For a bunch of rock ‘n’ rollers creating the horror punk genre, the Misfits sure were sensitive.
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Posted inNonfiction
The Excesses of Compassion: A Reading List on Fallen Gurus
Stories about spiritual teachers who lose their way.
Posted inStory
“I Miss My Body When It Was Ferocious”: The Transfiguration of Paul Curreri
For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
Posted inFeature
Madness, Melancholy, or Murder: An Ancient English Farm’s 50-Year-Old MysteryÂ
Andrew Chamings returns to his childhood farmland to investigate the mystifying deaths of the Luxton siblings. What really happened down that dark country lane?
Posted inFeature
I Remember the Bookstore
Jason Guriel | On Browsing | November 2022 | 4,361 words (15 minutes) Let’s browse a bookstore—a Platonic one, a composite. Let’s wander an aisle, running our fingertips across a wall of spines. One spine, thick and black, juts out: the recent NYRB Classics reissue of William Gaddis’s novel The Recognitions. It’s a block of a book, […]
Posted inNonfiction
Life on Screen: A Reality Television Reading List
Reality TV: Guilty pleasure or public service?
Posted inArts & Culture, Culture, Essays & Criticism, Feature, Story
Funk Lessons in Sonic Solitude
“Joi’s recorded performances embodied all the funkiness my little soul had been waiting for.”
Posted inNonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Megan Evershed, Mark Mann, Jaelani Turner-Williams, Minelle Mahtani, and Kim Cross.
Posted inAudio, Feature, Story, Writing
The Thrill of the Perfect Ending: A Chat With the Writer and Editor Behind The Atavist’s New Issue
In this excerpt from The Creative Nonfiction Podcast, host Brendan O’Meara talks to Greg Donahue and Atavist editor Jonah Ogles about their work on “The Fugitive Next Door.”
Posted inArts & Culture, Highlight, Nonfiction, Quote Posts, Quotes
Black America Unwittingly Provided the Soundtrack to Its Own Displacement
American music may be Black music, but it has now become the music of displacement.
