Ned Stuckey-French reflects on the host of Learn to Draw, the “middlebrow” instructional art show he loved as a kid.
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Posted inNonfiction, Reading List
Longreads Best of 2016: Food Writing
We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in food writing.
Posted inNonfiction, Quotes
The Price We Pay for Mass Incarceration
Put another way, the supposition on which our mass incarceration is premised—namely, that it materially reduces crime—is, at best, a hunch. Yet the price we pay for acting on this hunch is enormous. This is true in the literal sense: it costs more than $80 billion a year to run our jails and prisons. It […]
Posted inEditor's Pick, Essays & Criticism, Nonfiction, Unapologetic Women
Pregnant, then Ruptured
After an emergency operation, Joanna Petrone considers the medical advances and legal protections that allow women to survive ectopic pregnancies.
Posted inCurrent Events, Story
The Bitter History of Law and Order in America
It has stifled suffrage, blamed immigrants for chaos, and suppressed civil rights. It’s also how Donald Trump views the entire world.
Posted inEditor's Pick
They Began a New Era
The late James Salter’s last piece for the New York Review of Books, on David McCullough’s Wright brothers biography.
Posted inNonfiction, Reading List
David Bowie, 1947-2016
Here are six stories about the rock star who left a mark on music, fashion, and art.
Posted inBooks, Story
Norma McCorvey Versus Jane Roe
In 1970, a homeless woman pregnant with her third child met with two lawyers at a pizzeria in Dallas. Did it matter, in the end, who Jane Roe really was?
Posted inNonfiction
Longreads Best of 2016: Essays & Criticism
We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in essays and criticism.
Posted inEssays & Criticism, Nonfiction
Writing Our America
“Despite the headlines that came after the election calling this country ‘Trump’s America’—and there were many—I won’t call it that, or see it that way. And regardless of your politics I’ll ask you to join me. This is our America. It’s our America to write in, and our America to write.”
