Honoring Peter Mayer, founder of Overlook Press, and one of “the stars of book publishing.”
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Posted inBooks, Editor's Pick, Essays & Criticism, First Chapters, Nonfiction
Even the Dogs
In an excerpt from her memoir, T Kira Madden recalls a harrowing adventure with her parents.
Posted inBooks, Essays & Criticism, First Chapters, Nonfiction, Story
Even the Dogs
In an excerpt from her memoir, T Kira Madden recalls a harrowing adventure with her parents.
Posted inBooks, Business, Current Events, Essays & Criticism, Nonfiction, Story
Maybe What We Need Is … More Politics?
Recent books by economists who hope to “save capitalism” dismiss popular ideas as “just politics.” But why assume the popular is the enemy of the good?
Posted inNonfiction
The 19th Century Lesbian Made for 21st Century Consumption
Jeanna Kadlec considers Anne Lister, the historical figure at the center of HBO’s Gentleman Jack, and the influence of other queer women who preceded her.
Posted inNonfiction
A Rich Awakening
The only way to get wealth equality is for the rich to give up their power, but how do you get them to do that?
Posted inNonfiction
‘Midwesterners Have Seen Themselves As Being in the Center of Everything.’
In “The Heartland,” Kristin L. Hoganson says America’s Midwest has been more connected to global events than popular history allows — especially popular history as told in the Midwest.
Posted inBooks, Essays & Criticism, Fiction, Story
If Only There Were Someone Who Would Listen
Dror Burstein’s “Muck” sets a difficult course through themes of power, pita bread, and invasion, mixing up the biblical past and the just-as-lamentable present.
Posted inBooks, Fiction, Story
‘Craft Is My Belief System. My Obligation To Writing Is Religious.’
Nathan Englander talks about the “super-American world” of Orthodox Judaism, Philip Roth’s funeral, and training himself to write his new novel “kaddish.com” while daydreaming.
Posted inArts & Culture, Books, Essays & Criticism, Nonfiction, Story
Two Clocks, Running Down
In “Time Is a Thing the Body Moves Through,” T Fleischmann resists metaphor, even as they reflect on the metaphor-saturated work of Félix González-Torres.
