Carolita Johnson catalogues her efforts to maintain her appearance from about 1970 to 2018.
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Posted inNonfiction
Baring the Bones of the Lost Country: The Last Paleontologist in Venezuela
In light of recent events in crisis-ridden Venezuela, its last vertebrate paleontologist puts together key pieces of the baffling puzzle that the country has become in the past couple of decades.
Posted inArts & Culture, Books, Nonfiction, Story
Three Decades of Cross-Cultural Utopianism in British Music Writing
The history of England’s fertile music press reveals as much about the opinionated English youth who created it as it does the music they covered in the second half of the 20th century.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
Posted inEssays & Criticism, Feature, Nonfiction, Story
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
Posted inArts & Culture, Feature, Nonfiction, Story
Shelved: The Sound of Big Star’s Self-Destruction
As the band dissolved, they managed to capture their destruction in some dark, powerful music.
Posted inArts & Culture, Nonfiction, Story
Fruitland
Privately made records enjoy a cult following among collectors, but few are as legendary as Donnie and Joe Emerson’s 1979 LP Dreamin’ Wild.
Posted inBooks, Story
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
Posted inArts & Culture, Books, Story
The Last of the Live Reviewers: An Interview with Nate Chinen
Nate Chinen may have been the last full-time jazz reviewer at any American newspaper. He says jazz hasn’t been in a better place since the ’60s — but the commercial infrastructure is broken.
Posted inStory
No, I Will Not Debate You
Civility will never defeat fascism, no matter what The Economist thinks.
