The saxophone colossus recorded two concerts at the same venue fifty years apart. Only one recording emerged from the vault.
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Posted inMedia
Choire Sicha’s New Role: Editor of The New York Times Styles Section
People love him. And that’s what makes him a great editor.
Posted inArts & Culture, Nonfiction, Quote Posts, Quotes
Moving Literary Life Off the Page
For one poet, conducting a satisfying literary life off-page required living life outside the classroom.
Posted inArts & Culture, Story
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
Posted inReading List
Stories to Read in 2019
A dozen exceptional stories from 2018 that deserve our ongoing attention.
Posted inNonfiction, Quotes
How We Write About the Nazis Next Door
The Nazi next door is still a Nazi.
Posted inStory
The Ugly History of Beautiful Things: Orchids
Sometimes a flower is just a flower, and sometimes it’s a powerful vehicle for giving free rein to our worst colonialist and misogynist impulses.
Posted inNonfiction
Prince of the Midwest
For one Wisconsin farm boy, Minneapolis will always be the city of Purple Rain.
Posted inStory
The Erotic Thriller’s Little Death
What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
Posted inNonfiction, Op-Ed
When Op-Eds Relitigate Facts
The New York Times has standards. Its Op-Eds just don’t always have to meet them.
