Search Results for: Vietnam

Viet Thanh Nguyen’s Ghosts

Longreads Pick

In this profile at New Republic, Josephine Livingstone talks with Viet Thanh Nguyen (winner of the 2016 Pulitzer Prize for Fiction for The Sympathizer) about the ghosts that inhabit his life, his writing, and his birthplace in Vietnam.

Source: New Republic
Published: Jul 25, 2017
Length: 6 minutes (1,516 words)

How to Get Away with Spying for the Enemy

Officials remove a shackled Richard Craig Smith from an Alexandria, Va., courthouse, April 4, 1984. Smith was arrested on charges of selling to the Soviets information about a U.S. double agent operation aimed at penetrating the Soviet KGB spy agency. (AP Photo/Lana Harris)

Sarah Laskow | Topic | July 2017 | 14 minutes (3,700 words)

This story is co-funded by Longreads Members and published in collaboration with Topic, which publishes an original story, every other week. Sign up for Topic’s newsletter now. Sarah Laskow’s story is part of Topic’s State of the Union issue.

Ronald Rewald and Richard Craig Smith did not appear to have much in common. The founder of an investment firm in Hawai’i, Rewald lived like a Master of the Universe, traveling the world in expensive cars, staying in expensive hotels and throwing expensive parties. Smith, by contrast, lived in Utah, with a wife and four children. A former case officer in intelligence with the United States Army, he had resigned from his job at the start of the 1980s to spend more time with his family. He sought to make a new life for himself as an entrepreneur;  when VHS tapes were still cutting-edge, he began a service to make video diaries and testimonials for families to pass down from one generation to the next.

What brought Rewald and Smith together was espionage. In the early 1980s, legal troubles tangled the two men in a similar narrative of spying and betrayal. First charged in August 1983 in state court with two counts of theft, Rewald was eventually indicted, a year later, on 100 counts of fraud, tax evasion, perjury and other federal crimes. In April 1984, Smith was accused of much more serious offenses—conspiracy, espionage, and transmission of secret material, charges that, were he convicted, could lead to a death sentence. The two men were represented the same lawyer, the bombastic Brent Carruth, and they had the same defense for their alleged crimes: The CIA made me them do it.

Rewald and Smith’s assertions sometimes seemed preposterous, as if lifted from a convoluted spy novel. The cartoonish stories they told involved fake names, fear of assassination, and envelopes full of cash. (They certainly seemed fictional to government prosecutors, who dismissed the tales as fabrications.) But in the Reagan era, as now, the news was full of undisclosed meetings and clandestine plots to swing elections. Americans were being inundated with reports about the secrets of the intelligence community: the Watergate revelations about the CIA’s domestic surveillance, the assassination attempts on foreign leaders, and the Iran-Contra scandal, for starters.

Suddenly, anything seemed possible.

On paper, the government’s success in Smith’s case was all but assured. Americans have little tolerance for disloyalty. There have been more than 110 Americans arrested on espionage charges since the 1950s and those who didn’t defect before they were sentenced to years, sometimes decades, in prison.

But though Rewald and Smith’s stories sounded wild, their juries weren’t entirely willing to trust the veracity of the government’s narrative, either. In the end, one of the two men would be sent to jail, the other set free. Read more…

Percy Ross Wants to Give You Money!

Illustration by Matt Lubchansky

Jacqui Shine | Longreads | July 201723 minutes (5,700 words) 

Percy Ross was a trash-bag tycoon, a serial entrepreneur who had made millions in plastics in the 1960s and relished spending it. But in 1977 he staged an astonishing reinvention. Ross would become a philanthropist — and not just any philanthropist, but one for people like him: a “blue-collar millionaire,” as he put it. He’d give money away the way he’d gotten it, in bills small and large, and always when it was needed the most. He’d portion out his millions in cash, in checks, accompanied by the satisfying clink of a silver dollar. Percy Ross would become, as the newspapers called him, “America’s Rich Uncle.”

Ross always said — boasted, really — that he’d made and lost two fortunes. It was his third business that stuck, the one in plastics. Ross had been a fur auctioneer in the 1930s — he met the woman who eventually became his wife at a craps table in Las Vegas while in the company of Clark Gable — and an organizer of farm-equipment auctions. In 1958, the story went, Ross borrowed $30,000 to invest in a failing plastics company. He knew nothing about the industry, and within five years he’d filed for bankruptcy — but with hard work, the help of his family, and a little innovation, he eventually turned the company around. Poly-Tech, as he renamed it, made plastic garbage bags. He liked to tell people he sold Poly-Tech for $8 million on the same day Neil Armstrong walked on the moon: July 20, 1969.

The story of the trash-bag turnaround was part of Percy Ross’s pitch-perfect rags-to-riches tale. Born in 1916 in Laurium, Michigan, a small town on the state’s copper-rich Upper Peninsula, Ross was the son of immigrants, desperately poor Jews from Russia and present-day Latvia. His father was a junk dealer who worked constantly, and so did his three sons. By the age of 6, Percy had begun making weekly rounds through the neighborhood with a wagon of farm eggs his father had bought for 12 cents a dozen, which he then sold to neighbors at a 3-cent markup. He sold magazines. He started his own business rebuilding car batteries. He would have shined shoes at the country club if they hadn’t rejected him for being too poor and too Jewish.

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Searching London for My ‘Third Place’

Illustration by J.S. Graboyes

Jessica Brown | Longreads | July 2017 | 10 minutes (2,605 words)

 

After a quick stop at a Jamaican food stall at the outdoor Borough Market, I parted with my lunchtime companion and began my solitary journey through the heart of London, with City Hall on my right, the Thames to my left and the low winter sun above me. Though most of my walks through the city tended to be directionless — at least mentally, if not also geographically — today I had a purpose: I was looking for my “third place.”

Home and work, I had read that morning, are our first and second places, respectively, and the third place is a sociable one we choose for ourselves as somewhere that helps root us in our communities, and promotes social equality. Or at least that’s the ideal, according to sociologist Ray Oldenburg, who coined the phrase in 1989 in his book, The Great Good Place: Cafés, Coffee Shops, Bookstores, Bars, Hair Salons and Other Hangouts at the Heart of a Community. “Nothing contributes as much to one’s sense of belonging as much as ‘membership’ in a third place,” he wrote.

My first place is a flatshare in North London — an area characterized alternately as middle class; an area overrun with affluent, well-groomed “yummy mummies”; and as the intellectual hub of London. It’s the family-friendly part of the city, but it’s also rapidly falling victim to the kind of hipster gentrification that has already affected its trendier cousin, East London. It also has some of the city’s poorest and most crime-ridden areas, such as Tottenham, where unarmed 29-year-old Mark Duggan was shot and killed by police in 2011, sparking the infamous London riots.

My second place, an office in Kensington, the richest borough of London — provides me with a vastly different version of the city than my first place.

I needed to find my third place, the place that could connect the authentic me, the persona I am at home, with my surroundings — with my wider home. Since moving to London from the north of England five years before, something had been missing for me — some deeper connection with the city. I hoped finding my third place would give personal meaning to the random masses of concrete and strangers I happened to live among.

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‘Many Immigrant Stories and Refugee Stories Need to Be Understood as War Stories’

Viet Thanh Nguyen
Viet Thanh Nguyen. Photo by Rex Features via AP Images

Author Viet Thanh Nguyen won the Pulitzer Prize in 2016 for his novel The Sympathizer, about a communist double agent during the Vietnam War who comes to America after the Fall of Saigon.

Nguyen, a professor at the University of Southern California and author of 2017’s collection The Refugees, was born in Ban Me Thuot and came to the United States as refugee in 1975, moving with his family to San Jose. In a 2016 Fresh Air interview with Terry Gross, Nguyen spoke of the importance of the connection between refugee and immigrant stories and war stories: Read more…

The ‘Smashing Things Together’ Approach to Editorial Illustration

Illustration by Kjell Reigstad (Airplane photo by GraphicaArtis/Getty Images)

Our Art Director Kjell Reigstad recently shared his insights on editorial illustration with our company colleagues. We thought you’d enjoy it too.


In my role on the Editorial team, I end up touching a lot of different parts of Automattic. I work on learning resources, company blogs, highlighting great users, longform publishing, and brand work, with the occasional theme and conference design thrown in. This sort of variety is absolutely amazing, and one of my favorite things about working here.Of all the projects I get to work on, my favorite thing to do may be illustrations for Longreads. It’s lovely to focus on reading and reflecting on stories, and to have the freedom to explore and experiment with visual representation.I’ve done over a hundred illustrations for Longreads over the years, and I thought I’d share a few notes on the concepting process I go through for each one.


I always start by reading the story (obviously!). While reading, I take note of all the visuals that pop into my head along the way. Most of them will end up being tossed out, but usually there are a few that help build the base of the illustration.For example, we recently published an essay where Jami Attenberg describes her battle with flight anxiety. Here’s the list I jotted down while reading her piece:

  • airplanes
  • airports
  • airplane seats
  • clouds
  • books
  • pills
  • xanax
  • pill bottles

When I’m finished reading the story, I run through a series of mental exercises that I picked up years ago in my “Visual Communication” class from design school. VisCom (as we called it) was a required course for all Design, Illustration, and Advertising majors, since at their core, all of those fields center around utilizing visuals to convey or enhance an idea. We were taught about symbolism, juxtaposition, and how to use use color, shapes, and text to get a message across. Here are the questions I ask myself:

  • Are any of these items a common symbol? If so, does it represent something that relates well to the story?
  • Can one of these items be turned into a new symbol?
  • Can I smash some of these images together to make something new?
  • Is there a scene from the story that I can build using these images?

My favorite of the bunch is the “smash things together” exercise. This usually involves taking two seemingly unrelated things and combining them to create greater meaning. In the case of Jami’s essay, I smashed clouds together with Xanax pills to depict the anxiety-ridden, Xanax-fueled flights she described throughout her story.

20170606-Airplane-Anxiety

Illustration by Kjell Reigstad (Airplane photo by GraphicaArtis/Getty Images)

Another great example of this approach is the illustration I did for Alexander Chee’s piece, “Our Well-Regulated Militia.” I smashed together a map of the United States and a gun rack to echo the article’s statement about the prevalence of guns in America:

20160413-Alexander-Chee

Illustration by: Kjell Reigstad

This technique doesn’t always work, but it does help kickstart creative thinking, and can help generate other solutions. I often run through 2–3 ideas for each illustration before finding one that sticks.


We’ve been building up our publishing pace and coverage lately at Longreads, and illustration plays a key part in making this successful. Our illustrations help attract readers, and if done well, they can amplify the message of the story itself. We’ve been bringing in some amazing freelance illustrators lately, and I want to close by showcasing some of the great work they’ve been doing too:

Pulse Nightclub Was My Home

Photo by Chris O'Meara/AP Images

Edgar Gomez | Longreads | June 2017 | 34 minutes (8,473 words)

It was Christmas Day in Orlando, just over six months after the Pulse Nightclub shooting, and my brother, Marco, and I drove through eerie, empty streets looking for anywhere open to eat. Most of the restaurants we passed were closed for the holiday, but still the city celebrated. Flashing neon lights framed a deli window where a mechanical display Santa waved us by with automated merriness. A swarm of inflatable reindeer grazed outside a “New York style” Chinese restaurant. Palm trees dressed as candy canes wrapped with red and white tinsel lined the sides of the road ahead. We were back in town to spend the holiday with our mother, who unexpectedly had to take off to Mexico the night before for a funeral, leaving Marco and me alone and scrambling to make conversation. He’d driven up from Miami. I’d flown in from California. We opted to listen to music instead. Marco steered with his knees, scrolling through playlists on his phone with one hand and smoking a cigarette with his other. He landed on a country song I’d never heard of before. I leaned out my window, away from his smoke, breathing in the spectacle of Christmas in Florida.

This was not my home anymore. I had moved to California in September, just two months earlier, but already the streets outside looked alien, every other light pole crowned with a flimsy-looking evergreen. Elves in swimming trunks were piled in sale bins outside of The Dollar General. I noticed that Marco’s seatbelt was unbuckled. If he were a friend, I would have lectured him about the dangers of driving recklessly, but because he was Marco, I left it alone. At 27, he was only three years older than me, though it was a wide enough age gap that any attempt to talk to each other was clumsy and forced.

When I asked him if he thought I dyed my hair too dark since he last saw me, he asked, “What’s the difference?” I was blond before. My new hair was black. He offered me a cigarette by tapping the carton on his thigh and flicking the lid open under my nose. I shook my head no and went back to staring out of the window, satisfied that we had at least tried to talk. I suggested Anthony’s Pizza, the place downtown with the newly minted mural featuring a flock of 49 doves of assorted colors representing the Pulse victims. No, he said.

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Please Watch This Video Showing the Unfathomable Cruelty of U.S. Immigration Policy

I’ve been obsessed with systems in government, and in business, that completely erase our humanity. That could mean an algorithm on Facebook that’s designed to prevent nudity but unwittingly bans one of those most powerful images from the Vietnam War. It means the lengths we’ll go to pretend that our phones are not built from slave labor. Or it could mean the layers of bureaucracy built into a company that allows its owner, now one of the President’s top advisers, to target and harass low-income tenants without sullying his own hands in the process. Read more…

Arundhati Roy Doesn’t Care What You Think 

Arundhati Roy in 2009. (Photo by Satish Bate/Hindustan Times via Getty Images)

Seven thousand, three hundred days. Twenty years. Judging by the response to the release of Arundhati Roy’s long-anticipated follow-up to her first novel, 1997’s The God of Small Things, you’d think it had been two hundred. Reviews of The Ministry of Utmost Happiness are almost as ecstatic as the ones that accompanied Roy’s first book — and they almost always include a lament that it took her so damn long to produce.

The God of Small Things received a Man Booker Prize, bestseller status, and a whirlpool of accolades, but after its publication, Roy opted out of fiction altogether, pursuing a career as a political activist-cum reporter, unearthing the stories of society’s rebels and outcasts, advocating for a non-nuclear India, the independence of Kashmir, and criticizing prime minister Narendra Modi.

How dare she?

That’s the underlying question in nearly every interview with Roy that’s followed. Who wouldn’t give just about anything for a fawning debut New York Times book review, a public clamoring for the next book? Doesn’t she owe her readers another glimpse into her imagination? Read more…

Can You Return To a Place That Was Never Your Home?

Postcard from Vienna, 1906 (Public Domain)
Postcard from Vienna, 1906 (Public Domain)

Through marriage, I hold Austrian permanent residency. I’m in the coveted position of having a place to go should I decide my home country has become too apocalyptic. I can land in that Alpine nation with a clunky yet functional grasp of Austrian German, a string of in-laws to help me navigate, and full work credentials. Getting my residency status was, from a bureaucratic perspective, painless. I had been married for several years, my husband had a government job, and we went through our hearings — including updating an expired “green card” — in a small-town office with no lines.

Others don’t have it so easy. One winter I attended German classes with Bosnian war refugees and a few mail-order brides — one from Brazil, one from the Philippines, one from Cambodia. “My sister came first,” one of my classmates told me, “and her life was so much better here with her mailbox husband than it was doing laundry back in the Philippines, so I did the same.” (Not her exact words, we stumbled through with a mix of our classroom German and English.)

My refugee classmates were former engineers and social workers relegated to factory jobs because Austria didn’t recognize their education. I was a textbook picture of American exceptionalism. My education — an art degree — was irrelevant to employers because I was an American who’d worked for Microsoft. I got a job on a software team at Sony in Salzburg while my more qualified classmates stuck labels on yogurt containers at the dairy factory across the river. My classmates thought I was nuts. “Why are you even here,” they’d ask, incredulous, “when you can be in America?”

I did not like living in small-town Austria; I was ill-suited for its xenophobic (yet also very intrusive) society, and I pined for Vietnamese food and my weird friends. I wanted to want to live in Vienna, but the more visits I made to that city the more I could see how it would have worn me down — even while I knew I’d have lasted there longer than out in the little snow-globe where we lived. I went home. My travel credentials include “failed expat.”

All this is a long setup to say I have feelings about this piece at Catapult in which Grace Linden navigates the process of reclaiming her Austrian citizenship — something she has the right to do as the member of a family that was destroyed by the Nazis.

I don’t know if Leo ever found out what happened to his family; it took me weeks of online research. In the Yad Vashem database, I entered the information for Chaim (Karl) Izak Linadauer Zigellaub, my great-grandfather. He was deported on February 15, 1941 to Lublin, Poland, presumably to the Lublin Ghetto. If he didn’t die in the Ghetto, he would have most likely been transported to the Bełżec Concentration Camp where almost 500,000 Jews were murdered. There was just a single mention of his name on a deportation list; the space between the specifics and the unknowns is enormous. Brieche, his wife, and Ruth’s fates are unknown but almost certainly they were taken to Auschwitz. Improbably, Joseph made it to China where he died in the Shanghai Ghetto. It’s no wonder my grandfather forced time to carry him towards the future.

The compensation Linden seeks — the right to live in Austria — was one I did not work for and did not want. But part of me understand the desire for refuge, for options. And the irony of today’s Jewish Americans casting their eyes back on a nation that attempted to eliminate them — us — is not wasted on me.

Vienna is desperately longing for something it once was. As Alice Gregory wrote recently in T Magazine, “The Austro-Hungarian Empire fell a century ago next year, but the physical remains of its influence are perfectly preserved.” The pull of its history is inescapable. In my own family, I keep looking back for what was lost, only there is nothing left to grab a hold of.

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