Michael Musto sings the praises of his favorite cinematic clunkers.
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Posted inReading List
Stories to Read in 2019
A dozen exceptional stories from 2018 that deserve our ongoing attention.
Posted inArts & Culture, Culture, Current Events, Essays & Criticism, Feature, Media, Nonfiction, Story
When American Media Was (Briefly) Diverse
An economic downturn in 2008 shuttered numerous publications and further marginalized people of color in an already minimally integrated industry. But in the 90’s and early-aughts, multicultural publications flourished, providing an alternative model for journalism that bears remembering.
Posted inReading List
Alternative Reality: ‘Three Wrongfully Convicted Men, 40 Years, and a City That Still Refuses to be Honest With Itself’
Matthew Kassel brings us eight excellent reads from alt-weeklies across the United States.
Posted inEssays & Criticism, Feature, Nonfiction, Story
When Friendship Fades But the Images Linger
Eryn Loeb looks back on a summer spent taking pictures, and a friend she lost touch with.
Posted inArts & Culture, Books, Culture, Essays & Criticism, Feature, profile, Story, Writing
Beautiful Women, Ugly Scenes: On Novelist Nettie Jones and the Madness of ‘Fish Tales’
Edited by Toni Morrison, the 1983 novel ‘Fish Tales’ by Nettie Jones was supposed to set the literary world on fire. It didn’t.
Posted inFeature
Live Through This: Courtney Love at 55
Lisa Whittington-Hill on why Courtney Love deserves to be the girl with the most cake.
Posted inNonfiction
Nashville contra Jaws, 1975
In their time, “Jaws” and “Nashville” were regarded as Watergate films, and both were in production as the Watergate disaster played its final act.
Posted inHistory, Nonfiction, Quotes
Did You Happen to See the Most Interesting Man in the World? (He’s In Room 328)
Libraries contain more than books — they have archives, and the archivists want to help you explore them.
Posted inNonfiction
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
