“When I look at that dress and how much intention went into the making of it…it’s like we want to have something that can’t be destroyed, because so much of the past has been destroyed…”
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Time To Kill the Rabbit?
In two new novels, the bunnies are anything but cute. (Unless … you use magic to turn one of them into a pre-TB Keats, or a talky Tim Riggins.)
What Should Universal Basic Income Look Like?
Andrew Yang made it news, but we need a better plan.
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
‘I Want Every Sentence To Be Doing Work’: An Interview with Miranda Popkey
“Something I did learn writing this book is that being impressed by something doesn’t mean you should try and do it.”
‘Writing This Book Was a Weird Séance ’: An Interview With Deborah Levy
“If you have the depth, the surface can be as light as it’s possible to make it…I don’t mind that ‘Swimming Home’ is sometimes described as a ‘beach read’ — actually that’s a triumph.”
We All Work for Facebook
Digital labor is valuable even when we do it for free. Should we get paid?
I’ve Done a Lot of Forgetting
When I was a kid, I wanted my antisemitic tormentors to accept me. I wanted to be their friend.
In Pocahontas County, Deep Divisions and a Gruesome Discovery
In an excerpt from ‘The Third Rainbow Girl,’ Emma Copley Eisenberg interrogates various social conditions that might have contributed to a mysterious double murder in West Virginia in 1980.
A Single Sentence
In an clandestinely written memoir, a jailed Turkish novelist and political dissident remembers the single sentence that changed everything at the moment of his arrest.
