“From ochre to lapis lazuli, Stephanie Krzywonos opens a door into the entangled histories of our most iconic pigments, revealing how colors hold stories of both lightness and darkness.”
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Posted inEditor's Pick
The Body I Couldn’t Abstract
“Motherhood reshaped how I see shame, art, and the female body.”
Posted inEditor's Pick
The Autocrat of English Usage
“Henry W. Fowler believed he knew how sentences should read—and his judgments have shaped The New Yorker’s style for a century.”
Posted inFeature
Architecture and Blackberries: The Art of Longform Narratives
As host of The Creative Nonfiction Podcast, Brendan O’Meara is no stranger to talking about the art and craft of storytelling. In this craft-focused excerpt, we’re digging into Episode 340, in which he interviewed Atavist editor Jonah Ogles and freelance writer J.B. MacKinnon about his work on the latest issue of The Atavist. The seduction […]
Posted inEditor's Pick
Becoming a Centenarian
“Like The New Yorker, I was born in 1925. Somewhat to my surprise, I decided to keep a journal of my hundredth year.”
Posted inEditor's Pick
Why Make Art in the Dark?
“New research transports us back to the shadowy firelight of ancient caves, imagining the minds and feelings of the artists.”
Posted inNewsletter
This Week: Rituals, Emoji, and a Cold Case
“Ritual is an urge and an act; it’s an aesthetic gesture. As an adult I established the habit of turning my attention to those subtle seasonal details and recording them. I was loving and honoring the land, but this practice still left something undone. A certain clarity, maybe formality. Something like a frame around a […]
Posted inEditor's Pick
200 Cats, 200 Dogs, One Lab: The Secrets of The Pet Food Industry
“Pet food is a £120bn industry, with vast resources spent on working out how best to nourish and delight our beloved charges. But how do we know if we’re getting it right?”
Posted inNewsletter
In Praise of Blurred Edges
Essayist and poet Elisa Gabbert answers the Longreads Questionnaire.
