Search Results for: Popular Science

The Fullness of a Moment

Photo Courtesy: American Museum of Natural History

Jaime Green | Longreads | January 2016 | 24 minutes (6,058 words)

 

here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide

— E. E. Cummings, “[i carry your heart with me(i carry it in]

The study of natural history is, literally, the study of life –
life as it was, as it is, and as it will be.

— F. Trubee Davison, “American Museum of Natural History 1949 Annual Report

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Most everything in the American Museum of Natural History is from another place or time: fossils from extinct creatures, rocks from space or deep within the earth, the yearly hot-house of butterflies sipping nectar and dodging toddlers in the midst of wintry New York. This seems to be what the museum is for. But in one hall of the museum, the artifact from the past is a bit of the museum itself: Like a time capsule of sorts, though it almost seems like they’ve forgotten that it’s there.

In this hall, everything is contained neatly in its frame. Little boxed windows, little farm scenes, pages from a cozy picture book. The wood paneling on the wall is like your grandparents’ basement. It speaks of rec rooms, warm pile carpets, lying on your stomach playing with an old GI Joe. Someone found it for you, no one really knows where it came from, but you’ll play with it for hours while the grownups are upstairs. This hall has no rec room carpet, just speckly brown tiles on the floor. And the dark wood-grain paneling on the walls is smooth and clean. This is a place for lingering; the ambient volume drops. In the busy modern museum in the busy modern city, this is a space that is quiet and and still, held in motion and time.

This is one of the very oldest bits of the museum. It hasn’t been touched in 64 years. If it were a person it would be almost old enough to retire. Read more…

Longreads Best of 2015: Business & Tech

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in business and tech.

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Longreads Best of 2015: Arts & Culture

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in arts and culture writing.

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Shannon Proudfoot
Senior writer with Sportsnet magazine

The Late, Great Stephen Colbert (Joel Lovell, GQ)

Stephen Colbert has pulled off the rare feat of being a public figure for the better part of a decade while keeping his true self almost entirely obscured behind a braying façade. Here, with such uncommon intelligence, sensitivity and nuance, Joel Lovell shows us who’s been under there the whole time. The writer is very present in the story, sifting through the meaning of what he finds and tugging us along behind him through reporting and writing that starts out rollicking and then turns surprisingly raw and emotional. But Lovell never gets in his own way or turns self-indulgent; that’s a tough thing to pull off. The word I kept coming back to in thinking about this story was “humane”—it just feels so complex and wise, and unexpectedly aching, buoyed with perfect, telling details and effortlessly excellent writing. Read more…

Longreads Best of 2015: Under-Recognized Books

We asked our book editors to tell us about a few books they felt deserved more recognition in 2015. Here they are.

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Anna Wiener
@annawiener

Rules for Werewolves (Kirk Lynn, Melville House)

I read this book in one fast gulp, anxious fingers poised to flip the page. In Kirk Lynn’s debut novel, a band of young runaways moves swiftly through the suburbs, squatting in foreclosed houses and in the homes of unwitting vacationers, wild eyes trained on the promise of a self-made utopia. The thrills and pleasures of this new society are the benign trappings of suburbia (well-stocked refrigerators, lavender soap, the privacy of closed doors) coupled with the first bright licks of freedom. As the pack grows tighter, defining the boundaries of its own morals and ideology, it also grows more feral. Unbridled idealism and independence begin to unravel into violent and irreparable ends.

Structurally, Rules for Werewolves seems to borrow from Lynn’s background as a playwright: the book is composed of alternating sections, some of which are monologues from shifting perspectives; the rest is raw dialogue, high velocity and high stakes, deftly capturing the insecurities, intoxication, and desperation of people determined to survive on their own terms. From the pack’s pastoral vision to Kirk’s unsettling depiction of the waning American suburbs—littered with empty houses, an echo of unrealized aspirations—the book reminds that utopia’s volatility comes always from within. Read more…

What It’s Like to Fly Into a Thunderstorm

Flying near a fast-forming storm in North Dakota.
Flying near a fast-forming storm in North Dakota. (Photo by Shawn,flickr)

Justin Nobel | Atlas Obscura | November 2015 | 14 minutes (3,498 words)

 

Atlas ObscuraOur latest Exclusive is a new story by Justin Nobel, co-funded by Longreads Members and published by Atlas Obscura.

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The Politics of Poetry

David Orr | Beautiful & Pointless: A Guide to Modern Poetry | HarperCollins | 2011 | 18 minutes (4,527 words)

The essay below is excerpted from David Orr’s 2011 book Beautiful & Pointless: A Guide to Modern Poetry. Orr writes the On Poetry column for The New York Times, and an earlier version of this essay appeared in Poetry Magazine. Read more…

The Walkable Multiverse According to Charles Jencks

Alina Simone | Atlas Obscura | September 2015 | 23 minutes (5,747 words)

Atlas ObscuraOur latest Exclusive is a new story by Alina Simone, co-funded by Longreads Members and published by Atlas Obscura. Read more…

The Cultural Impact of “A Wrinkle in Time”

Photo: brainwise

My beloved fourth-grade teacher, Miss York, held my class in rapture as she read aloud a chapter of Madeleine L’Engle’s classic, A Wrinkle in Time, every day after lunch. Later, I read it on my own, over and over, and devoured much of L’Engle’s other fiction. I met the Austins, I time-traveled to Noah and his infamous ark, I went up against an insane dictator.

L’Engle’s life–her family, her religion, her motherhood, her career, her writing decisions—have been subject to much speculation. Later in her celebrated, prolific career, she transitioned to writing about religion and family–more memoir, less fiction. But it’s her “children’s” books that remain the most popular. At Mental Floss, Jen Doll explores the magic of A Wrinkle in Time and its effects on the boundaries of genre and powerful women protagonists.

The reception of [A Wrinkle in Time] was far from universally positive, though. It was a weird mashup of genres combining science fiction with fantasy and a quest; a coming-of-age story with elements of romance, magic, mystery, and adventure. There’s a political, anti-conformist message, and at its heart is the importance of family, community, freedom of choice, and, most of all, love. In some ways, there was too much room for interpretation in L’Engle’s themes…

In these fantasy worlds, as in the real world, things can’t always be tied up neatly. Evil can never be truly conquered; indeed, a key to fighting it is knowing that. It’s a sophisticated lesson children thrill to, and one in which adults continue to find meaning.

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‘Who Cares about Your Jetpack?’ On the Lack of Women Futurists

When we think about futurism, more often than not it’s robots and hoverboards that spring into our minds. Writing for the Atlantic, Rose Eveleth wonders if our limited vision of the future is a result of white, male geeks dominating the field. What questions would futurism ask were it to become more inclusive?

There are all sorts of firms and companies working to build robotic servants. Chrome butlers, chefs, and housekeepers. But the fantasy of having an indentured servant is a peculiar one to some. “That whole idea of creating robots that are in service to us has always bothered me,” says Nnedi Okorafor, a science fiction author. “I’ve always sided with the robots. That whole idea of creating these creatures that are human-like and then have them be in servitude to us, that is not my fantasy and I find it highly problematic that it would be anyone’s.”

Or take longevity, for example. The idea that people could, or even should, push to lengthen lifespans as far as possible is popular. The life-extension movement, with Aubrey de Gray as one (very bearded) spokesman, has raised millions of dollars to investigate how to extend the lifespan of humans. But this is arguably only an ideal future if you’re in as a comfortable position as his. “Living forever only works if you’re a rich vampire from an Anne Rice novel, which is to say that you have compound interest,” jokes [futurist Madeline] Ashby.

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The Mysteries and Truths of Illness: A Reading List

Photo: NVinacco

In her essay “This Imaginary Half-Nothing: Time” (#10 on this list), poet Anne Boyer quotes another poet, John Donne: “We study health, and we deliberate upon our meats, and drink, and air, and exercises, and we hew, and we polish every stone that goes to that building; and so our health is a long and a regular work.” What happens when that long work is disrupted, when an irregularity appears? What if the irregularity is chronic, terminal, fatal? Here, I’ve collected 10 stories about authors reckoning with illnesses—some without cause or cure. Read more…