Mirrors are sparkly and shiny and hypnotic. They’ve fascinated us for thousands of years. And they might show us a lot more about our society’s misplaced priorities than we care to see.
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Posted inBundyville The Remnant, Crime, Culture, Current Events, investigations, Nonfiction, Story
Bundyville: The Remnant, Chapter Four: The Preacher and the Politician
If America collapses, some see that as an opportunity to reboot society. They say they have God on their side.
Posted inNonfiction
United States of Conspiracy: An Interview with Anna Merlan
“Most people in America believe in one conspiracy to some extent, but the far end of the pool … is this desire to show that you really do reject all knowable authority.”
Posted inArts & Culture, Highlight, Nonfiction, Quotes
Queer Eye Is an Upbeat Documentary of a Failing Social Order
How a hard-not-to-love show glosses over the powers that produced its makeover subjects.
Posted inBusiness & Tech, Profiles & Interviews, Story
It’s a Wonderful World: The Remaking of California Agriculture
An interview with Mark Arax about the two decades he spent writing about the San Joaquin Valley empire of Lynda and Stuart Resnick.
Posted inBusiness & Tech, Commentary, Current Events, Story
Earth to Congress
The world-changing potential of a Green New Deal
Posted inArts & Culture, Books, Nonfiction, Story
The Light Years
After his parents pushed him out of their home, a teenager descended into the drug-fueled counterculture of the 1970s American West.
Posted inArts & Culture, Books, Editor's Pick, Essays & Criticism, Nonfiction
Blackstars
Michael Gonzales reflects on the deaths of a dear friend, and a bookworm he idolized: David Bowie.
Posted inArts & Culture, Books, Essays & Criticism, Feature, Nonfiction, Story
Blackstars
Michael Gonzales reflects on the deaths of a dear friend, and a bookworm he idolized: David Bowie.
Posted inBooks, Fiction, Profiles & Interviews, Story, Writing
Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let cliché steer us in a certain direction, force us to say not quite what we mean…”
