For W, Diane Solway tells the story of how LA’s Underground Museum, a part-exhibition, part-salon space in the Arlington Heights neighborhood created by painter Noah Davis came to be.
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The Death and Life of Aida Hernandez
In the story of one Mexican-American woman’s life, we can see the whole tragic story of the US-Mexico border’s transformation from a simple chain-link fence to a humanitarian crisis.
If You Were a Sack of Cumin
In the midst of the Syrian Civil War, three grown siblings attempt to fulfill their father’s final wish. The journey is dangerous, but that’s no surprise; nowadays, death is always hard work.
Did the Modern Novel Kill Charles Bovary?
Jean Améry, the Austrian essayist and Primo Levi’s former barrack-mate at Auschwitz, wrote one last novel before he died. Its six angry chapters are written as if by Charles Bovary, accusing Flaubert of ruining his life.
After World War I, Horror Movies Were Invaded By an Army of Reanimated Corpses
Were early horror films, with their long, angry processions of the undead, repeating the mass trauma of the First World War, or foreshadowing the coming of the Second?
Traveling While Black Across the Atlantic Ocean
Following in the footsteps of African Americans traveling to Denmark in the early 20th century, Ethelene Whitmire experiences a 21st century transatlantic crossing.
L.A.’s Underground Museum is a Vital Hub of Contemporary Black Culture
The space has become a vital convening point for creatives, culture workers, and audiences interested in ideas of black excellence.
Searching London for My Third Place
A personal essay in which Jessica Brown reflects on reading sociologist Ray Oldenburg’s, The Great Good Place: Cafés, Coffee Shops, Bookstores, Bars, Hair Salons and Other Hangouts at the Heart of a Community, and walking the streets of her much gentrified adopted city seeking deeper connection.
Raised by Hip-Hop
In hip-hop and skateboarding, one young man finds an outlet for his aggression.
When Zora and Langston Took a Road Trip
In 1927, Zora Neale Hurston gave Langston Hughes a lift to Tuskegee in her Nash coupe, nicknamed “Sassy Susie.” It was one of most fortuitous hangouts in literary history.
