After leaving a drag-and-click job at a newspaper to learn carpentry, Nina MacLaughlin takes on her first big solo project: building bookshelves for her father.
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Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”
All the Language in the World Won’t Make a Bookshelf Exist
After leaving a drag-and-click job at a newspaper to learn carpentry, Nina MacLaughlin takes on her first big solo project: building bookshelves for her father.
Death Made Material: The Hair Jewelry of The Brontës
What can an object tell us about a person’s life? Deborah Lutz investigates the mystery of an amethyst bracelet woven with Emily and Anne BrontĂ«’s hair to explore the rich lives and tragic deaths of the Bronte siblings.
Long Live Grim Fandango
The greatest adventure game ever made returns from the dead.
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”
Long Live Grim Fandango
The greatest adventure game ever made returns from the dead.
The Art of Running from the Police
A young man concerned that the police will take him into custody comes to see danger and risk in the mundane doings of everyday life. To survive outside prison, he learns to hesitate when others walk casually forward, to see what others fail to notice, to fear what others trust or take for granted.
Death Made Material: The Hair Jewelry of The Brontës
What can an object tell us about a person’s life? Deborah Lutz investigates the mystery of an amethyst bracelet woven with Emily and Anne BrontĂ«’s hair to explore the rich lives and tragic deaths of the Bronte siblings.
The Art of Running from the Police
A young man concerned that the police will take him into custody comes to see danger and risk in the mundane doings of everyday life. To survive outside prison, he learns to hesitate when others walk casually forward, to see what others fail to notice, to fear what others trust or take for granted.
