For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
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Posted inStory
The Proving Grounds: Charley Crockett and the Story of Deep Ellum
Generations of musicians got their start busking the streets of the Deep Ellum neighborhood of Dallas, Texas. After a decade of ‘hobo-ing’ around cities like New Orleans, Paris, and New York, Charley Crockett discovered it was his turn.
Posted inArts & Culture, Crime, Current Events, Essays & Criticism, Story
True Crime and the Trash Balance
True crime has a reputation for being trashy, but a recent renaissance has it tipping into advocacy.
Posted inBooks, Fiction, Profiles & Interviews, Story
‘In a Marriage, You Grow Around Each Other’: An Interview with Tessa Hadley
Tessa Hadley on gaining the sense of authority she needed to write fiction, the authors whose work opens the door for her to write, and the way we are formed by our connections with other people.
Posted inStory
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
Posted inEditor's Pick
A Woman’s Work: Becoming a Home of One’s Own
Carolita Johnson considers what it takes to recover from grief, build strength for the future, and become one’s own center of gravity again.
Posted inEssays & Criticism, Feature, Nonfiction, Story
The Backcountry Prescription Experiment
Mathina Calliope goes off her antidepressant and into the woods.
Posted inNonfiction
Longreads Best of 2018: Essays
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in essays.
Posted inArts & Culture, Essays & Criticism, Story
Cahiers du Post-Cinéma
The movie theater was once a kind of lay church, with festivals like TIFF serving as annual religious holidays — until new houses of worship opened online.
Posted inBooks, Fiction, History, Profiles & Interviews, Story
‘Nobody in This Book Is Going to Catch a Break’: Téa Obreht on “Inland”
‘The history of the West is a deeply turbulent one… that kept the living population in a constant state of unrest. I thought this constant state of unrest must be true for the dead as well.’
