“Winners Take All” is an indictment of the insular, Disneyfied world of Ted Talks, “thought leaders” and philanthropy as self-help for rich people. But does it go far enough?
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The End of Independent Film As We Know It
How a new generation of indie filmmakers is finding its voice through Amazon and Netflix — and why this might be a scary development for the future of cinema.
The Dying Days of the New West
Recent books about the American West turn the old frontier myth into a mirage.
How the Guardian Went Digital
Remaking itself from a little leftie newspaper to a powerhouse of internet journalism required experimentation, transparency, and embracing uncertainty.
What Ever Happened To the Truth?
Michiko Kakutani is interested in how the distinction between fact and fiction has blurred — and how this makes us all complicit.
Twenty-Eight Days on the John Muir Trail
During a month hiking Muir’s “Range of Light,” three young women traversed snowy mountain passes, ran out of food, confronted a gendered wilderness, and learned to deal with each other.
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
Putting a New Stone on the Grave: Sjón Brings the Golem to Iceland
Sjón’s “CoDex 1962” is the fulfillment of a pact he made with the Maharal of Prague in the Old Jewish Cemetery almost three decades ago.
Blockchain Just Isn’t As Radical As You Want It To Be
On how a new administrative technology is being conflated with radical politics.
‘Alexa Is Not Just the Perfect Companion, But the Perfect Spouse’
Can Amazon’s Alexa be your friend—or something more? At Digg, Aaron Paul Calvin examines the recent spike in digital assistants.
