‘This Land’ Was Our Land: A Eulogy for a Groundbreaking Magazine

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I first discovered the Oklahoma-based magazine This Land on Twitter through an extraordinary story by Kiera Feldman about a sexual abuse scandal and cover-up at a Tulsa Christian school. Longreads later named “Grace in Broken Arrow” one of the best stories of 2012.

This Land Press, which was founded in 2010 with a seven-figure investment by publisher Vincent LoVoi and editorial leadership from Michael Mason, announced last week it was halting its print operations. CJR called it “one of the most audacious local news experiments of the past decade.” To me, the magazine represented everything that I ever wanted to help celebrate through Longreads: Outstanding reporting from a specific place, with storytelling that resonates around the world. (I grew up nowhere near Tulsa, but I often saw shades of my own hometown, Fresno, California, in the perspectives that This Land shared.)

Reading List: Longreads and This Land Press at Housing Works

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Mark Armstrong

Coming this Wednesday, Oct. 29, in New York, Longreads and WordPress.com present a special night of storytelling at Housing Works with Oklahoma’s This Land Press. The event will be hosted by This Land editor Michael Mason, with Longreads founder Mark Armstrong. (You can also RSVP on Facebook.)

To get you ready for the big night, we’re thrilled to share a reading list of stories and books from the event’s featured storytellers.

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Rilla Askew

Askew is an Oklahoma-born writer and author of the novel Fire in Beulah, set against the backdrop of the Tulsa Race Riot of 1921.

“Near McAlester” (This Land Press, August 2014)

On the complicated history of the place closest to her heart.

Longreads Best of 2012: Kiera Feldman

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Longreads

Kiera Feldman is a reporter for The Nation Institute’s Investigative Fund. She wrote “Grace in Broken Arrow” for This Land Press, which was featured on Longreads in May.

I’m of the belief that a good murder story should put you out of commission for a while. There is a storyworld to journey into, and it is a doozy. But most of what we get on a day-to-day basis is just cheap entertainment: lurid play-by-plays and gleeful reveling in the perpetrator’s villainy. In one of my favorite murder stories of 2012, Vanessa Veselka writes, ”It seems our profound fascination with serial killers is matched by an equally profound lack of interest in their victims.” The unifying theme of my 2012 picks is simply that these pieces honor the stories of the people who were wronged.

1. “The Truck Stop Killer,” by Vanessa Veselka (GQ)

2. “A Daughter’s Revenge” by Robert Kolker (New York magazine)

3. “The Innocent Man” (parts I and II) by Pamela Colloff (Texas Monthly)

4. “The Lethal Presidency of Barack Obama” by Tom Junod (Esquire)

5. “The Throwaways” by Sarah Stillman (The New Yorker)

Notable mentions

• “The Hit Man’s Tale” by Nadya Labi (The New Yorker)

Delving into a murderer’s mind, not for kicks but for understanding

• “After the Massacre” by Lee Hancock (Dart Society)

The long view of Fort Hood, as seen by both the victims’ families and the shooter’s family

• “Los Tocayos Carlos” by James S. Liebman, Shawn Crowley, Andrew Markquart, Lauren Rosenberg, Lauren Gallo White, and Daniel Zharkovsky (Columbia Human Rights Law Review)

An anatomy of a wrongful execution