Early electric cars performed better in cities than internal combustion vehicles, but didn’t give riders the same illusion of freedom and masculine derring-do.
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‘Imagine Us, Because We’re Here’: An Interview with Mira Jacob
Mira Jacob talks about why she wrote a graphic memoir, and why she is tired of performing her pain in order to help white people understand racism.
Working Through the Apocalypse: An Interview with Ling Ma
In Ling Ma’s “Severance” — a novel she began to write after getting laid off, while living partly on severance pay — the characters keep going to work, even though they know it’s the end of the world.
The Anarchists Who Took the Commuter Train
The Stelton colony, initially associated with the likes of Emma Goldman and Eugene O’Neill, was a radical suburb whose anarchist residents took the commuter train to New York.
The Paths of Rhythm
A Tribe Called Quest’s pioneering music is one of many filaments that connects Americans of color with each other now and back through time.
Understanding Craig Stecyk
Stecyk defined Southern California’s subversive, skateboard aesthetic and changed art and culture in the process, but that doesn’t mean he wants to talk about it.
Sarah Perry on ‘Melmoth,’ Monsters, and Making Her Readers Feel Responsible for Mass Atrocity
“It was important to me that the ‘villains’ in the book were ordinary people, because readers are ordinary people, and people who do terrible things are often ordinary people.”
To Tell the Story, These Journalists Became Part of the Story
In two recent books about immigrant families seeking asylum in the U.S., the authors’ attempts to help become part of their subjects’ stories.
‘The Most Versatile Criminal In History’
Journalist Evan Ratliff has uncovered the shocking reach of Paul Le Roux’s criminal enterprise — a global network of pawns, most of whom were unaware of the full extent of the empire.
Notes on a Shipwreck
On Lampedusa, history is never far from the islanders’ thoughts, and they are preoccupied by its contradictions. Is Lampedusa a stop on a long journey, or is it a graveyard? Does every fence need a hole in it?
