Search and rescue teams train for the worst conditions. But the worst conditions are getting worse. Are they ready for the next big disaster?
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On Silence (or, Speak Again)
Elissa Bassist breaks her silence about everything she’s not supposed to talk about and comes out alive.
One Man’s Poison
The only way to protect herself from her father was to erase him from her life, but she survived being his daughter by acting just like he did.
‘I Went Quiet…and That Allowed Me To Understand’: The Life of a Molecatcher
Marc Hamer discusses life, death, and the lost art of catching a mole.
The Queering of the Baby Bells
Highly public pressure campaigns against telephone companies were the crux of early LGBTQ activism.
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
‘I Was Being Used in Slivers and Slices’: On Feminism at Odds With Evangelical Faith
“I wasn’t unified in my being. I wasn’t able to bring my whole self to the table,” says Cameron Dezen Hammon about her life as a worship leader for an evangelical megachurch.
At the Very Least We Know the End of the World Will Have a Bright Side
Solarpunk, a new genre of science fiction, demands radical optimism of its writers and readers. It takes the apocalypse as given, but doesn’t assume the worst of people living through it.
