Marc Hamer discusses life, death, and the lost art of catching a mole.
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Posted inNonfiction
The Joy of Watching (and Rewatching) Movies So Bad They’re Good
Michael Musto sings the praises of his favorite cinematic clunkers.
Posted inBooks, Business, History, Nonfiction, Story, Uncategorized
The Queering of the Baby Bells
Highly public pressure campaigns against telephone companies were the crux of early LGBTQ activism.
Posted inArts & Culture, Story
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
Posted inStory
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
Posted inArts & Culture, Books, Essays & Criticism, Science & Nature, Story
At the Very Least We Know the End of the World Will Have a Bright Side
Solarpunk, a new genre of science fiction, demands radical optimism of its writers and readers. It takes the apocalypse as given, but doesn’t assume the worst of people living through it.
Posted inStory
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
Posted inBooks, Nonfiction, Profiles & Interviews, Story
‘I Was Being Used in Slivers and Slices’: On Feminism at Odds With Evangelical Faith
“I wasn’t unified in my being. I wasn’t able to bring my whole self to the table,” says Cameron Dezen Hammon about her life as a worship leader for an evangelical megachurch.
Posted inArts & Culture, Books, Nonfiction, Story
Manic Street Preachers’ Album The Holy Bible
How a band seemingly out of step with its times outlasted so many of its indulgent, in-step contemporaries.
Posted inBooks, Fiction, History, Profiles & Interviews, Story
‘Nobody in This Book Is Going to Catch a Break’: Téa Obreht on “Inland”
‘The history of the West is a deeply turbulent one… that kept the living population in a constant state of unrest. I thought this constant state of unrest must be true for the dead as well.’
