“She was always afraid of my voice. That was the defining factor of our relationship — fear of what I would say and write and do. She’s afraid of … the narrative that I possess.”
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The Top 5 Longreads of the Week
This week, we’re sharing stories from Amy Wallace, Katherine Laidlaw, Lisa Miller, Porochista Khakpour, and Lauren Schwartzberg.
Live Through This: Courtney Love at 55
Lisa Whittington-Hill on why Courtney Love deserves to be the girl with the most cake.
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
This Is the Excellent Foppery of the World
Mercury’s in retrograde, so it’s a great day to read this post.
A Manson Murder Investigation 20 Years In the Making: ‘There Are Still Secrets’
‘Everything that Manson did with his women was exactly what the CIA was trying to do with people without their knowledge, in the exact same time, at the exact same place.’
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
On Vanishing
Dementia is a kind of erasure, a death before death, where the living discount the infirmed long before they’re gone.

