True crime has a reputation for being trashy, but a recent renaissance has it tipping into advocacy.
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At the Very Least We Know the End of the World Will Have a Bright Side
Solarpunk, a new genre of science fiction, demands radical optimism of its writers and readers. It takes the apocalypse as given, but doesn’t assume the worst of people living through it.
The Return of the Face
Physiognomy is a discarded 19th-century pseudoscience. Why can’t we stop practicing it?
On Subtlety
What’s so great about having things spelled out clearly?
Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let clichĂ© steer us in a certain direction, force us to say not quite what we mean…”
The Heartbeat of Wounded Knee
“Our cultures are not dead and our civilizations have not been destroyed. Our present tense is evolving as rapidly and creatively as everyone else’s.”
5 Questions for Kristi Coulter About Writing, Humor, and Getting Sober
“If I couldn’t find humor in sobriety, I probably wouldn’t make it.”
Where Have All the Music Magazines Gone?
Inside music journalism post-2008 recession, and how media consumption in the 21st century offers a road map for the continuation of the once-robust medium.
You Can’t ‘Never Forget’ the Holocaust if You Haven’t Learned About It
A new study shows that knowledge about the Holocaust is dangerously at an all-time low.
The 17-Year Itch
Laura Jean Baker finds that being a feminist married to a progressive man isn’t a fail-safe against sexism occasionally intruding in their marriage.
