“It was important to me that the ‘villains’ in the book were ordinary people, because readers are ordinary people, and people who do terrible things are often ordinary people.”
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Posted inBooks, Current Events, Essays & Criticism, Nonfiction, Science & Nature, Story
The Grieving Landscape
Upon discovering that her mother had been a member of the group Women Strike For Peace (WSP), Heidi Hutner becomes obsessed with feminist nuclear history.
Posted inBooks, Commentary
The Longreads 2019 Holiday Gift Book Guide
Let Longreads help you with your holiday shopping! We’ve made a catalog of books we featured in 2019 that we think would make great gifts for everyone on your list.
Posted inArts & Culture, Culture, Feature, History, Nonfiction, Science & Nature, Story
All Hail the Rat King
From Martin Luther to The Nutcracker, Germany’s original national nightmare was a tangled knot of writhing rats.
Posted inStory
A Lover’s Blues: The Unforgettable Voice of Margie Hendrix
Remembering the woman who outsang Ray Charles.
Posted inNonfiction
The Ugly History of Beautiful Things: Lockets
Lockets simultaneously display and hide. But does squirreling our love and grief away in a piece of jewelry keep the memories and emotions present for us, or minimize them?
Posted inBooks, Culture, Essays & Criticism, Feature, Nonfiction, Story, Unapologetic Women
In Jo’s Image
Jeanna Kadlec considers the impact of Little Women’s matriarchy — and its heroine — on the formation of her own queer identity.
Posted inCulture, Essays & Criticism, Feature, Nonfiction, Story, Unapologetic Women, Writing
The Occupation of a Woman Writer
Our inherited biases about who should write what live deeper than most of us realize or want to acknowledge.
Posted inCommentary, Culture, Essays & Criticism, Nonfiction, Story, Writing
‘A World Where Mothers Are Seen’
Vanessa Mártir introduces Writing the Mother Wound, a series of essays on mothering presented in collaboration with Writing our Lives and Longreads.
Posted inBooks, Essays & Criticism, Story
What Ever Happened To the Truth?
Michiko Kakutani is interested in how the distinction between fact and fiction has blurred — and how this makes us all complicit.
