As the band dissolved, they managed to capture their destruction in some dark, powerful music.
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Fruitland
Privately made records enjoy a cult following among collectors, but few are as legendary as Donnie and Joe Emerson’s 1979 LP Dreamin’ Wild.
Mary Beard’s Voyage Into ‘Herland’
In “Women in Power” Beard uses Charlotte Perkins Gilman’s “Herland” to look at why powerful women don’t appear in our collective imagination.
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
The Last of the Live Reviewers: An Interview with Nate Chinen
Nate Chinen may have been the last full-time jazz reviewer at any American newspaper. He says jazz hasn’t been in a better place since the ’60s — but the commercial infrastructure is broken.
No, I Will Not Debate You
Civility will never defeat fascism, no matter what The Economist thinks.
Ugly, Bitter, and True
After years of feeling hopeless and barely human, one talented writer manages to find her will to live.
Drought In Post-Apartheid Cape Town: An Interview with Eve Fairbanks
United in a common struggle, the drought has leveled the racially divided city’s physical and social barriers in profound ways.
O, Small-bany! Part 2: Winter
Notes from an awful winter.
The Cowboy Image and the Growth of Western Music
How did cowboy hats and boots become the visual iconography of American rural music?
