Anna Silman profiles actor and director Sarah Polley, on the occasion of the premiere of her Netflix miniseries, “Alias Grace,” an adaptation of a 1996 novel by Margaret Atwood.
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On Silence (or, Speak Again)
Elissa Bassist breaks her silence about everything she’s not supposed to talk about and comes out alive.
Bundyville: The Remnant, Chapter Four: The Preacher and the Politician
If America collapses, some see that as an opportunity to reboot society. They say they have God on their side.
Margaret Atwood: The Prophet of Dystopia
At The New Yorker, Rebecca Mead profiles Margaret Atwood — Canada’s prolific queen of literature. Mead and Atwood cover the resonance of The Handmaid’s Tale in Donald Trump’s America, Atwood’s approach to feminism, and the purpose of fiction in today’s society. Beloved for her incisive mind along with her works, Atwood uses unlimited curiosity as […]
Curiosity, Unfettered: Margaret Atwood as the Prophet of Dystopia
Rebecca Mead’s profile in The New Yorker covers the resonance of The Handmaid’s Tale in Donald Trump’s America.
Under Hubbard’s Eye
To scientologist Elisabeth Moss, The Handmaid’s Tale speaks to the importance of separation of church and state, rather than the dangers of religious extremism.
Who Do You Want Elisabeth Moss to Be?
As the first season of the television adaptation of The Handmaid’s Tale wraps up, author Emily Gould profiles Elisabeth Moss, the show’s star and executive producer. Gould manages to draw Moss out out a bit on topics the actress is famous for being tight-lipped about, including the book and show’s feminist messages, and how her […]
When ‘The Handmaid’s Tale’ Isn’t Fiction
Growing up in the fundamentalist Christian “Quiverfull” movement, Hännah Ettinger saw her own story in Atwood’s vision.
The Handmaid’s Tale Is a Warning to Conservative Women
Hulu’s adaptation of Margaret Atwood’s novel lays bare the horrors of collusion with the patriarchy.
Women Are Really, Really Mad Right Now
Rebecca Traister talks about the revolutionary power of women’s anger.
