Search Results for: London Review of Books

Confessions of a WikiLeaks Ghostwriter: A Cautionary Tale About Agreeing to a Book Deal

I wrote through the night to assemble what we had. The thinness could become a kind of statement, I asserted; it could become a modernist autobiography. But the jokes wouldn’t hold and Julian, despite promising his publishers and me that he’d produce pages, paragraphs, even notes towards his book, produced nothing in all the months I was there. Not a single written sentence came from him in all that time. But at the end, from all those exhausting late night interviews, we assembled a rough draft of 70,000 words. It wasn’t by any means great, but it had a voice, a reasonable, even-tempered, slightly amused but moral voice, which was as invented as anything I’d ever produced in fiction. Yet it hadn’t felt like creating a character in a novel, so much as writing a voiceover for a real person who isn’t quite real. His vanity and the organisation’s need for money couldn’t resist the project, but he never really considered the outcome, that I’d be there, making marks on a page that would in some way represent this process. The issue of control never became real to Julian. He should have felt worried about what he was supplying, but he never did – he had in this, as in everything, a broad illusion of control. Only once did he turn to me and show a glint of understanding. ‘People think you’re helping me write my book,’ he said, ‘but actually I’m helping you write your novel.’

Andrew O’Hagan, in the London Review of Books in 2014, recounts the disastrous experience of trying to ghostwrite the autobiography of WikiLeaks founder Julian Assange. (The publisher later released an unauthorized early draft of the book.)

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Swiping Right in the 1700s: The Evolution of Personal Ads

Noga Arikha | Lapham’s Quarterly | 2009 | 13 minutes (3,200 words)

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In 1727, a lady named Helen Morrison placed a personal advertisement in the Manchester Weekly Journal. It was possibly the first time a newspaper was ever used for such a purpose. As it happens, Morrison was committed to an asylum for a month. Society was clearly not ready for such an autonomous practice, especially on the part of a woman. But personal ads quickly became an institution. Heinrich von Kleist’s celebrated novella The Marquise of O, first published in 1810 (and said by Kleist to be “based on a true incident”) opens on the newspaper ad placed by “a lady of unblemished reputation and the mother of several well-brought-up children,” to the effect “that she had, without knowledge of the cause, come to find herself in a certain situation; that she would like the father of the child she was expecting to disclose his identity to her; and that she was resolved, out of consideration for her family, to marry him.” Read more…

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.

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Longreads Best of 2013: The 10 Stories We Couldn't Stop Thinking About

For four years now, the Longreads community has celebrated the best storytelling on the web. Thanks for all of your contributions, and special thanks to Longreads Members for supporting this service. We couldn’t keep going without your funding, so join us today.

Earlier this week we posted every No. 1 story from our weekly email this year, in addition to all of the outstanding picks from our Best of 2013 series. Here are 10 stories that we couldn’t stop thinking about.

See you in 2014. Read more…

Longreads Best of 2013: Here Are All 49 of Our No. 1 Story Picks From This Year

Every week, Longreads sends out an email with our Top 5 story picks—so here it is, every single story that was chosen as No. 1 this year. If you like these, you can sign up to receive our free Top 5 email every Friday.

Happy holidays! Read more…

Doris Lessing on What It Means to Be a Writer

“I think a writer’s job is to provoke questions. I like to think that if someone’s read a book of mine, they’ve had—I don’t know what—the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That’s what I think writers are for. This is what our function is. We spend all our time thinking about how things work, why things happen, which means that we are more sensitive to what’s going on.

“It’s just habits. When I was bringing up a child I taught myself to write in very short concentrated bursts. If I had a weekend, or a week, I’d do unbelievable amounts of work. Now those habits tend to be ingrained. In fact, I’d do much better if I could go more slowly. But it’s a habit. I’ve noticed that most women write like that, whereas Graham Greene, I understand, writes two hundred perfect words every day! So I’m told! Actually, I think I write much better if I’m flowing. You start something off, and at first it’s a bit jagged, awkward, but then there’s a point where there’s a click and you suddenly become quite fluent. That’s when I think I’m writing well. I don’t write well when I’m sitting there sweating about every single phrase.”

Doris Lessing (1919-2013), in the Paris Review. Read more on Lessing from Hilary Mantel in the London Review of Books.

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Photo: Wikimedia Commons

Longreads Guest Pick: Michael Macher on 'Putin's Rasputin'

Michael is the associate publisher at The Awl network.

“Earlier this week, Vladislav Surkov—also known by his nickname, the ‘gray cardinal’—resigned (i.e. was fired) from his position as a leading cabinet official in Medvedev’s government. As a character, Surkov is endlessly fascinating. On one hand he’s a ruthless political operator whose genius maneuvers have drawn comparisons to Machiavelli. On the other he’s a master ironist who has turned Russia in to his own ‘postmodern theatre’.  This October 2011 profile by Peter Pomerantsev in The London Review of Books is easily one of the best things written about him and the strange state of Russian politics in general. Pomerantsev beautifully weaves together fragments of Surkov’s personal biography with broader cultural observations to make deep points about power politics in Russia. I really, really enjoyed this piece and I hope you do too.”

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Longreads Guest Pick: Christian Lorentzen on ‘The Last White Election?’

Longreads Pick

Today’s guest pick comes from Christian Lorentzen, editor for the London Review of Books.

Source: Longreads
Published: Apr 17, 2013

Longreads Guest Pick: Christian Lorentzen on 'The Last White Election?'

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Today’s guest pick comes from Christian Lorentzen, editor for the London Review of Books, who recommends “The Last White Election?” by Mike Davis in the New Left Review

“Mike Davis’s essay is the most thorough analysis I’ve seen of the 2012 election and what it portends for the future. Written from outside the Washington consensusphere, it’s free of cant, and has something else you don’t much find in DC: style.”

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“Diary: Google Invades”—Rebecca Solnit, London Review of Books

Quote found by Michael Kruse