Search Results for: New Yorker

Desperately Seeking Daniel Day-Lewis

(John Shenton / Mirrorpix / Getty Images)

In 1989, during a performance of Hamlet at the National Theater, Daniel Day-Lewis walked off the stage. Like Hamlet, he claimed, he’d seen his father’s ghost. He never took to the stage again. With this week’s announcement that Day-Lewis is retiring from acting, it looks like his film days are over, too. And when Daniel Day-Lewis commits to something, he really commits.

Cue the public mourning for one of our most dedicated actors, a man as famous for avoiding the cameras as he is for standing in front of them. Day-Lewis embodied Acting with a capital A, embracing all of its finicky pretense. The end of his career may also be the end of an era for the great method actor — and the brilliant, if reluctant, male movie star.

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The Top 5 Longreads of the Week

Image courtesy of Mattel

This week, we’re sharing stories from Caity Weaver, Marisa Meltzer, Jiayang Fan, Taffy Brodesser-Akner, and Jeff Maysh.

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Five Questions for an Actor in the Ensemble of ‘Julius Caesar’

Elizabeth Marvel as Marc Anthony delivers a speech to the crowd in 'Julius Caesar' at Shakespeare in the Park (Joan Marcus / The Public Theater)

The crowd is its own character in Julius Caesar; they are there to be angered, to forgive, to protest, and most importantly, to be persuaded. In Oskar Eustis’s controversial production, the ensemble sat among the audience for most of the play, standing up to protest only midway through the show. This became confusing during one of the final performances, when a 24-year-old, right-wing activist named Laura Loomer rushed the stage after the assassination scene in the Senate, shouting “Stop the normalization of political violence against the right!” (“We’re not promoting it,” an actress onstage said to Loomer in the moment. “This is Julius Caesar.”)

Cassandra Cushman was an actor in the ensemble, and we asked her about her experience performing in a 400-year-old play that made national headlines in its final week.

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After Oranges

Longreads Pick

Fifty years after New Yorker writer John McPhee published his slender study Oranges, one writer traces McPhee’s story down to Florida to assess the state of American citrus and the peculiar nature of this enduring book.

Source: Oxford American
Published: Jun 14, 2017
Length: 27 minutes (6,974 words)

The Top 5 Longreads of the Week

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This week, we’re sharing stories from Matthew Shaer, John Woodrow Cox, Bethany McLean, Robin Wright, and David Sedaris.

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The Mosul University Library: Reborn From the Ashes

FILE -- In this Jan. 22, 2017 file photo, a student walks past badly damaged buildings at the University of Mosul. (AP Photo/ Khalid Mohammed, File)

At The New Yorker, Robin Wright reports on how the Mosul University Library — once home to books and documents dating to antiquity and destroyed by ISIS militants — is becoming the epicenter of Iraq’s cultural rebirth as the homemade mines are removed, Mosul University is rebuilt, and the book drives begin.

I could smell the acrid soot a block away. The library at the University of Mosul, among the finest in the Middle East, once had a million books, historic maps, and old manuscripts. Some dated back centuries, even a millennium, Mohammed Jasim, the library’s director, told me. Among its prize acquisitions was a Quran from the ninth century, although the library also housed thousands of twenty-first-century volumes on science, philosophy, law, world history, literature, and the arts. Six hundred thousand books were in Arabic; many of the rest were in English. During the thirty-two months that the Islamic State ruled the city, the university campus, on tree-lined grounds near the Tigris River, was gradually closed down and then torched. Quite intentionally, the library was hardest hit. ISIS sought to kill the ideas within its walls—or at least the access to them.

“My life’s work,” Jasim said, when we spoke by telephone two weeks ago. “I’d rather my house be destroyed, not the library. All my memories, all the people we helped there—we helped develop the city and the country. Whenever I speak about the library, it’s as if I’m putting my hand on an open wound.”

Then, there’s the problem of books. On May 25th, students organized a book drive outside the gutted library, even as battles between the Iraqi Army and isis militants echoed from across the river. Four young musicians performed in front of the library steps. Three students pinned their photographs of people and places and life in Mosul on a long clothesline and recounted the stories behind them. Four painters displayed their work, propped on easels. The event was the brainchild of Mosul Eye, a pseudonymous historian and blogger who chronicled life under ISIS rule until he fled Iraq, last year. (He spoke on the condition of anonymity, since he still has family in Mosul.) Before the ISIS invasion, in 2014, he spent long hours in the library each week doing research, he told me. From abroad, he’s now trying to coördinate a cultural rebirth in Mosul, beginning with its university.

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What if Free Outdoor Theater is the Greatest Threat to Our Democracy?

(Wikimedia Commons)

What if we have all died and 2017 is actually purgatory? Instead of Sisyphus rolling a rock up a hill over and over, it’s just conservative and liberals engaging in back-and-forth, grab-your-wallet boycotts for eternity?

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Arundhati Roy Doesn’t Care What You Think 

Arundhati Roy in 2009. (Photo by Satish Bate/Hindustan Times via Getty Images)

Seven thousand, three hundred days. Twenty years. Judging by the response to the release of Arundhati Roy’s long-anticipated follow-up to her first novel, 1997’s The God of Small Things, you’d think it had been two hundred. Reviews of The Ministry of Utmost Happiness are almost as ecstatic as the ones that accompanied Roy’s first book — and they almost always include a lament that it took her so damn long to produce.

The God of Small Things received a Man Booker Prize, bestseller status, and a whirlpool of accolades, but after its publication, Roy opted out of fiction altogether, pursuing a career as a political activist-cum reporter, unearthing the stories of society’s rebels and outcasts, advocating for a non-nuclear India, the independence of Kashmir, and criticizing prime minister Narendra Modi.

How dare she?

That’s the underlying question in nearly every interview with Roy that’s followed. Who wouldn’t give just about anything for a fawning debut New York Times book review, a public clamoring for the next book? Doesn’t she owe her readers another glimpse into her imagination? Read more…

The Top 5 Longreads of the Week

Donald Trump caricature by DonkeyHotey (CC BY-SA 2.0)

This week, we’re sharing stories from Rebecca Solnit, Robert F. Worth, Margaret Talbot, Porochista Khakpour, and Frank Bures.

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West Virginia: Still High on Hope

Dr. John Aldis holds a naloxone nasal spray kit with the instruction sheet in Martinsburg, W.Va. Aldis trains people so that they can administer naloxone to an individual in the midst of a heroin overdose. (Jenni Vincent/The Journal via AP)

At The New Yorker, Margaret Talbot reports on the opioid epidemic in West Virginia. There, the overdose rate is the highest in the United States and many are fighting to help loved ones, friends, neighbors, and sometimes complete strangers get healthy: An emergency paramedic who routinely sees multiple overdoses a day, sometimes the same people on repeat. A team of moms called “The Hope Dealers” who drive addicts hours away to get the treatment they need. A 71-year-old doctor offering free public classes on how to administer Narcan, a drug that reverses the effects of these now-commonplace overdose. All this in an opioid epidemic fueled by cheap highs and small-town despair over limited prospects.

We were driving away from Hedgesville when the third overdose call of the day came, for a twenty-nine-year-old male. Inside a nicely kept house in a modern subdivision, the man was lying unconscious on the bathroom floor, taking intermittent gasps. He was pale, though not yet the blue-tinged gray that people turn when they’ve been breathing poorly for a while. Opioid overdoses usually kill people by inhibiting respiration: breathing slows and starts to sound labored, then stops altogether.

As we drove away, Barrett predicted that the man would check himself out of the hospital as soon as he could; most O.D. patients refused further treatment. Even a brush with death was rarely a turning point for an addict. “It’s kind of hard to feel good about it,” Barrett said of the intervention. “Though he did say, ‘Thanks for waking me up.’ Well, that’s our job. But do you feel like you’re really making a difference? Ninety-nine per cent of the time, no.” The next week, Barrett’s crew was called back to the same house repeatedly. The man overdosed three times; his girlfriend, once.

But a larger factor, it seems, was the despair of white people in struggling small towns. Judith Feinberg, a professor at West Virginia University who studies drug addiction, described opioids as “the ultimate escape drugs.” She told me, “Boredom and a sense of uselessness and inadequacy—these are human failings that lead you to just want to withdraw. On heroin, you curl up in a corner and blank out the world. It’s an extremely seductive drug for dead-end towns, because it makes the world’s problems go away. Much more so than coke or meth, where you want to run around and do things—you get aggressive, razzed and jazzed.”

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