A son approaching middle age looks back on a volatile relationship with his father.
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Stumbling Into Joy
The electric bass chose her, but it took 44 years to heed the call.
Searching for The Sundays
When music writers are also music fans, they can walk a line between appreciative and intrusive.
The Psychiatrist in My Writing Class and His ‘Gift’ of Hate
Rani Neutill recalls a literary workshop in which a white man critiqued her ability to write in “proper” English.
‘I Don’t Think Those Feelings of Self-Doubt Ever Go Away.’
Susan Choi talks about feeling unsure of oneself, as a writer, as a performer — or as a victim — and about how her latest novel evolved in uncanny tandem with the real world.
Manic Street Preachers’ Album The Holy Bible
How a band seemingly out of step with its times outlasted so many of its indulgent, in-step contemporaries.
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
Orwell’s Last Neighborhood
While envisioning the darkest of futures and grappling with mortality, the English writer retreated to an idyllic Scottish isle to write Nineteen Eighty-Four.
Sarah Moss on Brexit, Borders, Bog Bodies, and the ‘Foundation Myths of a Really Damaged Country’
Sarah Moss’s tale of Iron Age reenactors and parental abuse is her way of addressing Brexit. “Putting the skulls of the ancestors up in some attempt to hold back history never works.”
