Seven stories about the journalist and director, on the 20th anniversary of the release of the film, “You’ve Got Mail.”
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‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
‘I Was Being Used in Slivers and Slices’: On Feminism at Odds With Evangelical Faith
“I wasn’t unified in my being. I wasn’t able to bring my whole self to the table,” says Cameron Dezen Hammon about her life as a worship leader for an evangelical megachurch.
Why Lhasa de Sela Matters
Raised in a school bus by itinerant hippie parents, with one foot in Mexico and one in the US, the singer blossomed into her true multicultural self in bilingual Montreal.
Surviving the Shattering of My Mind and My Marriage
Andrea J. Buchanan contemplates the way illness and pain can freeze a sufferer in time, as if encased in glass.
‘Nobody in This Book Is Going to Catch a Break’: Téa Obreht on “Inland”
‘The history of the West is a deeply turbulent one… that kept the living population in a constant state of unrest. I thought this constant state of unrest must be true for the dead as well.’
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
Manic Street Preachers’ Album The Holy Bible
How a band seemingly out of step with its times outlasted so many of its indulgent, in-step contemporaries.
Tom Petty’s Problematic Album Southern Accents
In 1985, one of rock ‘n’ roll’s most beloved songwriters made a regrettable misstep with a narrow conception of Southern identity.
