Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
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Posted inNonfiction, Quote Posts, Quotes
Viewing a Desert Highway Through Someone Else’s Eyes
One Arizonan narrates the two hour drive between Phoenix and Tucson.
Posted inStory
Naked City
Here, everyone hurries but no one arrives, everyone shows up but no one gets in, everyone’s a member but no one belongs.
Posted inNonfiction
The Joy of Watching (and Rewatching) Movies So Bad They’re Good
Michael Musto sings the praises of his favorite cinematic clunkers.
Posted inEssays & Criticism, Feature, Nonfiction, Story
The Art of Acceptance Speech Giving
Michael Musto looks back at some of the best, worst, and weirdest instances of performers expressing gratitude as they received their shiny trophies.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
Every Day I Write the Book
At 63, Michael Musto reveals how he keeps managing to add new chapters to the consistently unfolding story of his career.
Posted inEssays & Criticism, Feature, Nonfiction, Story
Every Day I Write the Book
At 63, Michael Musto reveals how he keeps managing to add new chapters to the consistently unfolding story of his career.
Posted inStory
Won’t You Be My Neighbor: An Anti-Hate Pop Culture Syllabus
Media and entertainment grounded in empathy are a critical part of a saner culture — and we can all help by actively producing, seeking, and supporting it.
Posted inStory, Uncategorized
Free Solo
On the return of ‘Veronica Mars’ and the power of the solitary woman.
Posted inBooks, Essays & Criticism, Story
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
