Search Results for: New Yorker

“Hey, Can I Sleep In Your Room?”: Studying Love with Elizabeth Flock

AP Photo/Rajesh Kumar Singh

Jonny Auping | Longreads | March 2018 | 16 minutes (4,156 words)

 

In her recently published book, The Heart Is a Shifting Sea, Elizabeth Flock aims to tell authentic stories of love in the city of Mumbai. But in a place where the notion of flashy Bollywood romance is ubiquitous, Flock went about her mission as a diligent reporter, spending close to a decade observing the daily lives of married couples in the eighth largest city in the world — interviewing them, living with them — even sleeping on their bedroom floors.

Flock, who spent two years in Mumbai in her early twenties, returned in 2014 to embed with her book’s subjects — three couples she had previously met. “I liked them because they were romantics and rule breakers,” Flock writes. “They dreamed of being married for seven lifetimes, but they didn’t follow convention.”

The deeply reported chronicles of these middle-class Mumbai couples depict the sometimes painful push and pull between love, breaking convention, and the ingrained duty to generations of tradition.

True to the diversity of the city, the book follows three couples from different religious and cultural backgrounds: Maya and Veer are Marwari Hindus, Shahzad and Sabeena are Sunni Muslims, and Ashok and Parvati are Tamil Brahmin Hindus.

But as Flock’s writing illustrates, these backgrounds were contextual and monumentally significant to their circumstances, but not even close to wholly representative of their identities.

Although Flock removes herself from these narratives, the stories feel complete and candid in a way that seems remarkable considering they are told by an outsider. The years worth of trust she built with her subjects — at times even babysitting their children — led to revealed secrets and emotions that take the accounts from ordinary to captivating.

Some of the obstacles these six people face — religious restrictions, gender expectations, antiquated laws and practices — are unique to their cultural environment. But what all of them are after — a successful marriage — is universally relatable.

Flock took the time to speak with Longreads about her reporting process, the state of marriage in India, and how love does or does not transcend culture and region.

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The Billionaire Philanthropist

Photo: AP Images

Jacob Silverman | Longreads | March 2018 | 9 minutes (2,268 words)

 

 

During the political chaos of the last year, one American institution has emerged stronger than ever. As its revenues soared, Amazon’s stock price has steadily ascended, cresting $1,500 and beyond. Jeff Bezos, the company’s founder and CEO, has experienced what The New York Times described as “what could be the most rapid personal-wealth surge in history.” His net worth hovers somewhere around $130 billion. His 400,000 acres in land holdings — much of it in west Texas, where Blue Origin, his space company, is based — makes him the 28th largest landowner in the country, according to the magazine The Land Report. By any standard, Bezos is one of the richest people to have ever lived, while Amazon exerts an impossible-to-overstate influence on a range of fields, from retail to publishing to cloud computing. As part of the highly touted HQ2 contest, twenty North American cities — finalists winnowed from a list of hundreds of applicants — are falling over themselves to offer tax breaks and other inducements so that Amazon will choose their municipality for its next headquarters. The power of Bezos, and Amazon, seems unbridled.

Reckoning with Bezos’s influence means approaching Amazon and its “notoriously confrontational” culture, as Brad Stone described it in The Everything Store, with a critical eye. Paging through Stone’s 2013 book on the ecommerce giant and its founder, and watching the many Bezos interviews available on YouTube, yields a picture of a smart, cunning, singularly driven executive with total confidence in his vision. Amazon is run on lean budgets, almost like a startup, in an atmosphere of high expectations and continual performance assessments that cause some employees to “live in perpetual fear.” Stone explains that if you’re seeking the source of this tense, high-achieving environment, you should look to the founder: “All of this comes from Bezos himself. Amazon’s values are his business principles, molded through two decades of surviving in the thin atmosphere of low profit margins and fierce skepticism from the outside world.” Read more…

The Man in the Mirror

Van Eyck's Arnolfini Portrait

Alison Kinney | Longreads | March 2018 | 17 minutes (4,156 words)

 

1.

In the foreground of the early Netherlandish painting stands a couple, holding hands, amidst the comforts of their cherry-upholstered, brass chandelier-lit bedroom. The husband, Giovanni di Nicolao Arnolfini, raises one hand in greeting, but neither to his unnamed wife, who clasps one hand over her belly, nor to the lapdog at their feet: behind the couple, a small, wall-mounted convex mirror reflects two other men, facing the Arnolfinis in their room yet visible only in the glass. One of these men may be the artist himself, Jan van Eyck.

Like many other paintings where looking glasses, polished suits of armor, jugs, and carafes expand or shift the perspectives, The Arnolfini Portrait shows us how many people are really in the picture. Painted mirrors reflect their creators, or at least their easels, in Vermeer’s Music Lesson; in the Jabach family portrait, where Charles Le Brun paints his mirror image right into the group; and in Andrea Solario’s Head of St. John the Baptist, where the reflection of the artist’s own head gleams from the foot of the platter. Mirrors reveal the whole clientele and an acrobat’s feet in Manet’s A Bar at the Folies-Bergère; the two observers of a couple’s ring purchase in Petrus Christus’s Goldsmith in his Shop; and, regal in miniature, Philip IV and Mariana of Austria in Velázquez’s Las Meninas. Sometimes mirrors invite us to regard the artist’s reflection as our own; as John Ashbery wrote of Parmigianino’s Self-Portrait in a Convex Mirror,

What is novel is the extreme care in rendering
The velleities of the rounded reflecting surface
(It is the first mirror portrait),
So that you could be fooled for a moment
Before you realize the reflection
Isn’t yours.

The mirror’s revelations surprise everyone except the artist, who, in The Arnolfini Portrait, paints his signature over the mirror, like a graffito on the wall: “Johannes de eyck fuit hic 1434.” Jan was here.

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The Olympian Who Believes He’s Always On TV

Mary PilonThe Kevin Show: An Olympic Athlete’s Battle with Mental Illness | Bloomsbury | March 2018 | 14 minutes (3,775 words)

“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you.” –The Velveteen Rabbit

As Kevin Hall stood onboard the Artemis, a 72-foot catamaran, trying to help his teammates dredge Andrew Simpson’s body out of the water, he wasn’t entirely sure if the scene unfolding before him was really happening or not.

Andrew “Bart” Simpson, whose body might or might not have been in the water, was a stocky British Olympic gold medalist with short, spiky chestnut hair and a wide smile. One of the world’s best sailors, Simpson knew what to do in emergencies, which made his being trapped underwater for ten minutes all the more incomprehensible. The $140-million Artemis was supposed to be a technological wonder, so it made no sense to anyone onboard that it had crumpled so quickly into a taco shell, trapping Simpson in its fold.

Finally, Kevin and his teammates were able to pull Simpson’s soggy two hundred pounds out of the water and onto a floating backboard.

The emergency responders began to perform CPR, one officer cutting open Simpson’s wetsuit so he could apply a defibrillator to his chest. They pushed, the sailors waiting for Simpson to breathe, to show some sign of life. But Simpson was dead. He was 36 years old.

Months of preparation and millions of dollars had gone into the design of the Artemis, a vessel that had stunned other sailors with its foils and gadgets and that had seemed almost to fly over the water. Kevin suddenly felt lost. What had happened? Who, if anyone, was to blame? And why had Simpson, of all the sailors on the boat, been the one to die? Kevin had known Simpson for years, their sailing careers often overlapping, intersecting, and running in parallel. Simpson had something that Kevin and some of the other men on board the Artemis did not — an Olympic gold medal — and he represented something that all of the men on board aspired to be: a champion athlete and family man with a kind heart and generous spirit, seemingly unfazed by the success that he had attained.

Kevin thought about all this and more as the emergency workers took Simpson’s body away and everyone went home. In the days that followed, part of him wanted to talk to his teammates about what had happened, but part of him dared not. Because, if he was honest, he still wasn’t entirely sure that the crash and Simpson’s death had really happened. It seemed too horrifying to be real. And for a few moments, there had been that flash.

The Director. Cameras. Actors. Scripts.

Kevin wondered: Had it all just been part of The Show?
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Guantánamo, Forever

Guantanamo guards keep watch over detainees inside a common area at Camp 6 high-security detention facility at Guantanamo Bay U.S. Naval Base, Cuba. (AP Photo/Brennan Linsley)

Amos Barshad | The Marshall Project & Longreads | February 2018 | 16 minutes (4,100 words)

This article was co-published with The Marshall Project, a nonprofit news organization covering the U.S. criminal justice system. Sign up for their newsletter, or follow The Marshall Project on Facebook or Twitter.

The message came in on a spring day via the undisclosed U.S. government facility that approves all correspondence out of the military prison in Guantánamo Bay. It was a request for representation from Haroon Gul, a detainee, to Shelby Sullivan-Bennis, an attorney. Gul had never had a lawyer. He was one of the last men in Guantánamo without one.

Now, in 2016, his request was urgent. After nearly a decade of nothing, he was being given the chance to explain himself. It would happen through the Periodic Review Board, an administrative body that considers whether Guantánamo prisoners who have not been charged should be transferred home or to another country. A board representative wrote Sullivan-Bennis an email explaining that Gul, also identified as detainee number ISN 3148, “has requested in writing that you assist him with … proceedings before the PRB, at no cost to the Government.” When the email arrived, Gul’s first hearing was weeks away.

Guantánamo lawyers are famously overworked. At the time, Sullivan-Bennis was juggling five other clients. She and her coworkers at the human rights organization Reprieve asked themselves: How can we possibly handle another one? “And then everyone was like, ‘Let’s just try,’” Sullivan-Bennis recalled. “Because otherwise he’ll be alone.’”

She typed Gul a brief note saying that she’d take his case and that she’d come see him soon. She asked if he wanted anything from Guantánamo’s all-purpose department store, the Navy Exchange.

“Dear Honorable Miss Shelby Sullivan Bennis,” he wrote back in sloping, cursive handwriting, “I have no words to express my feeling of gratitude, appreciation and Thanks for your timly legal and moral help in my PRB hearing. I was in a helpless and hopeless state of my mind in my legal affairs you gave me emotional psycholgcal help.”

A few weeks later, they met for the first time in a windowless cement cellblock on prison grounds. Gul sat across a plastic-top table from Sullivan-Bennis in a loose-fitting, tan-colored T-shirt, with his ankle shackled to a metal ring secured to the floor. He’d been detained in Guantánamo since 2007, shortly after Afghan National Directorate of Security forces burst with guns into the rural guesthouse where he was staying outside Jalalabad and threw a bag over his head.

For the first time, he told his story to a lawyer. He was in his early 30s, like her. He had a wife, Halimah, and a 10-year-old daughter, Maryam, living in a refugee camp in Pakistan. Gul himself grew up in a Pakistani camp after violence forced his family to flee his home in Afghanistan. Despite harsh camp conditions, he’d earned an economics degree at Hayatabad Science University. He spoke four languages, including Pashto and Dari. While at Guantánamo he’d learned a fifth, English.

And like nearly every other detainee held at Guantánamo since 9/11, Gul had never been charged with a crime. The U.S. government was justifying his detainment under the law of war. In a secret government dossier on Gul released by Wikileaks, Gul (also known as Haroon al-Afghani) is described as “high risk” and of “high intelligence value.” The dossier alleges that he was an explosives expert and a high-ranking military strategist who had executed attacks on the Northern Alliance on behalf of Hezb-e Islami Gulbuddin, or HIG, a party affiliated with al Qaeda in the 2000s. U.S. intel also indicates that, in 2001, Gul attempted to help Osama bin Laden escape from Tora Bora.

Gul was too polite to put it this way, but he was effectively saying that it was all, all of it, bullshit. His affiliation with HIG was the same as that of millions of other Afghans: The group ran the refugee camps he needed to survive. He said he supported his family by selling small goods, like used books and jars of honey. He said the reason he was in that guesthouse that night was because he was on the road, selling, trying to scrape together some money. He said the Afghans had grabbed the wrong person.

The government’s allegations were built on secret interrogations and unidentified sources named things like IZ-10026. Sullivan-Bennis came to believe that Gul was innocent. It had happened before: An alleged al Qaeda agent named Mustafa al-Aziz al-Shamiri was detained for 13 years before his release; during his PRB hearing, the government admitted it may have had the wrong man. Read more…

The Internet Isn’t Forever

Illustration by Shannon Freshwater

Maria Bustillos | Columbia Journalism Review | February 2018 |2900 words (12 minutes)

This story is published in collaboration with the Columbia Journalism Review, whose Winter 2018 issue covers threats to journalism.

The Honolulu Advertiser doesn’t exist anymore, but it used to publish a regular “Health Bureau Statistics” column in its back pages supplied with information from the Hawaii Department of Health detailing births, deaths, and other events. The paper, which began in 1856 as the Pacific Commercial Advertiser, since the end of World War II was merged, bought, sold, and then merged again with its local rival, The Honolulu Star-Bulletin, to become in 2010 The Honolulu Star-Advertiser. But the Advertiser archive is still preserved on microfilm in the Honolulu State Library. Who could have guessed, when those reels were made, that the record of a tiny birth announcement would one day become a matter of national consequence? But there, on page B-6 of the August 13, 1961 edition of The Sunday Advertiser, set next to classified listings for carpenters and floor waxers, are two lines of agate type announcing that on August 4, a son had been born to Mr. and Mrs. Barack H. Obama of 6085 Kalanianaole Highway.

In the absence of this impossible-to-fudge bit of plastic film, it would have been far easier for the so-called birther movement to persuade more Americans that President Barack Obama wasn’t born in the United States. But that little roll of microfilm was and is still there, ready to be threaded on a reel and examined in the basement of the Honolulu State Library: An unfalsifiable record of “Births, Marriages, Deaths,” which immeasurably fortified the Hawaii government’s assertions regarding Obama’s original birth certificate. “We don’t destroy vital records,” Hawaii Health Department spokeswoman Janice Okubo says. “That’s our whole job, to maintain and retain vital records.” Read more…

The Top 5 Longreads of the Week

(Photo by Brenton Geach / Gallo Images / Getty Images)

This week, we’re sharing stories from Mark Arax, David Grann, Stephanie Nolen, Eleanor Cummins, and David Marchese.

Sign up to receive this list free every Friday in your inbox. Read more…

What Happens Between What Seems Like All the Facts: On Interviewing Artists

(Photo courtesy the Auping family)

Jonny Auping| Longreads | February 2017 | 15 minutes (4,011 words)

Michael Auping recently retired after 25 years as the chief curator of the Modern Art Museum of Fort Worth. His 40-year curatorial career, which focused on the international development of postwar art, has resulted in numerous, critically-acclaimed exhibitions featuring many of the 20th century’s most prominent visual artists.

Before becoming a curator, Auping spent his post-graduate years in mid-70s Southern California trying to figure out how to break into the art world. Around 1975, he came across the book Workingby Studs Terkel, in which the author interviews various working people — from parking valets and cab drivers to gravediggers and pharmacists — about the meaning they find in their jobs. Auping began going to the studios of Los Angeles-based artists like Robert Irwin, Tony Delap, and Craig Kauffman to record conversations about their work, their background, and most importantly, their process.

His new book, Forty Years: Just Talking About Art, is a compilation of interviews ranging from 1977 to 2017 featuring artists such as Frank Stella, Lucian Freud, Susan Rothenberg, Bruce Nauman. Anselm Kiefer, Ed Ruscha, Richard Serra, and many others. Read more…

His Life’s Set Prize: The Story of Polar Explorer Henry Worsley

Unreleased picture date is Friday April 18, 2008. Left to right. Shipping lawyer Henry Adams, City worker Will Gow and Team Leader, Henry Worsley, 47, during a training session at Constable Point, Greenland. (Photo by Joel Ryan - PA Images/PA Images via Getty Images)

At The New Yorker, David Grann tells the story of Henry Worsley, a British military man and “apostle” of polar adventurer Ernest Shackleton. Worsley earned fame by retracing Shackleton’s failed expedition to reach the South Pole. He, along with two teammates reached their destination on January 9th, 2009. A case study in the art of story pacing, this piece is a testament to the triumphs and perils of human ambition and endurance.

After Frank Worsley and other members of the expedition buried Shackleton, at a cemetery on the island, they found stones and built a cairn to mark the grave.

More than eighty years later, Henry Worsley, carrying a rucksack and a sleeping bag, pried open the cemetery gate and went inside. It was twilight, and he could just make out the cairn and a granite tombstone, which was engraved with a paraphrase of a line by Robert Browning: “I hold that a man should strive to the uttermost for his life’s set prize.” Worsley put his sleeping bag on the ground and climbed inside it, facing the block of granite. “Reaching out to touch it I considered for a moment just how significant a moment in my life this was,” he later wrote, adding, “I was about to spend the night . . . beside the grave of my hero since childhood.”

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