Red Knots, one in Delaware’s Bombay Hook National Wildlife Refuge, and then another in Ireland’s Ballycotton Marsh. And a few years ago, at an endotoxin summit in Delaware hosted by Lonza, Bolden witnessed the arrival of horseshoe crabs. “We were walking along Pickering Beach, in Delaware,” he recalls, “and the beach, seemingly empty, suddenly filled with horseshoe crabs coming in from the sea. It was a religious experience for me.”

The longtime birder didn’t need to be told how badly shorebirds along the Atlantic Flyway need horseshoe crab eggs. Further, he had learned about the plight of horseshoe crabs worldwide in 2013, during a Lonza webinar with Glenn Gauvry, president of Ecological Research and Development Group, an organization dedicated to the conservation of horseshoe crabs across the globe. While population data on the animals in Asia isn’t fully known, “horseshoe crab populations in Japan, Taiwan, China, Hong Kong, and Singapore, once vibrant, are now endangered,” Gauvry has written. It is questionable, he writes, whether current takes of horseshoe crabs for endotoxin testing “can be sustained, much less meet the projected future demands of this rapidly growing market.”

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Blame It All on Tibbles: The Case for Keeping Fifi Indoors

(Photo by Melanie Stetson Freeman/The Christian Science Monitor via Getty Images)

Pete Marra, head of the Smithsonian Migratory Bird Center, is pushing a controversial conservation idea: as the single-biggest man-made danger to bird and small mammal populations in the United States, outdoor and feral cat populations should be controlled, either by keeping pets inside or by euthanasia and sterilize-and-return programs. Rachel E. Gross tells his story at Smithsonian Magazine.

Marra tells the story of Tibbles the cat, who traveled with her owner to an untouched island south of New Zealand in 1894. There, she single-pawedly caused the extinction of the Stephens Island wren, a small, flightless bird found only in that part of the world. Most cats aren’t as deadly as Tibbles, but your average outdoor pet cat still kills around two animals per week, according to the Wildlife Society and the American Bird Conservancy. The solution for these cats is simple, says Marra: Bring them indoors. The Humane Society of the United States agrees.

For Marra, it is clear that outdoor cats represent the Silent Spring of our time. Not only are cats the single worst threat to birds caused directly by humans, but they are also the easiest problem to fix, as compared to many-leveled threats like climate change. For him, it is obvious what we must do. Yet he is also starting to understand the challenge of making others see the world as he does. “To me, this should be the low-hanging fruit,” he says. “But as it turns out, it might be easier stopping climate change than stopping cats.”

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A Remarkable Child

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Daniel Rafinejad | Longreads | May 2018 | 17 minutes (4,503 words)

My friend Sam makes experimental films I do not understand. Sam is an artist; I like Doritos.

Sam is tall, a little cross-eyed. He’s earnest but also contrarian and snobby. He acts like he’s the one person ever to have noticed the moon.

We met as freshmen at Columbia. I was flattered someone so cool would talk to me. Sam clothed and carried himself with a perfect carelessness, while I wore sweater vests and dropped things a lot.

I won Sam over by talking about weasel menstrual fluid.

“I like taxidermied animals, too,” I lied, as we rode the elevator up to the 11th floor of John Jay Hall one autumn afternoon. He was holding a stuffed rodent.

“It’s a weasel?” I mumbled.

“Yes,” he answered. He looked at me blinking, as if peering through a curtain of bangs, though his raven hair was combed and parted to the right of his clear, pale face. “His name is Portnoy.”

“Portnoy means ‘tailor’ in Russian,” I said. He looked down at me with a half-smile and studied my buzzed head. I continued with more confidence: “My great-grandmother, who, I think, was a witch in Iran, said that sleeping on a pillowcase stained with a she-weasel’s menstrual fluid chases away nightmares.”
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The Dying Days of the New West

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Tori Telfer | Longreads | May 2018 | 15 minutes (3,912 words)

The American West brings out a hunger in people. I’ve felt it myself — an urge to disconnect from society, buy a horse, live next to a giant saguaro. My husband and I have talked for hours about moving to the town of Truth or Consequences in New Mexico, where we were invited to live by an elderly gay couple we met beside a Tucson, Arizona pool. They told us that houses were cheap and everyone was friends and they’d be our uncles; we took their business card home and spent nights looking at houses on Zillow, cooing over cacti. The destiny was almost made manifest, then real life intruded. Guess where we’re moving instead? New York City.

The urbane, European-inflected East Coast has looked at the West with a strange blend of envy and hope for most of United States history. While the United States was built partially on the idea that the West was our manifest destiny, an East/West rivalry has also been baked into our identity from the beginning; even the famous “Go west, young man!” dictum contained within it some eastward scorn. That cry came from an 1865 New York Times editorial, in which Horace Greeley, the newspaper’s editor, exclaimed that “Washington is not a place to live in. The rents are high, the food is bad, the dust is disgusting and the morals are deplorable. Go West, young man, go West and grow up with the country.”

In 1836, the writer Francis Grund speculated that westward expansion would only stop when some “physical barrier must finally obstruct its progress”; by the late 1800s, the ocean proved to be no such barrier, as America’s westward colonization encroached on the islands of the Pacific, reaching as far as the Philippines; in 2018, there is so little West left to discover that when we want to dream about the idea of the “frontier,” we look to Mars. Today’s West is a place of deep irony: lands that look wide-open to the naked eye but are actually choked by bureaucratic red tape. In fact, “the West” is more of a mirage than a reality, these days. But the hunger is still there. Read more…

Of Breakdowns and Breakthroughs

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Jenny Aurthur | Longreads | May 2018 | 28 minutes (6,886 words)

 

On the Monday before Thanksgiving in 2004, my father went missing. I was at the Santa Monica apartment I’d been subletting to a friend while working for three months in New York City, getting ready for bed when my phone rang. It was my mother, wondering if I’d spoken to him. I had not seen or heard from my dad since he’d picked me up from the JetBlue terminal at the Long Beach Airport three days earlier. I was 30 and had returned home to L.A. from New York to spend the holiday with my family.

I’d never missed Turkey Day with my folks. Nothing about my childhood had been typical. I was raised by atheist, socialist activists who called me “Jenny Marx,” never just Jenny, after Karl Marx’s wife. They skipped religious holidays, but observed Thanksgiving, well, religiously.

Fort Green, 1974

Thanksgiving had solidified into a legendary event among our friends, and most years we had a full house. It wasn’t unusual for so many people to show up that some had to sit cross-legged on the floor, leaning against the living room wall. The food was so good, and the company even better, that no one minded not having a seat at the table. My father cooked for an army, and there was never a shortage of food. Our parties were lively and conversations were raucous, everyone talking over one another. We were an opinionated bunch. Current events were passionately discussed, and my parents were walking encyclopedias. Topics ranged from global warming to recent movies to the upcoming local and presidential elections. The musical selections were just as diverse as the crowd, from Dixieland jazz to gospel to classical to Dylan.

Everyone got quiet when the food was ready. We passed around two kinds of homemade stuffing — one for vegetarians and one with Italian sausage. Huge bowls of steaming sweet potatoes, buttery green beans, thick slices of light and dark meat my father carved from the 20-pound bird, fresh cranberry sauce with tart orange zest, loaves of freshly baked sourdough bread, green salad, and a ceramic pitcher of hot gravy barely fit on our dining room table.

***

I started having friends come over for the holiday when I was in junior high. My mother, Elinor, and my father, Jonathan, were popular with my classmates and considered the “cool parents.” During the years I was in school and well into my twenties, our house was the place to be. After Thanksgiving dinners with their own families, droves of my old pals showed up to our house. Everyone loved being around my parents. When I was in high school, one of my best friends, Leisa, was having trouble at home, and my mom took her in. Another friend, Ania, also lived with us a couple of years later.

“I wish Elinor and Jonathan were my parents,” my girlfriends would often say.

This year, though, Thanksgiving would be different. I’d been living in New York since the late summer. Preoccupied with my work, I put the holidays on the back burner. My parents and I had decided to keep it mellow for once. Eight years after my younger brother’s suicide, for the first time, it would just be the three of us.

***

Historically the kitchen was my father’s territory, and when I was growing up, my mother, my brother, Charley, and I were careful to stay out of his way. He loved being the king of his castle, but he pretended not to enjoy it. “I’ve been burning my ass over a hot stove for the last three days for you ingrates,” he complained, acting annoyed, wiping sweat from his forehead. He loved this yearly charade, and we went along with it, rolling our eyes and laughing.

The aromas coming from the forbidden room made our mouths water and stomachs growl impatiently. Under the pretense of being helpful, my mom, my brother, and I would wander into the kitchen and lurk over the stove and poke around. We were shooed out immediately. “Everyone out of the kitchen,” my dad said with mock exasperation. The table had been set for hours; that was my job. I pulled out and polished the prized Tiffany family silver that had belonged to my grandparents, for its once-a-year appearance. My mother was responsible for buying lilies and dahlias. She also designed beautiful Japanese-style flower arrangements that she’d made in her ikebana class. Charley was in charge of dusting and vacuuming. We liked a late dinner and by the time we ate at 8:00, we were famished.

“Now can I sit down?” my dad asked, drawing out the “now,” acting like an indentured servant finally getting a break. Collapsing into his chair with a dramatic sigh, he surveyed the bounty of food, enough for Henry VIII’s court. “Well,” he said, “if we don’t have enough we can always order pizza.”
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Forgetting the Madeleine

Frances Leech

Frances Leech | Longreads | May 2018 | 13 minutes (3,315 words)

 

I have friends in Paris who are now 4 and 6 years old. When I ring the doorbell at their apartment, I hear a clamor of footsteps and shouts of “Frances” and “Frances-madeleine” as they fight to open the latch, just within reach of small arms.

“What did you bring?” asks the boy, searching me for a telltale tin or box.

Tu es une PATISSERIE,” says the girl: you’re a bakery, or a baked good. I do not correct her.

Then they remember: “bonjour,” “bonsoir,” a kiss on the cheek. They pull me away like tugboats to see their room. At one birthday party they kidnapped me so fast that the adults did not find me for half an hour. I was busy being dive-bombed by toddlers and pretending to be the wolf.

They are curious about many things: trains, love, my cat whom they have not yet met, all of the cooking that happens in their narrow kitchen. They know if they ask “what is it?” they will receive un petit bout: a morsel of chocolate or a scrap of herbed fat, something to test for themselves. Or someone tall will hoist the child up to watch bubbling sugar turn to caramel — from a safe distance — before chasing them out. “Go play with your kitchen!” They have a wide selection of plastic fruit, vegetables, pizza, cakes.

“What did you bring?”

This particular afternoon I only brought a pan. I showed it to them.

“Can you guess what we are making today? It begins with an M…”

“MACARONS!” The boy loves them, for their melting sweetness and array of colors. Whenever I make a butterfly or flower in pastel colors, I save one for him.

“No, it begins with an M and it’s also in my name.”

“MARIE!”

“No, that is maman. It looks like a shell but you can eat it.”

I find madeleines are often bland rather than exceptional, whether it’s the spongy ones in supermarket packets or the pâtisserie ones that are prettier than they taste. I’d rather dip a boring digestive biscuit in my tea and know what I am getting. I’d rather be named after an éclair. But I will make madeleines for these two French children. I can’t resist their big eyes and round cheeks, and neither can their local baker’s wife: she always slips them a chouquette or a little cake when their parents pop in to buy bread.

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Publishing the Best of the Desert: An Interview With Ken Layne

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Ken Layne is the writer, editor, and publisher of the Desert Oracle, a bright-yellow “field guide to the desert that covers the “strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros” of the Joshua Tree region in California. We spoke with him after the publication of a recent profile in Pacific Standard, in which he explained how he designs and delivers each issue himself to desert outposts with as little as 30 people. 

Aaron Gilbreath: You grew up in the desert. Where exactly did you grow up in Phoenix?

Ken Layne: I was born and mostly raised in New Orleans, far from any desert, but I lived in Phoenix during the formative middle-school years. First on the poor side around Buckeye and Seventh Avenue ─ old Phoenix, a shack behind my uncle’s house. Vacant lots, railroad yards. We had motorcycles and Chihuahuas. My classmates were mostly Latino and Native American. I made one friend, this very poetic character, and he lectured me all the time on Aztlán, the Chicano cause. It was all new to me. He kept the tougher kids off my back, which was nice. My grandpa had been a coal miner, along with his father, and they all moved out to the south side of Phoenix on the Black Lung train. At least that was the story I heard now and then.

The other place was a nice little stucco house with a swimming pool,  a suburban elementary school a few blocks away. Most everybody was a white kid from Illinois or Michigan. My dad and his twin brother started an air-conditioning service business, so eventually, we could afford our own house. There was this big urban cowboy sort of honky-tonk nearby, huge place on a nearby big intersection on the northwest edge of town. My parents used to go there now and then. Just north of Greenway Road was wild desert, dirt roads through foothills, crazy saguaros with owl nests hanging out.

AG: I grew up in Phoenix, too. The city itself felt like any other, but one unique thing was how you could drive in any direction and be in the middle of undeveloped Sonoran Desert in thirty minutes. When did Arizona desert start to work its magic on you as a kid?

KL: I never much saw the natural world before we moved to Arizona. I never saw mountains all around, or mountains at all. But it was purgatory for my dad, something he had to endure again to finally earn enough money to move to San Diego. That’s the usual dream of kids who grew up in Phoenix of the 1940s and ’50s, especially the poor ones: Take the highway out to the beach and never come back. There are three generations of Laynes buried in Phoenix.

I liked it up in the foothills, in that mostly wild desert that began just across Greenway. I got to go to a science camp at this since-submerged place up at Lake Pleasant. We held gopher snakes and tarantulas, walked out under the stars, listening for owls and coyotes. It was fantastic.

AG: After your family moved to California, you started exploring the desert on your own. What did you do on those trips? Why were these experiences formative?

KL: Had a group of friends, oddballs mostly, from different parts of town. Four of us went out to Death Valley one freezing winter, Christmas break from high school. Everybody had part-time jobs so we had this narrow window, maybe 48 hours. We drove up in the middle of the night — after one of the guys finished work at a pizza parlor — in this other guy’s grey-primer VW bug with holes in the floor and springs coming out of the seats. A very cold night. Didn’t do much more than drive around, watch the sun come up over the wild desert, hiked a little, explored old buildings. I took a bunch of black-and-white pictures. Drove back in the middle of the night, listening to weird AM radio stations. It was romantic. Still is. That is my favorite thing in the world, just driving a desert two-lane at night, could be West Texas or the Four Corners, but especially Nevada and East California. A weekday night, alone with the radio, a motel and more driving ahead. A vague destination or purpose, with time to take sketchy dirt roads, to walk around outside, stop in used bookshops and little roadside taverns with E Clampus Vitus neon signs.

AG: Those desert drives are deeply romantic. They’re a good place to make a life. It’s interesting because many residents of big desert cities loath the desert. They like the sun, the pools, the mild winters. Are you trying to reach those people with Desert Oracle and convert them to the landscape’s wonders? Or are you trying to reach the converted?

That is my favorite thing in the world, just driving a desert two-lane at night, could be West Texas or the Four Corners, but especially Nevada and East California.

KL: The only propaganda angle is desert conservation, encouraging people to love these places for their wildness, for their desolation and spooky beauty. I try to make something that looks good in a desert home, that you’ll leave out when you’ve got people coming over. And maybe you learn about the animals, learn about the plants and the seasons, the folklore and history, both recent and ancient. And maybe you already have a backyard full of native plants and ground squirrels and roadrunners, and you want to encourage more of that, defend the wild desert where that’s still the norm.

People who love a place will fight for it, whether or not they live around there full-time, whether they’re in Palm Desert or Scottsdale, surrounded by strip malls and golf courses. You can still see the mountains! The best of the desert isn’t where most people live, anyway, all crowded together. The best of the desert is walking alone on a sandy trail, or being lost in a wilderness area and figuring out how to get back, or sitting alone in the rocks while creatures go about their business, or driving some mysterious road in the middle of the night, watching for cattle on the road and military drones and UFOs.

AG: The desert West is many things: its poisonous critters, prickly plants, spaciousness and deadly heat. It carries the burden of a distinctive mythology and politically charged climate. But it also evokes a feeling, a kind of mystic awe and reverie. Desert Oracle somehow manages to capture that elusive experience in its pages. Can you talk about trying to bottle that desert feeling?

KL: I like having minimal information when I’m exploring: rumors, oddly-worded signs, a sense of menace around a truck stop or a rest area, weird motels, out-of-date interpretive displays, Civilian Conservation Corps’ bunkhouses and trail stairways, the cheery and somewhat suspicious oddballs you meet in a campground outside Trona or Tonopah. With the Oracle, I try to keep it sparse. Easy on the eyes. I don’t want to give anybody eye strain. In telling stories of UFOs and Yucca Man and past civilizations and failed real-estate schemes, I want to dryly transcribe the weird stuff. I don’t want to oversell it. Like somebody calling you in the middle of the night and reading the police reports out of the paper in Barstow or Pahrump, like a radio announcer in a long war. I trust that the people who enjoy the Oracle are the people who read this kind of thing at night and get a sense of dread and romance that makes them feel alive to all kinds of possibilities. Alive and alert.

Like any old southwestern newspaper or quarterly, Desert Oracle is presented without fanfare. I don’t explain things too much. You can look up the rest if you get obsessed. And you will probably get obsessed with some of this material, and then you’re diving down internet rabbit holes and raiding used bookstores in the High Desert, seeking evidence. I despise those “Explainer” things that are so popular in the online media. “Here’s a complex subject that could provide years of intellectual pleasure should you pursue it, but we’re going to post some glib, error-ridden thing that nobody even bothered to proofread, and then you’ll be all set!”

AG: Preserve the mystery while sharing bits of it. Desert writer Edward Abbey was a big influence on you. How’d you first discover him? What did his writing and life teach you?

KL: After that first Death Valley trip, I was raiding the high-school library for regional books, anything about the wild desert. Desert Solitaire was there, with all the nature books. And like everybody who falls in love with the desert and that book at the same time, the deal was done. Abbey wrote beautifully, of course, but he also had that swaggering thing that appealed to me at that age. The brave poetic writer, etcetera, a lifetime of screw-ups, moments of beauty and transcendence.

You’ll find when you start hiking and learning about the wildflowers and the animals, some scold will often appear and start lecturing you, telling you all the things you’ve got wrong, everything you don’t yet know — the people who suck the joy right out of a place in their constant campaign to be validated as some sort of self-appointed expert. Abbey never did that, and that’s one reason why it’s so easy for people to fall for him. He’d often explain that he wasn’t a naturalist, wasn’t a biologist or geologist. He was a philosopher. In one of his books, Abbey claims his favorite desert birds are the turkey vulture and the “rosy-bottomed skinny dipper.” It’s very welcoming. A good teacher makes it enjoyable, makes it a pleasure to accumulate those little bits of knowledge we have about the desert, about the natural world in general.

AG: Abbey influenced me, too. I spent my undergrad years bushwhacking southern Arizona’s deserts and mountains alone. When I found Abbey’s books, I realized I wasn’t some crazy loner, just an enchanted youth fascinated by this place’s magic, and that I could try to write about it, too. He was my first role model desert rat. Do you identify as a “desert rat”?

KL: I like any dramatic, moody landscape. But I guess I’m most at home in the American desert, and mostly the parts of the Great Basin and Mojave with a minimum of other people. Harry Oliver mastered the “desert rat” thing with his Desert Rat Scrap Book that he self-published for 20 years starting in 1946. (Oliver was a self-taught architect and set designer who worked with director Cecil B. DeMille and built the Tam O’Shanter and Brown Derby in Los Angeles, before retiring to Thousand Palms to become a full-time desert rat.)

That’s a particular thing, that sort of cornball comedy, relocating the ornery hillbilly or farmer to another environment that is baffling to the city people. It’s a very American archetype, and I guess I picked up a little of that for the radio show, for my campfire stories. For myself, I seem to be moving toward something more like the early desert hermits of early Christian Egypt. Probably a one-room stone cabin that’s a daylong walk from the nearest person. I don’t want to farm or collect junker cars or have domestic animals or shipping containers everywhere, and I don’t want to see any human works: no power lines, no satellite dishes, no other houses, no visible homes. Come into the little town every week or three for a dinner out and a martini, check the PO box, then “See you next month.” Boy, that would be nice.

The people who enjoy the Desert Oracle are the people who read this kind of thing at night and get a sense of dread and romance that makes them feel alive to all kinds of possibilities.

AG: In his posthumous Abbey biography, The Red Caddy, desert rat Charles Bowden wrote: “Desert worship is a suspicious matter to desert rats. It is as if talking about what is out there will diminish what is out there. Also, as a group, we feel damn foolish admitting what we feel out there.” What do you make of that?

KL: Well I don’t feel foolish about it. And I don’t mind talking about it, now and then. But when you’re visiting with other desert people, you don’t need to convince each other of anything. It’s usually the new convert who needs to wax poetic and all that, and that’s a normal part of infatuation.

It’s a good feeling, building this link to a place, a bioregion, the part of the Earth where you’re going to settle in. People can go overboard at this stage but that is all right. Enthusiasm is necessary and generally in short supply. Most of us who choose to live in low-population desert places are looking for a minimum of human interaction anyway. A little goes a long way.

AG: In the recent Pacific Standard article about Desert Oracle, you describe how a black triangular object hovered beside your car before shooting off through the clouds ─ a UFO. What about that experience influenced your magazine’s vision or aesthetic?

KL: It is entirely possible that my preference for black geometric icons and dingbats influenced how I saw that particular UFO — and by “UFO” I mean an unidentified thing you could loosely describe as “aircraft” but more as “pulsating 100-foot-wide manta ray hovering silently next to your car, before it vanished in a point of light over the distant clouds.” It’s also a very popular UFO shape, seen for hundreds of years: the black arrow or triangle. They are still seen, often on country roads or desert highways. It’s a really particular kind of experience, from the many eyewitness reports I’ve read over the years. Usually goes from a brilliant light on the horizon to this enormous thing hovering nearby to a light streaking away in the opposite direction, at the speed of a shooting star. Robert Bigelow, the Las Vegas billionaire who had the Pentagon’s UFO study contract that the New York Times recently revealed, ran a black-triangle study for many years. After my own sighting in late 2001, I contacted them and was interviewed by one of their people. They eventually put out a report that said people see these things fairly often, and whatever they are remains unknown.

Desert Oracle #4, the UFO cover from 2015, has a UFO typographic symbol as the only cover art. It’s an “Adamski disk,” something George Adamski saw (or faked) around Desert Center, near the southeastern corner of Joshua Tree National Park. Just this black symbol on yellow cover stock. I love everything about that. It’s my favorite cover so far, and it’s echoed by the radio show’s art, the podcast logo you see on your phone when you listen to the show. My signs at the office in Joshua Tree look like that, too. It puts you in the right frame of mind.

But it initially felt kind of cheap to make a cover out of what is basically a printer’s dingbat, a wingding. I had been commissioning artists to do illustrations for the covers before that one, and the first couple issues have good covers. But the really stark covers are my favorite.

Since the 1990s, I was designing websites that mimicked tabloid newspapers, black and white with some primary spot color. And whenever a “real designer” came in, everything got crowded, too much of everything. Too much color, too many elements. The ultimate nightmare is the modern Internet page, with fifty different things blinking and yelling at you, a sewage mix of every color, every bad style of graphic, crowded and miserable. So I do it all myself now. I just learn as I go.

I’ve always liked one-color printing. Cheap offset printing, no two pieces exactly alike, blocky type, colored stock. I love that kind of poster art, like Eastern European political posters, or Southern California punk-rock flyers. The desert component was the regional press, these small shops in the Southwest that printed up their own field guides, rockhound books, trail & wildlife guides. You could buy them at gemstone shops in the desert, or gift shops at the state park. They had single-color printing for the usual reason—it’s cheap—but generally with desert-colored cover stock, so you’d have the utilitarian and modern 1950s and ’60s typesetting and graphics in black on a yellow or orange or sand-colored cover. Keep it sparse. All of that goes into the design for Desert Oracle. I used to run the photo-typesetting machine at this little backcountry weekly, at night when the regular typesetter was gone and the editor had his column ready after going through a few coffee mugs full of Bushmill’s, and I loved the limited choices for headlines, captions, and body text. The sans serif choices were News Gothic and maybe the Avenir or Futura families, and you could do so much with variations of shape and font size. Then you had easy-to-read serif fonts for text columns, Times New Roman, Schoolbook and such things. Add a little black-and-white illustration from the “Old West Clip Art” books. That combination is nice to read, just nice to look at.

Anyway, I suspect the really dramatic close-up UFOs are at least partly filled in by the brain of the observer, the witness. There’s a whole episode of my radio show, #25, on this subject. Jacques Vallee and John Keel often wrote about it. And it’s entirely possible that my own convincing UFO encounter on a desert highway triggered the part of the brain that produces or processes spiritual experiences — Saul on the road to Damascus and all that, the children at Fatima, people who “see” a spaceship from Star Trek or elves from a fairy tale — and that our aesthetics and culture fill in the details, the “message” if you get a message in the process. Or maybe not. UFO theories aren’t terribly interesting to me, all these 20th-century science-fiction tropes. In the return of Twin Peaks last year, there’s something like a mass UFO sighting in a small-town New Mexico. A girl and a boy are walking at night and she picks up a Lincoln penny. And then this Abe Lincoln robot-hobo is terrorizing the town, staggering through traffic, etc. That made a lot of sense to me.

AG: “Crowded and miserable” — that describes both the modern Internet pages and certain popular urban desert trails I’ve hiked. Part of each Desert Oracle issue contains reprints of naturalists and explorers writings, alongside original pieces. How do you find older material?

KL: Mostly it’s chosen as intentional propaganda. Mary Hunter Austin was really the first Edward Abbey. She wrote The Land of Little Rain, about the California desert, and she was this bohemian character, a socialist, an artist, an important early feminist in the literary and theater scenes. And she wrote beautifully about the desert, in a way that reads very well today. People should read Mary Austin. And it’s public domain, so I can afford it. Same with John Wesley Powell, who most desert people know as this great explorer, the guy who recommended that the United States leave the desert Southwest alone, as it could not support huge populations with its scant water. But he also wrote with style and wit, and you feel like you’re there with him, around the campfire after a day of adventure. I feel a kinship with Powell. His family, like my paternal family, originates in the West Midlands and wound up around the Ohio River, and we both had many early Methodist preachers in our line. His life was a series of adventures, his morals were good and progressive for his time, and he looked at the Southwest with the right eyes. We should’ve listened to him more, but much of the federal desert land we have today is the result of the land-conservation philosophy he helped create, and the recommendations to the U.S. government after his great explorations of the Colorado River and the interior West in general. It was in the last years of his life that the General Land Office ─ what became the Bureau of Land Management in 1949 ─ finally transformed from a land-giveaway agency controlled by the railroad monopolies to a bit more of a conservation mission. He’d be heartbroken to see “Lake Powell,” which is a monument to everything he was against. And of course we’re all still fighting about public lands and water rights, and there are a handful of welfare ranchers and deadbeats like those Bundy people who are paid instigators of an anti-American effort to strip us of everything that’s in the public domain, everything that is part of the Commons. One day we’ll stuff all those nutbags in a rocket and drop ’em on an asteroid somewhere. “It’s all yers, Clive!”

Then there’s Zane Grey, who is always kind of dismissed as this cowboy-book hack. When I finally got around to reading his stuff, I found it interesting and sort of poetic. He was living in a desert cabin and crossing the Southwest on horseback at a time when it was really a commitment to be out on the desert. I like reading something and realizing what I assumed about it was wrong, that there’s real value to the stuff, and then I like to spread it around if I have the opportunity. The old pieces also give you a sense of time as part of the space of the desert. All these times layered over the desert: the U.S. Calvary camels crossing the Mojave, Charles Manson hiding out in the Panamints, Minerva Hoyt sleeping under the stars in a desert canyon, Shoshone and Paiute stories of great ships in the sky, red-eyed monsters in the night.

AG: You must have a large home library.

KL: It’s spread out between home and the Oracle office and a storage unit. I’ve got most of the desert-related books close at hand, but one day soon, I hope, it will all be assembled together, at my secret ranch house that is many happy hours away from busy little Joshua Tree.

AG: What is your ideal Desert Oracle piece? What elements do you gravitate to in material?

KL: It’s not completely clear. It is mood more than subject. I’ll start off with a bunch of ideas for each book and sort of see which ones I still like when it’s time to fill the text columns.

AG: Lots of people who love magazines think it’s nuts to try to start a magazine. Charles Bowden often worked eighty hours a week running his magazine from a cluttered Tucson office. In his words, “The magazine is an obsession and I am at my happiest when I am obsessed.” You’re a one-person operation: You have to fill it, design it, distribute it, sell and promote it. You go store-to-store. How much time does Desert Oracle take? What sacrifices does independent publishing require of you?

KL: It’s one of those times right now when I haven’t had a day off in three months. It’s not always like that. Summer is slower. I can bum around a little more. Each book takes a good 60 days to put together, I’ve slowly figured out — two months full-time. And then I do all these other jobs that are part of Desert Oracle: a weekly radio show that needs to be written and produced and edited, these live performances at museums, hotels and campfires, talking to the reporters, running the goddamned social media accounts, invoicing and delivery, shipping out orders, tax returns, bookkeeping, postal permits. Somewhere in there you try to write and edit and design and proofread this little magazine. It’s every day all the time, and it’s depressing to always be so far behind on everything, but it’s ultimately a satisfying thing to invent and halfway manage to pull off. I had a whole thing in mind: Not just a print book with this certain look, but a radio show, live events and the sparse office with books and maps and yellow file cabinets — this specific desert thing layered over the existing reality, to make the existing reality better, cleaner and more romantic.

But it’s not a sacrifice at all. A sacrifice is working for some media corporation where everybody’s always in fear for their jobs, for their lives. It would be nice to have more money,  to be able to afford to hire a couple of people who see the vision, who would enjoy contributing to the thing. One day. Or not. I’m aware that it’s a singular pursuit and might always be that way.

AG: People either imagine magazines being these lucrative enterprises with fancy editorial parties and celebrity photo shoots, like Vanity Fair, or they imagine them as money pits that devour all your savings before leading to nicotine addiction and divorce. What are the financial aspects of running an independent magazine?

You cannot run your own business and be a good parent to your intellectual property unless you understand how the business works, at least how it works for you.

KL: Desert Oracle has been barely profitable since the first issue. It doesn’t make much, I rarely pay myself, and I run a tight ship. But I’m deeply against going into debt for things. You have to play whatever angles you’ve got, whatever strengths you’ve got, and see if that works, try something else if one thing falls flat. Stick to the vision but always be ready to go with it, wherever it goes. Having a small-but-loyal readership, a cult following, etcetera, can work out if you run a tight ship. You have to do pretty much everything, and you have to get some satisfaction from it.

There’s this idea that artists — designers and writers and musicians, that whole crowd — are supposed to be dupes when it comes to money, when it comes to contracts. You cannot run your own business and be a good parent to your intellectual property unless you understand how the business works, at least how it works for you. As a one-person publication, you can rarely afford consultants or “professional services.” I will not skimp on attorneys but I do my own accounting, I do my taxes. I am my own subscriptions-and-circulation consultant, I figure out the postal permits and the databases and the wholesale and retail mix. I design the envelopes and postcards, the invoices and the business cards, my work uniform, all that. I clean the bathroom and change the printer ink, and take packages and issues to the post office, proofread the issues and process the photos. There is always something to do.

You’re going to have do most everything, so you might as well make it the way you want. You have to create the whole world you will operate within, from your physical office to your daily schedule.

AG: Every generation includes ambitious people with literary aspirations who have something to say, and they start magazines and independent presses. Many universities have graduate publishing programs. What insights can you share with these folks about running your own magazine?

KL: If you’re doing something small, something that’s mostly your labor and vision, then stick to what makes you satisfied. Don’t let people bully you into putting a lot of stuff in the book that doesn’t please you. Don’t feel obligated to run anything. Don’t give out excess free copies if you depend on selling those books. Treat your readers and your retailers well. Answer their emails, at least the nice ones. Listen to them, because your loyal readers can point you to a lot of potential material, and because they’re people with interests very close to your own. You will meet good people and new friends through such work. They will generally forgive your mistakes and tardiness if they believe your work is done in good faith.

If the publication begins to get some attention, and you can make a living from it, then you are part of a proud American tradition of the small-town publisher, the country newspaper, the regional quarterly: Poor Richard’s Almanack, Leaves of Grass, the Territorial Enterprise, the Los Angeles Free Press. It’s a great life, especially if you pick a cheap area to live.

AG: One of Abbey’s problems, particularly with Desert Solitaire, is that his books’ popularity drew more people into his beloved quiet spaces than he was comfortable with? As his friend Charles Bowden put it in The Red Caddy, Abbey “launched thousands of maniacs into the empty ground and pulverized one of his favorite backwards of the Colorado Plateau.” As a publisher, does that concern you?

KL: Of all the human uses of the desert, people visiting national parks and monuments to sight-see and hike and camp is the best. And you want to convert these people from “Oh this looks great on Instagram” to “I will donate time and money for the rest of my life to non-profits that defend and protect wild desert.” We’re fighting this mafia federal government right now, these Russian mobsters trying to upend our beloved new desert national monuments, trying to upend California’s Desert Renewable Energy Plan, which was put together over a decade of hard negotiation between the Bureau of Land Management, the state government, the environmental groups and the renewable energy companies, years of public meetings and reports and science. These attacks on the environment and our parklands are completely out of step with California, with the modern West, where people place tremendous value on these weird wild landscapes that are near enough to all the big cities for people to escape for a weekend. The California parks and monuments are a steam valve for the densely packed California cities. It’s important.

I’ll complain like any local crank about the tourist traffic and how you can’t eat out most of the time, because we have very few restaurants and they’ve got lines out the doors in tourist season, which is now a solid nine months a year. But these are people here to appreciate the desert landscape, the flora and fauna, the run-down cabins, the wind and the sand. That’s good. We need these people on our side. Too many of these people is a good problem to have.

I’ve spent half my life out here chasing illegal hunters, trash dumpers and off-road motorcyclists tearing up the desert. It’s a lot easier to run off some illegal campers from Oakland or wherever. I always tell them where they can legally camp or point it out on their map.

AG: Endurance and armor are important survival strategies for desert creatures: come out at night, hunker down by day, grow slowly and develop a thick skin. Where do you see the magazine in five years?

KL: Hopefully it’s still here — hopefully we’re all still here! — hopefully publishing on a tighter schedule, maybe with a couple of employees, an editorial person and a production or layout person, maybe another several thousand subscriptions, some income from the radio show, some other things in the works, and mostly I hope I can do more driving around and walking around the desert. I had planned on a “couple days a week” made-up job as publisher and editor of the Oracle and that part of the scheme has not yet worked out. But it’s all right. Better than the usual alternative: Go bust and go back to working for somebody.

Here is My Heart

 

Megan Stielstra | An essay from the collection The Wrong Way To Save Your Life | Harper Perennial | August 2017 | 27 minutes (7,366 words)

 

This is the first in a three-part series on gun violence.

In part one, long after the shooting at her old high school, Megan Stielstra worries about her father’s heart.

In part two, Nicole Piasecki writes a letter to the wife of the shooter who killed her father.

In part three, Megan and Nicole talk about the shooting that changed their lives, who owns the story, and what to do with fear. 

 

* * *

Write your name here. Address, here. Here — check every box on this long list of disorders and diseases and conditions that are a part of your medical history, your parents’ medical history, your grandparents’ medical history and down the DNA. So much terrifying possibility. So much what if in our blood, our bones.

I checked two. Melanoma and —

“Heart disease?” my new doctor asked. I liked her immediately; her silver hair, her enviable shoes. Is that an appropriate thing to say to your doctor? I know we’re talking about my vagina but those heels are incredible. Later, I’d love her intelligence and, later still, her respect for my intelligence even when — especially when — I acted bonkers. She removed the weird, spotty growths from my arm and told me they weren’t cancer. She diagnosed my thyroid disorder and fought it like a dragon. She helped me understand my own body and demanded that I treat it with kindness, even when — especially when — I was stressed or exhausted or scared. It’s so easy to forget ourselves, to prioritize our own hearts second or tenth or not at all. Do you see yourself in that sentence? Are you, right this very moment, treating yourself less than? Cut that shit out, my doctor would say, except she’d say it in professional, even elegant doctorspeak and to her, I listen. Her, I trust. Every woman should have such an advocate and the fact that our patient/doctor relationship is a privilege as opposed to a right makes me want to set the walls on fire. Look up — see the wall in front of you? Imagine it in flames.

“Megan?” she said, and I pulled myself away from her shoes. “There’s a history of heart disease in your family?”

“Yes,” I said. “My dad.”
Read more…

As Innocuous as Plant No. 1

An employee of Tokyo Electric Power Company takes off his gloves as he holds a geiger counter to measure radiation at the Daiichi nuclear power plant in Okuma, Fukushima. (Behrouz Mehri/ /AFP/Getty Images)

William Vollmann | No Immediate Danger | Viking | April 2018 | 26 minutes (7,015 words)

The taxi driver said: “Nuclear power plants, I wish they would all be abandoned, because there was a safety miss. They promised nothing dangerous would happen, but then this accident clearly showed there was a miss…”

The new dosimeter read 4.7 microsieverts as we rolled out of central Iwaki, and the van’s interior radioactivity was a homelike 0.12 micros an hour — appropriate for Tokyo or San Francisco.

“The fact is, the government is trying to restart other nuclear power plants,” he said. “That move is unbelievable. With all these reactors turned off here, still electricity is not short at all. Renewable is better.”

It was a cloudy morning, promising rain to the west. The rice fields were stubbled green and brown, most of the crop having been harvested in mid-October. Occasionally a very few yellow-green shaggy fields awaited the gathering. Water was sparkling on young trees, and in several yards ripe persimmons glowed on the trees.

* The Union of Concerned Scientists asserted an official return date of 2022, although, as will be seen, different zones would actually be decontaminated at different times.

The driver’s notion was Okuma would be safe to live in after 60 or 70 years.* At 8:07 we entered the expressway, with the frisker reading nearly unchanged. With the driver now silent, I gazed down on rice fields and an occasional scarlet maple in the light and dark green of forest. At 8:16 we could see the twin thermal stacks of Hirono, the frisker showing 0.24 micros an hour. Naraha read comparably at first; the sun shone there on a small hillside cemetery in a clearing, so that the stones looked almost cheerful. The mountain forest remained mostly uncut except for the so-called “laydown areas” where green tarps overlined the black bags.

In the four minutes that it required for us to pass through Naraha, the frisker readings (on NORMAL) climbed from 0.23 to 0.6 micros per hour — with ups and downs, to be sure. Then we entered Tomioka. Just here a digital sign advised us that the radiation was 2.34 micros outside. Departing the expressway so that the interpreter could use the washroom, the driver parked a few steps from the toll taker, who wore white protective gear in his booth; and I took a one-minute timed walk to frisk birdsong and pine-smell: only 374 cpms, 1.26 micros an hour. Why the radiation level was so much lower here than it had been at the digital sign was one of life’s mysteries; one could blame the frisker, the digital sign or local variation.

We now took a certain forest road whose air dose by brown pools and tall sedges was 1.644. High over a reservoir I read a happier 0.356. It was 8:40 when we entered the city limits of greater Okuma, whose name means “Big Bear”; the dosimeter read 4.9. Continuing onward, we came to the sign which warned: NO GO ZONE AHEAD, and presently arrived at the Okuma Town office, whose anteroom a NORMAL frisk found to be a remarkably salubrious 0.22 micros—not out of place for Moscow if on the high side for Poza Rica, Mexico. We took off our shoes and went upstairs. Especially for me the two officials had prepared their daily weather report:

Situation map at the Okuma Town office

They said that in one spot in central Okuma where the radiation used to be 100 micros it was now only 40. When I asked about Tomioka, they replied that the downtown there was typically 0.3 micros, which was far lower than the pancake frisker indicated. Perhaps they meant the air dose. Anyhow, they were full of good news.

According to the regulations, they were to follow our taxi and ensure that we did not deviate from the route plan, which I had been required to propose and clear several months earlier, at which time there had been an additional implication that I might not be permitted to get out of the car. In fact, these two men were wonderful guides and hosts. They drove ahead, leading the taxi through the central downtown and to a temple, then to the ocean, a river, a shrine, a highly radioactive place and finally to a vantage point from which Plant No. 1 would be visible. Whenever I wished, I told the taxi driver to stop, then walked about and frisked to my heart’s content. We were all supposed to have dosimeters, including the taxi driver, so I had an extra one for him, but nobody cared about that. By the way, he was forbidden to get out of the car. Following the rules, I now supplied myself, the interpreter and the driver (who declined) with shoe covers, painter’s union suits and masks. Those items were all manufactured with pride in the United States of America, and they began to tear almost immediately. Duct taping my imperfections at crotch and thigh, shuffling about ludicrously in the flimsy, wrinkled shoe covers, I watched myself fall in the estimation of those dignified officials. Fortunately, years of disappointing and even disgusting the Japanese with my American gaucheries had made me an expert in looking ridiculous with extreme tranquility, so on that understanding, we went downstairs and set out down the road. It was 9:09, and the dosimeter had accrued 5.0 micros exactly. I felt quite happy.

Those items were all manufactured with pride in the United States of America, and they began to tear almost immediately.

Approaching the red zone almost at once, we reached a narrow vertical warning sign of red characters on white; ahead stood a sign whose red and blue characters were facing in three directions. There were three sentries. Each one clutched a bright orange baton in his white-gloved hand. Unlike in the small village of Iitate, the obstacle course of barriers they oversaw was of a merely suggestive character; anybody could have stepped over or driven through. Behind a tall tripod from which a dark lamp-bulb depended, a pale accordion gate, evidently for night hours, stood collapsed into irrelevance on the righthand side of the road. Stepping out of the taxi, I frisked the air, and was pleased to find the very moderate level of 1.54 micros an hour. One of the officers checked our permits, and my passport. Then they bowed us through. We entered the red zone at 9:21.

We were now in Ogawa Ward, where a one-minute frisk down the street captured 750 counts per minute, or 2.58 micros an hour — a bit “hot,” to be sure, but hardly exceptional for a red zone; even in the yellow parts of Tomioka it would have been in place. I remember another gate, and a lovely lane overgrown with the usual pampas grass and tall goldenrod, houses pleasantly secluded behind the trees. I saw two men in protective gear at an abandoned Esso station. Inside the taxi van, the radiation was already more than 2 micros. We drove on, and then I asked to stop again. The air dose by some pampas grass was 3.27. The officials waited patiently in their car.

There were places where weeds were just beginning to break through the asphalt of what had evidently once been magnificently maintained streets, while at the roadside a clamor of ivy, goldenrod, and other weeds almost obscured the houses behind them, with only a few roofs still showing, like the forecastles of sinking ships. A meter above one bit of weedy pavement I measured a cool 5.0 micros.

The officials wanted to show me their town hall. They proudly considered it to be “a model decontamination,” and I do admit without reservations that it read only 0.826 and 0.816 micros — 800 times “hotter” than Portland, Oregon. They said that cesium was now found “normally,” as they put it, at three to five centimeters down, but no further, “because the nature of it has a particular affinity for clay.” My little excavation. Shigihara’s land in Iitate had detected what must have been cesium at a greater depth than that — but then the radioactivity had obediently fallen off. Perhaps the clay ran shallower in Okuma. — The officials remarked that removing five centimeters of farmland was easy, but expensive here, due to the asphalt, but (I detected understated pride) they had persevered in this spot all the same, to a depth of two to three centimeters. To decontaminate a garden, which they had also accomplished, one must excavate it all by hand. They were still “just learning,” they modestly said. I cannot now remember whether I complimented them on their hard work; I hope that I did.

They showed me the former health center. This edifice I did assure them now looked very nice.

The more talkative of the two was named Mr. Suzuki Hisatomo; the interpreter remarked that he was “very cultured.” I asked him which accident had been worse, Fukushima or Chernobyl. He said that in terms of the amount of radiation released it was Chernobyl, by far. Neither one of them showed any worry about today’s excursion. They wore dark galoshes, perhaps to keep from tracking home radiocontaminants, and they put gloves on and off at will, but declined to trouble with masks; as the morning warmed up they rolled down their hazard suits to the waist, revealing the crisp municipal tunics beneath.

vollman

The Okuma air dose monitor was not grated off as Iitate’s had been, but likewise crowned with a slanting plane of solar panels. It appeared to be turned off, for its display showed four zeroes in microsieverts per hour; behind it, dead leaves huddled against the curb, weeds grew up out of the sidewalk, and the hedge hung shaggily over them. And why not? All 11,000 residents remained evacuated.

We drove on. In a certain long commercial street, which strange to say had one parked car every block or so (perhaps the owners had fled by other means), the rectilinear geometries of sunlight and shadow emphasized its forsakenness more than did the relatively few weeds and vines; the place was being cared for after a fashion; and the shards and flotsam of the earthquake had been raked to one side. The radiation was 2,060 counts per minute, which is to say 6.9 micros an hour, so that was getting up there; a year of it would make for 60.44 millis — well above the maximum for nuclear reactor workers. Like an eager puppy, I frisked about the central district’s shuttered shops. The almost immaculate pavement was cut by multiple jagged shadow-diagonals, and sometimes pierced by tall weeds. Broken pots lay on certain sidewalks. Fewer windows were broken than in Tomioka, perhaps because the higher radiation discouraged thieves. I sometimes saw tattered scraps of cloth hanging from abandoned facades, broken boards and bricks heaped on sidewalks here and there — but the streets were clean save for those weeds. (In one street, it is true, I discovered a sort of beach of broken tiles, all swept up against the curb but on the asphalt nonetheless.) From behind an air conditioner or space heater on blocks on the sidewalk grew one of those ivy-vines I was always seeing in Tomioka; it crept up the side of a shop, gripped a drainpipe to whose radioactive effluent it must have been partial, then insinuated itself through a door’s crack and behind some establishment’s dark window. What it did in there I cannot tell you. Ivy flourished over and through a barbershop’s barred gates. Other weeds bowed, spreading their many fingers over the asphalt. The air dose there was usually around 4 micros — 35 millis a year. We drove to another part of the same district, and here several windowpanes had gone; behind wrinkled curtains lay books, crates, rectangles of corrugated siding. In one place that reminded me of the retail block across from the garment shop in Tomioka, the lower part of the blinds had been twisted down at a 90-degree angle and then mostly torn away, so that in the dark cell just behind it I could see a table on which sat a teacup beside several closed laptop computers. What had happened there? Had the proprietor drunk a last cup of tea before he evacuated, and had he feared that his computers might be contaminated? How had the window gotten broken? Most lives are unfinished stories (suicide perhaps comprising our best chance to “complete” a life), so the red zone’s plethora of such scenes of interruption as this was in a way extremely ordinary…but to have all these lives so interrupted at once! — A crate lay beneath shuttered lattice windows. A great weed in full summer flourish rounded off that block, and then more closed doors and weeds decorated the next. It looked slightly tidier here than the neatest street of Tomioka.

Now proceeding to a more suburban-looking neighborhood, we came upon more hidden and thus more apparently similar interruptions, for here no windows had been shattered to reveal whatever wreckage, panic or quiet sadness lay within. As I paced the empty street, with a fresh-trimmed lawn giving way to pampas grass on the side of it, and a castle-like apartment tower rising behind everything, the air dose measured 2,060 counts per minute and 6.9 micros — almost as much as the interior of Mr. Shigihara’s dairy barn in Iitate. A power pole leaned over a parking lot. Over a weedy drainage grating by some decrepit apartments the level was 8.79.

Just before ten, we were at Ono Station, the only Japan Rail stop for Okuma; for some reason, there had not been an Okuma Station and might not be for a while now. Mr. Suzuki said the target reoccupation date for Okuma’s less contaminated areas was three years; here it would take 10.

* But there were sunnier ways to calculate those 23.2 micros. Magill’s Survey of Science, published in 1993, advised me that “those working with radiation are required to keep their dosage below 5 rems [= 50 millis] per year, which is…25 microsieverts…per hour for a 40-hour work week. No ill effects have been observed at several times this dosage.”

In the year previous to the reactor failures, Ono’s air dose had varied between 0.041 and 0.042 micros an hour. Above a grating in the street before the station I now measured 4.20 micros. Two steps away, another grating, frisked from about eight inches, read 23.2 micros, which in one hour would have given me what it took nearly a month to absorb back home. I was a little shocked; a year’s worth of that would be 203.3 millis.*—But when I raised the frisker slightly, to 10 inches, the count dropped to 21.9. At a foot and a half it fell to 11.52, which I considered spicy enough. Meanwhile the stairs within the earthquake-damaged station were only 1.604. I think that if I had to dwell in a red zone I would find a thick-walled place and keep within it as much as possible. In this connection I might note that during those three hours in the Okuma red zone my dosimeter accrued 9.1 micros of gamma radiation.† Call it 3 micros an hour. I should say we were in those two vehicles for at least half the time, so of course the “real” average dose one could expect to accrue in Okuma would have been significantly higher. But if one mostly lurked inside and managed on a budget of 3 hourly micros, which might not have been much worse than the working hours of an international airline stewardess, then 26.28 annual micros would be one’s portion.

† Between 9:21, when we passed through the gate, and 12:25, when we departed the red zone, the display altered from 5.0 to 14.1 micros.

The weeds around the overgrown tracks were 9 and 7 micros. Here they had truly been left to themselves, which encouraged my appreciation of the work which was being carried out against nature in the radioactive city; for in the long narrow zone of fenced-off tracks the pampas grass rose high above masses of whiskery weeds. As soon as I approached the fence to frisk it (about 10 micros), contaminated stickleburrs festooned the legs of my paper suit.

* Under the category “treatment of contaminated wastes,” the ftinistry of the Environment included “captured wild harmful animals,” for which the “executing agency,” Kyowa Kako Co., Ltd., stood ready to supply a “demonstration of the safe composting system for treatment of dead bodies of captured animals.”

Mr. Suzuki remarked that he saw wild boar around here every day; yesterday they had trapped three; I presume they killed them.*

At one corner where weeds were growing mightily from broken pots and from right out of the asphalt, a white hard hat lay in the street. I pointed it out to Mr. Suzuki. With a smile, he said that the crows had carried it there.

The officials had explained that “former resident families” could return 15 times a year for up to four hours each, but I never expected to see them. Not far past the station, however, the officials stopped their car to introduce us to an evacuee named Mr. Tazawa Norio, who had once been a colleague of theirs. (Later I learned that his wife was inside the house cleaning, but I never saw her.) He was all dressed up in a mask, gloves and a white hazard suit so that he could trim the weeds in front of his home. Something like a shower cap crowned his head with a mushroom slit. From a narrow stripe of exposed but shaded face his eyes squinted sadly at me, although when he attacked the weeds with his clippers (they were taller than he), his eyes widened as he gazed upward. His dosimeter, Japanese-made, hung from a lanyard around his neck. It was an odd sight to see him beside Mr. Suzuki, who was barefaced but for sunglasses and whose coveralls had been rolled neatly down to his hips. Since that latter person entered the red zone nearly every day, one would think that he would be less raffish about his exposure. But perhaps radiation damage is merely another harmful rumor.

Mr. Suzuki Hisatomo

Mr. Tazawa Norio

“Three years ago my house was almost new,” said Mr. Tazawa. “What I now have left is nothing but a mortgage.” He was trying to pay it off as quickly as he could, to avoid burdening his descendants. “Birds come here, and their feces contain seeds.”

While I talked with him, those obliging officials began pruning and weeding for him with their ungloved hands. That seemed very sweetly Japanese. I could not imagine some American ex-colleague of mine ever troubling to do the same for me.

He said: “I was a worker in public relations promotion of nuclear power.”

“And now?”

He looked up at the sky. “If you have this kind of accident, then…I wish there were any kind of renewable substitute for nuclear.”

In his baggy white suit, with his paper mask covering him from around his chin almost to his eyes and his headgear resembling a shower cap, Mr. Tazawa stood on the street by the white line, determinedly working his pruning shears while the weeds rubbed against his legs. When he took a step forward, he was in those weeds all the way to his armpits. The stone gateposts of his home were nearly sunken in vegetation.

Glancing down at my own so-called “protective gear,” I saw that my torn paper pants, like the interpreter’s, now bristled with radioactive stickleburrs (1 to 3 micros). I was glad to keep them away from my inner clothes.

Weeds and their perfect shadows were conquering the asphalt, guarding what must have been the entrance to an apartment building (no weeds yet grew upon its stairs). We got back into the taxi van, where the frisker read 1.7 and 1.9 micros per hour, then turned onto a narrow weed-lined road, the empty fields looking the same as before. At 10:16 our interior count began to increase: 3.8, 3.95, 4.16, 4.37, 4.76, 4.41, 5.60 NORMAL micros per hour — “since we are approaching Daiichi,” said the taxi driver when I told him. He smiled; he too was enjoying the adventure. Our next stop was a temple called Hen Jo, meaning unknown. The flight of entrance steps ascended a sort of inlet in the vegetation-crowned stone wall, some of whose bricks were disarrayed. Shrubs had begun to take over the steps, although someone had trimmed them partially back. At their summit were two character-engraven pillars, and then, set back within its flat yard, the red-roofed temple itself, whose white facade stood unevenly decomposed down to the inner wood. The place felt peculiar: abandoned and yet not exactly neglected; consider for instance the temple grounds, stripped down to sand, or perhaps stripped down and then sanded, by well-meaning decontaminators, with armies of goldenrod standing at attention in tall close-packed array just behind the wall. No weeds grew here, at least not for the moment. The decontaminators had aimed to make the tombs sufficiently safe for former residents to come and briefly pay their respects to the ancestors. Mr. Suzuki informed me that the air dose here had been 19 micros but after decontamination it became “officially 5.05 as of September.” A sign from September recorded a reading of 5.06, and today the frisker found even less to chirrup about: 3.9 micros an hour. Behind two metal- lipped incense wells, a stone statuette stood clasping together its palms and dreaming, with a tall tomb-slab at its back. Everything was as still as the folds of its stone robe. Close-eyed, serene and baby-bald, inhumanly patient, it waited for nothing that I could ever imagine. Bending down and extending the frisker toward that figure, I encountered the unpleasant value of 7.0 micros. Had I been condemned to stay here until I reached the nuclear worker’s five-year maximum of 50 millis, I would have served my sentence in no less than 10 months.

Hen Jo Temple (7.00 micros)

Now we drove past house-islands in the great rich sea of goldenrod. Some of the homes had been swept away to their foundations by the tsunami. Disobeying a do-not-enter sign, we descended a narrow asphalt road as goldenrods towered on either side, more and more of them. So we arrived at the ocean, about three and a half kilometers from Daiichi. It was 10:45. The air dose had become an almost benignly mild 1.374.

* “Inside the port,” of course, the levels read at monitoring stations were breaking records again: 1,900 and 1,400 Bq (their prior respective prize-winners had been 1,400 and 1,200)

How radioactive was the water? In May an unnamed site “outside the port” and three kilometers away (there was a fifty-fifty chance that it was right here) had measured 4.3 becquerels of tritium.* Remembering the difficulties that Eli had laid out before me when I asked to sample that very same contaminant, not least of them the fact that water is a neutron shield, I forebore to frisk the waves. Perhaps I could have scooped up some mud, waited for the water to evaporate, then measured what was left — but if H2O evaporated, why wouldn’t H3O? Wishing not to harm myself and others through ignorance, I abandoned that project.

The seashore at Okuma. Note the sheared-off crown of the pine tree.

The breakwater was wrecked, of course. A pine leaned toward the bright blue sea, its top pollarded by the tsunami. Birds flew up in flocks from the river’s mouth. Seeing a small dark beetle on the sleeve of my paper suit, I asked my usual question about whether the radiation was killing any creatures.

* In 2016, in Namie, whose radiation was supposedly “15 times the safe standard,” the internal organs of irradiated cows “so far have shown no significant abnormality particularly linked to radiation exposure,…but it’s too early to draw conclusions about thyroid cancer and leukemia.” Meanwhile, a Greenpeace study mentioned “DNA-damaged worms in highly contaminated areas.”

“I don’t know what your impression was,” said Mr. Suzuki, annoyed, “but no animals died.”*

The driver, wearing no protection at all, was happily wandering the seashore, which he had not seen since before the accident.†

† If you would like to envision the expression on his face, I refer you to the booklet “Atom Fukushima No. 86” (November 1990), in which a wide-eyed cartoon couple admires the ocean view at one of Tepco’s Fukushima plants, perhaps even Daiichi, the pigtailed girl clasping her hands to say: “Wow, beautiful!,” to which the boy brilliantly replies: “What a wonderful environment it is to have to nuclear plant here, isn’t it?,” after which a helpful old man remarks: “That’s right. All nuclear plants in Japan are located at the coast.”

I still remember the smooth grey rocks and pebbles of that beach, with here and there a paler stone, and a line of wet sticks and even a little kelp, and then the foam where those low slow waves of greenish-grey came in. Sometimes a jade wave was a little higher than its cousins, and spray leaped up from its shining white shoulder just before it struck. Even then the impression I got was one of gentleness. This looked to be a place to wade with small children. Perhaps it used to be. It was clean. The pancake frisker showed 4.16 micros an hour as I stood facing the ocean breeze, then rapidly went down to half a micro. To the land-ward, russet marsh grass struck an appropriately autumnal note on this magnificently clear day with the forest ridges very blue and distinct to the west. A raptor glided slowly above a broken tree. On a little rise a few steps from the shore, several other trees (pines, I believe, although I did not have time to go see them) seemed to flourish, never mind that their crowns had all been evenly sheared off; Mr. Suzuki explained that the tsunami had reached just so high, and as I gazed up at them, trying to imagine being right here and watching the approach of a wave of that height, some of the horror of March eleventh came back to me. The tidal wave had killed 11 people in Okuma; the 12th had not yet been found, and so there was an ugly mound of broken board, sheet metal, rags and other detritus on the beach where the bulldozers had gone corpse-hunting. Another of Fukushima’s incomplete stories was told by two dark sodden sneakers, and a single white shoe. What had happened to the other one, and was its owner alive or dead? Dark birds went swarming in a low flock over the blue lagoon. Among those mismatched shoes lay a woman’s purse, miserably sodden, and a framed photograph glittering with moisture; I had neither the heart nor the right to invade any of these in search of information. Clambering up what remained of the wrecked breakwater, I measured 5 micros and more in a puddle of rainwater or seawater on the steps. Angling the frisker up into the sea air as I neared the top, I encountered the dislikeable value of 10.14, and turned away. Mostly the levels there at the shore were less than a micro. I had asked to see a river, and so we all strolled to the mouth of the Kumakam. As we neared its wide bend in the marsh grass, myriad white birds arose, almost silently. Caught between my obligations to the frisker and to my companions, whose every remark must be tediously interpreted to and fro, I had not the time to make out what species they were. They ascended to no great height, then quickly settled back; evidently, our presence did not much disturb them. Mr. Suzuki said that this place was famous for salmon, and indeed in that shallow, grassy, gently curving river, which in my country we would have called a creek, oblong palenesses wriggled in the crinkling water: spawning time.

I was astonished to learn that people could sell some fish from here — but of course the bottom feeders remained off limits.

I strolled up beside the taxi driver, who was taking deep breaths of the sea air, looking out across the white sand at the lovely lagoon and the low blue mountains beyond it.

Returning to our vehicles, we proceeded inland, more or less following the river. Within the taxi van the frisker within three seconds went from 1 to 1.8 to 2 micros. On a bridge I asked to stop. We could see spawning salmon wearily swimming upstream, and often simply weaving in place against the current, like long dark windblown leaves attached to some invisible stalk; a few were dead and drifted down; one kept turning over and showing its bright belly. In one minute the frisker scintillated 1,286 times: 4.26 micros per hour.

Now for a brief distance, we retraced the route we had taken to the ocean. Along that immaculate empty road, on which a puddle vaguely reflected the clouds, and weeds were just beginning to rise up along the concrete blocks where cars had once parked, a glorious plain of goldenrod underlined the mountains, and in that yellow lake stood a few lonely white islets: abandoned houses. — How does one know that no one is at home? — When there is no way to it — Silver-white plumes of pampas grass reached higher than their roofs. One three-story white house with a fine balcony rose more distinctly from the goldenrod, in part because it was especially close to the road, and also because the tsunami must have hissed through here, for between the house’s wide-splayed legs was a dark cave where most of the ground floor had been carried away. When I walked up toward it, I began to see sky and pampas grass within the jaggedly peeling lips of that vacancy. Upstairs, one window-half was curtained, and the other dark; perhaps that darkness was the inside of the house. The frisker read between 5 and 6 micros. Less than one of my three allotted hours in this red zone remained. I had stopped too often. Approaching the roadside, I aimed the frisker at some goldenrod, and read 6.73 micros — only 112 times higher than my studio back home.

I took two steps into the goldenrod: 7.40 micros.

Tsunami-wrecked house (7.40 micros)

Hastening back to the taxi van, I asked that we drive a little more quickly, in order to see the reactors if we could, and we soon reached another checkpoint, with men in white protective gear bowing us through on either side of the road.

Everywhere the lovely weeds were more beautiful than anything humans could do.

Inside the taxi van as we rode up a low hill our radiation level climbed: 3, 4, 5 and all the way to 9.23 micros as we crested that hill. Now we were rolling through the lovely goldenrod wilderness of a former industrial park. To the right lay decrepit and sometimes broken building-cubes, and that pale blue ocean.

At 11:18 they showed me a tsunami-destroyed shrine: 2,551 counts per minute, 8.52 micros. Here was another of those places where the grass and flowering weeds massing along the edges had begun to creep onto the pavement itself. When I frisked the road, extending that pancake head at chest level, I found a patch that measured more than 20 micros, and I felt as I had when I first saw that gnawed-away house with the blue mountains showing through its missing first story. Mr. Suzuki, unimpressed, reminded me that the level used to exceed 100 micros at the time of the accident.

He pointed, and I got my first glimpse of those infamous blue and white tanks: Daiichi. There were grey tanks also. Grey meant bolted while blue meant welded, which leaked less; Tepco was trying to replace grey with blue.

At 11:25 we reached the former fish hatchery, or, to give it its due, the Fukushima Prefecture Aquaculture Association, where the air was 3,260 counts per minute and 10.86 micros. Once upon a time, the two officials had been quite proud of this establishment. Mr. Suzuki explained that the water used to be warmed for the hatchlings with waste heat from Plant No. 1. I agreed that that had been clever. Ruined houses grinned at me from the weeds.

The fish hatchery

Trolling the emptiness of the cracked pavement by the weedy buildings there where the land slanted down toward the seashore, I performed my usual involutions. The wounded half-cylinder of the hatchery gaped open high above the pampas grass. Sometimes the air dose was 6 micros and sometimes it was nearly 10. The pampas grass at the roadside read only 2 or 3 micros. I knelt down and frisked the air above the pavement: 29.5 micros. The white heads of pampas grass were shining beyond the bridge’s guardrail, which had been half pulled away like the top of a tin can. Wild thickets of pampas grass towered as high as the new trees, suffocating lost walls and foundations.

A grating by the fish hatchery (18.03 micros)

Over a well within a rusty grating I lowered the frisker from waist level to about three inches, and its count rose from 20 to 30 micros.

* You may remember from p. 308 that the maximum recorded radioactivity at any inhabited place in mid-April 2011 was 16,020 microsieverts accrued over 21 days, or an average of 31.79 micros an hour. — But here I must quote from the [August 22 of this or last year’s] blog of Mr. Yoshikawa—that is, my friend Aki from yesterday’s tour — so that you will see how the other half lives: Tepco had brought “Appreciate FUKUSHIMA Workers” out to Plant No. 1. At Reactors 4 and 5, “we did not need a mask or gloves. Several hundred workers were taking a rest…as if they were at an ordinary construction site. This is outdoors…In front of No. 4 reactor, the radiation level was about 50 micros [per hour] in the bus [my italics]. Ordinary people may find it tremendously high, but…I regard it [as] surprisingly low for a reactor that exploded. For your information, when I used to work at the site before the accident, it was not unusual at all to get 100 micros within a nuclear facility building.”

Not far from here I took my highest measurement in Japan: 41.5 micros. This very nearly reached the lower boundary of the radiation in outer space.*

On the bright side, by 1973 Okuma had achieved the highest per capita income in Fukushima Prefecture, all thanks to nuclear power! Wasn’t that worth a few gamma rays?

My highest measurement in Japan (41.5 micros)

Inside the taxi van at 11:36, heading straight toward Plant No. 1, I found our air dose to be fluctuating between 10 and 12 micros. The two officials had planned this tour superbly, for in four minutes we had arrived at my final requested point of interest: an overlook on Plant No. 1. This proved to be the grounds of an old age home, and here I finally lost one of my torn and wrinkled shoe covers. Consoling myself that I could hardly make a less dignified impression on my hosts than before, I resolved to keep that foot out of any vegetation for the duration.

In the three-quarters of an hour from the river bridge to the old age home, the dosimeter had accrued 4.6 micros. That calculated out to an unpleasant irradiation rate of 5.75 micros an hour. But thanks to dosimeter, frisker and this moving vehicle, I felt more or less in control of our exposure. Although the plant was merely 2.2 kilometers away, the air dose here rarely exceeded 2 or 3 micros an hour.

* I sometimes wondered whether a longer established radioactive community such as Chernobyl would show greater variety in its plants and animals. “As with all kinds of stress,” says my college ecology textbook, “reduction in species diversity is associated with radiation stress.” All the same, provided that the dose rate was less than obscene, it seemed plausible that plants, animals and some insects would adapt. Surely the trees would come back; if it were too “hot” for pines it might not be for oaks. — Or do you from the future for whom I write dwell mostly upon rolling plains of goldenrod? Were I a biologist I could tell you more; and you would surely rather read scientific observations which might somehow ease your predicament than my merely descriptive emotings. But when I was alive, those were what they paid me for.

In the courtyard, goldenrod grew higher than the windows, sometimes bending and leaning against the walls.* The grass was not wildly overgrown, so the place seemed almost cheerful. One window was open, and the white curtain pulled back to show off its darkness. Given 10 more minutes’ time I would have gone inside, but it was already the stated departure time. In the other windows, trees, weeds and sky reflected themselves. Some of the grass was golden. A tennis shoe lay in it, sideways. The seedheads and flowers of those tall weeds blocked the doorway, invading the parking lot and reaching up toward the dark window beneath a roof overhang that was vertically streaked with blackish grime and fallout. Proceeding to the road on the northern edge of the hill where the two officials waited, I read 2,200 counts per minute, or 7.38 hourly micros. Down below through the waving pampas grass I could see a horizon of ocean, cranes, tanks and low, wide buildings. They were guarded by a belt of dark green trees, which perhaps were those famous pines of the reddish trunks. Between the trees and our hill lay a few houses and some fields whose verdant yellow-green I suspected must be goldenrod. —Mr. Suzuki now very precisely gave me the lie of the land: “On the right is an exhaust tower; next is Reactor No. 4, and left of that, two pillars in, then below that is Reactor No. 3. The white building to the left with the blue pattern is No. 2, and to the left of that is No. 1.”

Like so many culprits, they bore an unimpressive, even innocuous appearance. If I could only have gotten closer I would have seen the pipes, opened walls, rubble and crumpled latticework; and then, still unseen but conjectured, the liquefied and resolidified reactor cores, lumped and twisted around the reactors’ skeletons. And what a thrill it would have been to frisk Tepco’s underground trenches! Three days ago the poisoned cloaca beneath Reactor No. 1 measured at 161,000 becquerels of cesium, which once again made the highest reading ever. Tepco blamed the recent hurricane.

Since I had detained the two officials for an unscheduled half an hour, we now sped out of the red zone, passing a place where the taxi driver had seen wild boar four or five days ago, then a row of beautiful trees in red and yellow leaf, a plain of goldenrod with grey berms in the former rice fields, and to the right a cemetery surrounded by goldenrod; then we departed the last gate.

Plant No. 1, Reactors No. 1, 2 and 3

Reactors No. 3 and 4: Pacific Ocean on right*

* Left of Reactor No. 1 lay Reactors No. 5 and 6, which were screened from us by pines and pampas grass.

† You may recall that in Fukushima I found a fairly close correlation between counts per minute and 300 times microsieverts per hour. These officials’ factor was 558, not 300. In other words, my conversion of their 240 cpms would have been 0.8 micros instead of 0.43. On this subject let me note that the arithmetical average of the 92 readings I made in the Okuma red zone was 7.14 micros — 16.6 times higher than their 0.43 micros. Of course the frisker was measuring gamma waves in addition to alpha and beta particles; all these people presumably cared about was the particles, which could continue to do harm after being removed from the zone. Here I want to say that whenever I had a chance to com- pare my frisker’s reading with that of a Japanese government scintillation meter (as at Hen Jo, and in the 41.5-microsievert patch by the fish hatchery), the measurements closely agreed.

Mr. Suzuki and his colleague drove straight back to the office, but the interpreter and I must now undergo decontamination screening at a roadside checkpoint. With great pleasure, I tore off my coverall, mask and remaining shoe cover. Then they frisked me with their magic wands. They remarked that today’s surface contamination was 240 counts per minute, or 0.43 microsieverts per hour.† They measured me at a mere 230 cpms, which exempted me from abandoning any of my possessions or taking an immediate shower. The central government standard was 13,000 cpms for any object’s surface, not for the human body, which rated a flat 20 millis per year. (To me this sounded like apples-and-oranges obfuscation.) If a car was above 13,000 cpms, it must be washed or abandoned. Of course they did not inspect the taxi at all, nor even the driver.

“Yes, I never got out of the car,” the driver laughed.

Decontaminating the interpreter

Since the taxi driver was willing to earn more money (he cost me something like $700) and Tomioka, my metonym for Fukushima, lay so conveniently near, I proposed to take more measurements and photographs there — only in the yellow zone, of course; we lacked permission for the other. The ever agreeable interpreter acquiesced, and as soon we stopped she slipped her mask back on. That was when we got our laugh, to see that this time she’d worn it inside out! Some of those radioactive particles from Okuma which the mask had previously filtered out must now be in her lungs. Such are the amusements one finds in nuclear zones. As for me, wishing to emulate Aki, Mr. Kojima, Mr. Suzuki and Mr. Shigihara, I went maskless here as in Okuma; so it was an even bet whether she or I would get cancer first. Well, despite those harmful rumors there was no immediate danger.

* * *

From No Immediate Danger: Volume One of Carbon Ideologies by William T. Vollmann, published by Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. © 2018 by William T. Vollmann.

The Wolves

(Mats Andersson/Getty)

Kseniya Melnik | Tin House | Winter 2017 | 26 minutes (7,122 words)

It was nine o’clock on a balmy summer evening when Masha stepped off the last bus to Shelkovskaya, a village in Chechnya. The year was 1938, the second year of what is now known as Yezhovshchina, the bloodiest phase of the Great Purge named in honor of Nikolai Yezhov, the head of the Soviet secret police. Historians from all around the world still argue about the number of unnatural deaths from those two years alone — the upper estimate surpassing a million. But Masha did not know it then. And even if she had, this wouldn’t have been her main concern. She was a girl, a carefree college student until a week ago, when she found out that she was accidentally, unfortunately, unhappily pregnant.

Although she was afraid of the long journey ahead, she believed that if she squeezed her mother’s small, silky hand, and if she watched her father’s coarse, yellow eyebrows wiggle in laughter, and after she spent one night sleeping with her two sisters in their bedroom — the same room where the great Russian writer Mikhail Lermontov had once spent the night a hundred years prior — her thoughts and feelings would gain proper balance. She would know what to do.

Masha watched the bright windows of the sputtering bus until it disappeared around the turn. The two men in workers’ caps and oil-splattered overalls who had gotten off with her at Shelkovskaya were also looking after the bus. Once it was out of view, they turned and regarded her with weary, disappointed expressions — or so it appeared to Masha. They bowed, spun on their heels like soldiers, and hurried off toward their village. Read more…