Here’s every story that was chosen as No. 1 in our weekly Top 5 email.
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How to Save True Crime: A Reading List of Wrongful Conviction Stories
Stories about wrongful convictions open our eyes to systemic injustices in the U.S. court system. Maurice Chammah, a staff writer at The Marshall Project, compiles his recommended longreads within the genre.
Judge a Book Not By its Gender
Lisa Whittington-Hill suggests there’s a distinct gender bias in celebrity memoirs. Where female celebrities are expected to expose all, male writers get to write about whatever they want.
In the End, It’s All Just the Stories We Tell
Diana Arterian’s sad, lyrical essay on the legacy of the Armenian Genocide in the diaspora centers on a family story that everyone has heard — but that no one knows the truth of.
‘I Was Trapped Forever In This Present Tense’: Carmen Maria Machado on Surviving Abuse
“She was always afraid of my voice. That was the defining factor of our relationship — fear of what I would say and write and do. She’s afraid of … the narrative that I possess.”
Kissed a Girl
Vickie Vértiz maneuvers her way around teenage love, friend envy, and being outed by her Mexican mother.
When the Dishes Are Done, I Wonder About Progress
In “Coventry,” Rachel Cusk draws a connection between politeness and narrative death, rudeness and tragedy, storytelling and war.
‘I Was Interested in the People Who Are Stuck With These Memories.’
Steph Cha discusses her new novel “Your House Will Pay,” the LA Riots, the Korean American Angeleno community, her 3,600 Yelp reviews, and pushing back against gatekeepers in publishing.
‘They Were Growing Seedlings…Which Would Sprout To Become Supreme Court Justices’
Ruth Marcus discusses the Federalist Society’s 30-year Justice-grooming project, the botched investigations, and everything else that brought us “too big to fail” Brett Kavanaugh.
‘We Live in an Atmosphere of General Inexorability’: An Interview with Jia Tolentino
Jia Tolentino talks about what kinds of personalities thrive online, why she is suspicious of her own self-narrative, and the pervading sense that everything’s spiraling out of control.
