Michael Gonzales remembers a real friendship and the makings of a brutal crime novel.
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Posted inNonfiction
Is Your Job Lynchian, or Is It More Kafkaesque?
David Graeber’s “Bullshit Jobs” and Alison Green’s “Ask a Manager” offer differing views — and some good advice.
Posted inBooks, First Chapters, Nonfiction, Story, Unapologetic Women
How to Stay Married After Your Baby is Born, or, I’m not Divorced Yet
An excerpt of ‘Now My Heart is Full,’ Laura June’s memoir, about the challenges new parenthood placed on her and her husband — and their marriage.
Posted inNonfiction, Quotes
Debutante in the Amazon Jungle: A 50-Year Adventure
Joe O’Connor shares the story of Ruth Thomson, a Toronto debutante-turned-missionary who eschewed society life in 1965 to spend 50 years living with a remote tribe in the Amazon jungle.
Posted inArts & Culture, Books, Nonfiction, Story
Writing for the Movies: A Letter from Hollywood, 1962
In this classic essay about a classic American art form, legendary screenwriter Daniel Fuchs reflects on his lifetime learning the trade.
Posted inArts & Culture, Books, Nonfiction, Story
The Dead End on My Record Shelf
I believed that there was no music existing in the world with an unbroken connection to its original context. I was wrong.
Posted inBooks, Editor's Pick, Essays & Criticism, First Chapters, Unapologetic Women
The Miracle of the Mundane
In an excerpt from her new essay collection, Heather Havrilesky calls for tuning out the online cacophony telling us we aren’t enough, and tuning in to the soul-affirming, quiet truth of the present moment.
Posted inBooks, Essays & Criticism, First Chapters, Story, Unapologetic Women
The Miracle of the Mundane
In an excerpt from her new essay collection, Heather Havrilesky calls for tuning out the online cacophony telling us we aren’t enough, and tuning in to the soul-affirming, quiet truth of the present moment.
Posted inBooks, Profiles & Interviews, Story
Dead Girls: An Interview with Alice Bolin
It’s clear we love the Dead Girl, enough to rehash and reproduce her story, to kill her again and again. But not enough to see a pattern.
Posted inBooks, History, Nonfiction, Story, Writing
Stalin’s Scheherazade
An opportunistic literary caper became a lifelong con — with no possibility of escape.
