One young Ukrainian-American struggles to piece together a clear portrait of her parents’ difficult Soviet past, once they quit erasing, and began embracing, their legacy.
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Posted inArts & Culture, Books, Nonfiction, Story
Los Angeles Plays Itself
In this land of constant reinvention, a longtime resident walks the streets to understand what the city was and what it’s becoming.
Posted inEssays & Criticism, History, Nonfiction, Science & Nature
The Possessed: Dispatches from the Third Trimester
On pregnancy, demons, and Stranger Things.
Posted inEssays & Criticism, History, Nonfiction, Science & Nature, Story
The Possessed: Dispatches from the Third Trimester
On pregnancy, demons, and Stranger Things.
Posted inArts & Culture, Crime, Current Events, Essays & Criticism, Story
True Crime and the Trash Balance
True crime has a reputation for being trashy, but a recent renaissance has it tipping into advocacy.
Posted inArts & Culture, Books, Essays & Criticism, Science & Nature, Story
At the Very Least We Know the End of the World Will Have a Bright Side
Solarpunk, a new genre of science fiction, demands radical optimism of its writers and readers. It takes the apocalypse as given, but doesn’t assume the worst of people living through it.
Posted inCurrent Events, Essays & Criticism, History, Nonfiction, Science & Nature, Story
The Return of the Face
Physiognomy is a discarded 19th-century pseudoscience. Why can’t we stop practicing it?
Posted inArts & Culture, Books, Nonfiction, Story
On Subtlety
What’s so great about having things spelled out clearly?
Posted inBooks, Fiction, Profiles & Interviews, Story, Writing
Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let cliché steer us in a certain direction, force us to say not quite what we mean…”
Posted inBooks, Culture, Essays & Criticism, Nonfiction, Story
The Heartbeat of Wounded Knee
“Our cultures are not dead and our civilizations have not been destroyed. Our present tense is evolving as rapidly and creatively as everyone else’s.”
