Sometimes this is how musical history gets saved.
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Posted inBooks, Nonfiction, Profiles & Interviews, Story
‘I Really Hope a Lot of Men Read It’: Sohaila Abdulali on How We Talk About Rape
Sohaila Abdulali wants us to pay attention to what we’ve been missing when we talk about rape, meaning everything from how we fail to address rape as a global crisis to how survivors experience PTSD at the dentist.
Posted inNonfiction
Does the Woman in the Painting Have a Secret?
In the wake of her mother’s passing, Dylan Landis wrestles with unanswered questions about love and art, and imagines different possibilities of what could have been.
Posted inBooks, Profiles & Interviews, Story
Falling in Love with Chicago at Night: An Interview with Jessica Hopper
In “Night Moves,” Jessica Hopper is 80% on her bike and 20% at a show, memorializing a young adulthood spent in just one of “a million Chicagos” — but one that shaped a wide network of artists and writers.
Posted inEssays & Criticism, Nonfiction, Story
The Neanderthal
Jen Gilman Porat seeks a genetic excuse for her husband’s barbaric table manners.
Posted inBooks, Fiction, Story
If You Were a Sack of Cumin
In the midst of the Syrian Civil War, three grown siblings attempt to fulfill their father’s final wish. The journey is dangerous, but that’s no surprise; nowadays, death is always hard work.
Posted inArts & Culture, Business & Tech, Unapologetic Women
Another Tech Casualty: Dating
“I’ve lived in Seattle for seven years, single most of them. The only thing that has changed is the increase in men I’d never want to go out on a date with.”
Posted inBooks, Current Events, Essays & Criticism, Story, Unapologetic Women, Uncategorized
They Wanted Her Body
Thinking of Qandeel Baloch’s murder as an honor killing doesn’t capture the whole truth. She was silenced for revealing men’s hypocrisy.
Posted inBooks, Fiction, Profiles & Interviews, Story, Writing
Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let cliché steer us in a certain direction, force us to say not quite what we mean…”
