In college, I rearranged my majors and minors, all in the humanities, for years. I loved everything. Finally, I majored in English. It was fate—second-grade me was constantly in trouble for sneaking books under her desk. Majoring in English was both the joy and bane of my life. I struggled with a Faulkner-heavy Southern Lit course, even though Faulkner remains beloved. I groused about Shakespeare. I wrote my senior thesis on Michael Chabon. And I transformed my love for editing into a prestigious position on the college newspaper. My Lit Crit class—a notorious gauntlet at my college—introduced me to Derrida’s jeu and the revelation of feminist theory. I spent my time studying and socializing in the English department suite. I TA’d for the head of the department. When I am nostalgic for college, I am nostalgic for the English suite—for the camaraderie among my fellow students and best friends, my professors and mentors, and the dusty books and teacups and flyers.
A confession: today, I whined to my boyfriend about the great gigs my journalist friends have procured. Daily papers! Grad school! Photography internships! New York City! On my worst days, I feel envy and inferiority. On my best days, I go to the library and check on a huge stack of books, remind myself to be grateful for my temp job and come home to write for Longreads. I remember that I did something right. If I remember that, I will continue to do something right, to do something, write.
Our latest first chapter comes from Longreads contributing editor Julia Wick, who has chosen Janet Fitch’s 1999 novel White Oleander. If you want to recommend a First Chapter, let us know and we’ll feature you and your pick: hello@longreads.com.Read more…
Besides the fact that Ronson is such a consistently fascinating writer, now when people ask me what kind of journalist I’d like to be, ultimately, I can now say, “You know that piece where Jon Ronson gets to fly all over the world and meet all the robots? That kind.”
A fascinating portrait of a very uncool and very successful art thief. Also, orchid club crasher. Definitely one of the most memorable characters of 2011.
Really haunting, and in large part because of this turn: “I told Michael about a recent conversation I had with our former boss … who surprised me by wondering aloud if Michael was ever truly gay.”
MVP Longread: This year was the year of chronic traumatic encephalopathy stories (rounded out by the amazing New York Times series on hockey enforcer Derek Boogaard), but Laskas’s skill elevates former Viking Fred McNeill and his struggle with early onset Alzheimer’s far beyond poster-child-dom. I ran around recommending this to just about everyone I know after reading it.