Longreads 
This week, we’re sharing stories from Sophia Jones, Abigail Covington, Emily Raboteau, Mayukh Sen, and Barry Yeoman.
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Longreads This week, we’re sharing stories from Brian Trapp, Alison Kinney, Kate Wagner, Willy Staley, and Suzannah Showler.
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Longreads This week, we’re sharing stories from Ian Frisch, Niela Orr, Alison Fensterstock, Jill Lepore, and Austin Carr.
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David Gambacorta David Gambacorta | Longreads | June 2019 | 20 minutes (5,128 words)
The sun was beginning to set over a mostly deserted expanse of beach in Malibu, casting long shadows behind a pair of visitors as they strolled a few feet from the water’s edge. They had the innocuous, no-particular-place-to-go demeanor of average beachgoers, except for the fact that their every step was being recorded by a local news cameraman. One was a guy who was intimately familiar with being filmed, photographed, analyzed, idolized, ridiculed, and praised: John Lennon. Read more…
Logan Scherer Logan Scherer | Longreads | May 2019 | 12 minutes (3,274 words)
On a Sunday morning at a Chicago bowling alley, I soothed five strangers almost as desperate to manipulate people on TV as I was. Then I eviscerated them. After years of being too embarrassed to try out for Big Brother, I’d finally brought myself to attend an open-call audition. I was determined to play the social strategy game I’d followed religiously since 2005.
“I’ve only seen a few episodes here and there,” I said to the tall, gorgeous man and two normcore women standing next to me in line. “I saw an ad for this a few days ago and randomly decided to come. I have no idea what they’re going to ask us to do.”
I didn’t want them to know I had an encyclopedic knowledge of Big Brother and had done extensive research into how to manage reality TV casting call dynamics as an introvert, and that I’d been practicing this for six years. I wanted to seem harmless, to make them feel comfortable to tell me things about themselves.
Cheri Lucas Rowlands In a review of D.W. Pasulka’s new book American Cosmic: UFOs, Religion, Technology at The Baffler, Emily Harnett offers her take on Silicon Valley’s appropriation of UFO culture.
This might explain why Vallee’s suggestion that aliens are just like Google is so powerfully soul-killing. His theory suggests that the feeling of being digitally surveilled is one of almost mystical possibility. But when Google’s advertising software intuits, for instance, my desire for an Instant Pot, it doesn’t feel to me like a revelatory encounter with a celestial being. It feels like I’ve been psychically violated by an algorithm, which is to say it feels like everything else on the internet. Yet it’s true that both UFOs and data-mined advertisements are marked by “synchronicities,” or “powerful, meaning-filled coincidences.” UFO experiencers will often observe, for instance, mysterious pulsing lights in the sky for days after an initial sighting. Similarly, I need only contemplate the ugly ubiquity of sneaker startup Allbirds before flocks of them alight menacingly on my browser. In the former case, UFO experiencers may begin to suspect that a cosmic intelligence is tracking their movements. In the latter, I begin to suspect that my thoughts are being tracked by hideous sneakers, or at least the people who want to sell them to me.
The sublime—whether a feature of the natural world, or of UFOs, or of religious experience—is a sense of our own vanishing smallness before something impossibly vast: a mountain range, a churning ocean, the universe, God. What we get in return for being so existentially demeaned is freedom from the tyranny of our own personalities, a sort of liberating oblivion. But data-extracting platforms don’t sublimate our personalities; they multiply and magnify them. And the Data Sublime, far from making the internet feel thrillingly big, has conspired to make it feel smaller, claustrophobic, and profoundly boring. As Facebook and Google metastasize, the more interesting destinations on the internet are dying off; recent sweeping media layoffs were also largely the result of Facebook, Google, and Amazon’s stranglehold on advertising revenue. The sublime promises a sort of redemptive immensity, but Silicon Valley strives to compress all of digital experience into a single, monotonous feed, mainlining capital into the pockets of billionaires.
JW McCormack J.W. McCormack | Longreads | March 2019 | 8 minutes (2,167 words)
Imagine, if you can bear it, that we were sired and came of age in a world where all the works of antiquity had perished, leaving us with no Homerian sense of saga, no anguished Euripides or blood-spangled Oresteia, and few myths with which to orient ourselves. Now imagine we began to recover the Bible, and all its storied variants, book-by-book, in hastily translated installments, hot off the presses. Imagine a whole culture thrilling, for the first time, to the horrifying faith of Abraham at the binding of Isaac, chilled by the fate of Moses in the desert, riveted by the tearjerker hermeneutics of Job, and following the rise of the prophets as they struggle to maintain their faith in a fallen world like it was Dickens-at-his-peak or the Marvel Universe or Game of Thrones. Experiencing the original doorstop systems novel, we readers would be party to a renaissance in what story can and should be, our critical lenses refitted for new eyes through which to see the world. Of course, naysayers would argue that the planet and its creator are too seriously at odds for such an engagement with the substance of scripture. “The Bible is very easy to understand. But we Christians are a bunch of scheming swindlers. We pretend to be unable to understand it because we know very well that the minute we understand, we are obliged to act accordingly,” wrote Kierkegaard (expressing a sentiment I imagine could apply to more than just Christians). And one of Martin Buber’s inaugural assumptions in I and Thou is Mundus vult decipi, “the world wants to be deceived.” Read more…
Michelle Weber Humans: we like explanations for things, and we like it when things are not our fault. To the stars! In The Baffler, Lauren Oyler writes with both great care and great wit about astrology, why we’re drawn to it, why it’s seen a resurgence in the past seven or eight years, and how we find identity (and social media content) in the skies.
It’s difficult to write about astrology—the idea was to write about astrology, to examine the nature of its trendiness right now—because the two questions the topic brings up most are “Is she serious?” and “Who cares?” A friend points out that my Gemini moon is likely to blame for my inability to settle on an argument here, but regardless: I don’t really know how to answer either question because the latter depends on the former, and because determining the seriousness (or not) of a person’s professed viewpoint requires a detailed checklist, one that takes into account author, subject, context, and micro-context (what jokes are popular on social media that day). The horoscopes women—mostly women—read today also take themselves pretty seriously; they’re much more elaborate and astronomically informative than the ostensibly personalized fortune cookies once found in the backs of newspapers and magazines, which were easy enough to justify as meaningless daily ritual. The authority of the contemporary astrologer is alternately expert (Susan Miller’s long-running Astrology Zone, Broadly’s Annabel Gat), speaking in friendly, straight-talking tones about things like Jupiter’s position and geometric aspects, or mystic-poetic (Astro Poets, The Cut’s Madame Clairevoyant), as if written by a medium in Los Angeles receiving garbled messages from Elizabeth Bishop. The popular Co–Star app—which uses your birthdate, place, and time to algorithmically generate lengthy, “hyper-personalized,” koan-like forecasts for you in each of ten (ten!) life-areas (transcendence, innovation, love & tenderness, thinking & communication, intense transformation, responsibility & limits, sex & aggression, ego & identity, emotional world, growth & progress)—combines the two. It also allows you to compare your natal chart—a diagram of the relationship of the sun, moon, and planets to your place of birth at your time of birth—with friends’ charts to assess your compatibility in all the life-areas. The daily horoscopes it produces are so long that I usually do not finish reading them, though they often contain gems like “The present moment is its own hellscape,” which it served me on my birthday when I had woken from a night of short, drunk, bad sleep in an un-air- conditioned apartment in Berlin, which was experiencing a heat wave.
Longreads This week, we’re sharing stories from Tiffany Stanley, Raj Telhan, Alex Pareene, Nico Muhly, and Chris Heath.
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Longreads Here are stories from 2018 that captured Longreads editors’ imaginations as deserving of ongoing attention. If you like these, you can sign up to receive our weekly email every Friday.
Danielle Jackson
Writer and contributing editor, Longreads
The July 30 issue of Strange Horizons, a monthly journal dedicated to speculative fiction, focused on narratives of the southeastern United States, and were all written by indigenous authors and other writers of color. In the stories they selected and nurtured, editors Sheree Renee Thomas, Erin Roberts, and Rasha Abdulhadi brought to light a multiciplicitious South, ripe with the region’s “history, music, food, language,” yet sensitive to the hauntings and challenges still left unresolved.
My favorite story of the issue, “Always Open, the Eureka Hotel,” by Memphis-born writer Jamey Hatley, is an innovative, life-stirring feat of storytelling that resists the boundaries of genre and the page itself to dive deep into the interiors of its characters, into the heart and marrow of a place. A young Black girl in Jim Crow Mississippi has been caught in an affair with a mysterious, blues-playing lover; her protective father and brother drive her North, toward Chicago, away from the trouble her lover can bring. Guided by the Negro Motorist Green Book and the Negro Yearbook and Directory, the family journeys through sundown towns and has a menacing encounter with a white police officer. Their stop in Memphis at the Eureka Hotel changes the young girl’s life: “You thought you were hungry for what your lover could teach you, but you were hungry for yourself.”
Based on deep research (with thorough footnotes!) into Southern foodways, the traditions of conjure and rootwork, and the queer history of the blues, Hatley has created a world in between the real one and a fictional one, between now and the past, to reveal something truer about the South and feminine longing and hope than anything I’ve read in a long time.
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