Vickie Vértiz maneuvers her way around teenage love, friend envy, and being outed by her Mexican mother.
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Posted inHighlight, Nonfiction, Reading List
1000 Days of Trump
Where do we start? How long do you have?
Posted inNonfiction
The Story of Salvador’s Banda Didá
In a country with violent history and violent politics, Brazil’s first all-female, Afro-Brazilian percussion group drums and dances and changes lives.
Posted inBooks, Nonfiction, Science & Nature, Story
Checking in on the Masculinity Crisis
If masculinity really is in crisis — and that’s a big if — we should at least be able to agree that it’s not women’s responsibility to fix it.
Posted inBooks, Nonfiction, Quote Posts, Quotes
Tommy Tomlinson: The Weight I Carry
“On top of all that, some of us fight holes in our souls that a boxcar of donuts couldn’t fill.” Tommy Tomlinson shares the physical and emotional costs of weighing 460 pounds.
Posted inReading List
Addiction, Disorder, Disease, Call It What You Want: A Reading List on Alcoholism
A reading list on alcoholism, for both the hopeful and the cynical.
Posted inNonfiction, Story
A Chance to Rewrite History: The Women Fighters of the Tamil Tigers
How during a brutal, 25-year civil war in Sri Lanka, the Tamil Tigers failed the women soldiers who sacrificed everything to fight for a sovereign state for the Tamil minority.
Posted inBooks, Essays & Criticism, Story
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Posted inNonfiction
‘TV Has This Really Fraught Relationship with the Audience.’
Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
Posted inEssays & Criticism, Food, Highlight, Quotes
Consider Who Can Afford the Oyster
If the personal is political, then food is political — and food writing should be, too.
